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【百科事典】ウィキぺディア第2097刷【Wikipedia】

1 :名無しの愉しみ:2019/03/24(日) 14:55:07.36 ID:???.net
     ru‐┐__   ru‐┐ '''ウィキペディア''' (Wikipedia) は、
    .} Ω_{' ⌒´ヾー、.{  みんなで作るフリー[[百科事典]]です。
    ´rー゙f(ノノ))))!i.「
      ノ乂k(l゚ ヮ゚ノ'ノ乂  このスレの住人には
    ´ '   と}i凹{っ   ' '''スルー力'''が必要です。
       fく/{__}〉
       ´ し'ノ          fromウィキペたん

== 注意 ==
* ウィキペディアと関係のある話題のみ推奨。
* ユーザー叩き、依頼は他所でどうぞ。
* >>950付近になったら次スレ作成を依頼してください。
* 事情により次スレを作成できない場合はその旨お知らせください。または誰かが代理で立てても構いません。

== 関連リンク ==
* [https://ja.wikipedia.org/ 日本語版ウィキペディア]
* [https://lists.wikimedia.org/mailman/listinfo/wikija-l Mailing List]
* [http://ja.wikichecker.com/ WikiChecker]
* [https://tools.wmflabs.org/pageviews/?project=ja.wikipedia.org Pageviews Analysis]

== 前スレ ==
【百科事典】ウィキぺディア第2096刷【Wikipedia】
https://lavender.5ch.net/test/read.cgi/hobby/1552991200/l50

313 :名無しの愉しみ:2019/03/27(水) 11:54:15.65 ID:???.net
space for a roomy third floor, all of which the view of the south front
clearly shows. This arrangement also avoids the need of dormers. “On the
north front is a tower-like projection in which the stairway ascends
with broad landings. The low doorway in this tower has always been used
on occasions of large gatherings at Whitby, whether grave or gay,
because it admits to the wide hall running through the western wing,
giving admittance to the large rooms on either side. The doorway and
windows in the tower are all surrounded by brick trims, which give both
variety and distinction against the grey stone walls--a treatment not
often met with near Philadelphia. In the top of the pediment with its
dentilled cornice, a bull’s eye light, also surrounded with brick trim,
is of particular interest because it was a porthole glass from one of
Colonel Coultas’s favourite ships, and was set there because of a
cherished sentiment. On peak and corners of the tower pediment three
urns add a note of state.

“All the woodwork and sundry embellishments

[Illustration:

Copyright, J. B. Lippincott Co.

CLIVEDEN, GERMANTOWN, PHILADELPHIA. 1761.

Middle Colonies Georgian, second phase.]

314 :名無しの愉しみ:2019/03/27(水) 12:01:37.85 ID:???.net
ミラブルはもう表でbot使えないもんね
そのうち5ちゃんでもブロックされればいい

315 :名無しの愉しみ:2019/03/27(水) 12:09:19.49 ID:???.net
5ちゃんをボットで英文荒らしてるのミラブル?
そこまでしてボット動かしたいんか・・・

316 :名無しの愉しみ:2019/03/27(水) 12:09:27.09 ID:???.net
[Illustration: MANTEL IN PARLOUR, MOUNT PLEASANT, PHILADELPHIA. 1761.

Middle Colonies Georgian, second phase.]

[Illustration:

Copyright, J. B. Lippincott Co.

THE WOODLANDS, SOUTH FRONT. PHILADELPHIA, _C._ 1770.

Middle Colonies Georgian, third phase.]

of the 1754 addition were fetched from England in Colonel Coultas’s
ships. The pilasters and cornices in the hall are exceptionally fine.
Rosettes are carved in the dog ears of the door trims and the cheeks and
soffits of the jambs are set with bevel-flush panels. In the parlour the
carving of the overmantel and the panelling are unsurpassed for either
execution or design. The central panel above the fireplace is three feet
high and nearly six feet wide, and not a joint can be discovered in it.
Below it is a band of exquisitely wrought floriated carving in high
relief. Although it is possible to find more elaborate woodwork, it is
rarely that one meets with a degree of elaboration tempered with such
dignified restraint and consummate good taste.”

317 :名無しの愉しみ:2019/03/27(水) 12:24:32.28 ID:???.net
Another house of the second Georgian type is Mount Pleasant, or Clunie,
as it was at first called, in Fairmount Park, built in 1761 by Captain
John Macpherson, and in later years the home of Benedict Arnold. Mount
Pleasant is a structure of almost baronial aspect, with east and west
fronts alike of imposing mien. An high foundation of carefully squared
stones is pierced by iron barred basement windows set in stone frames.
Above this massive, grisly base, the thick stone walls are coated with
yellow-grey roughcast. Heavy quoins of brick at the corners and, at the
north and south ends of the building, great quadruple chimneys joined
into one at the top by arches, create an air of more than usual
solidity. A broad flight of stone steps, their iron balustrades
overgrown with a bushy mass of honeysuckle, leads up to a doorway of
generous breadth. The pillars at each side of the door and the
superimposed pediment, the ornate Palladian window immediately above on
the second floor and, above that again, the cornice pediment springing
from the eaves, all contribute to set a stamp of courtly distinction
upon the pile.

Above the second floor the hipped roof springs, pierced east and west by
two graceful dormers and crowned by a well turned balustrade that
traverses nearly the whole distance between the chimneys. The fan light
over the door has remarkably heavy, fluted mullions and much of the
detail throughout the house, though highly wrought, is heavy. The two
flanking outbuildings, set 30 or 40 feet distant from the northeast and
southeast corners of the house, designed for servants’ quarters and

318 :名無しの愉しみ:2019/03/27(水) 12:32:52.20 ID:???.net
堕落様堕落様うるせえな

319 :名無しの愉しみ:2019/03/27(水) 12:39:37.13 ID:???.net
domestic offices, give Mount Pleasant a peculiarly striking appearance.
Without them it would be only an unusually handsome Georgian country
house, with them it at once takes on the manorial port of one of the old
Virginia mansions. The interior woodwork, both upstairs and down, is
rich in elaboration of detail, and the door frames, with their heavily
moulded pediments, are exceptionally fine.

Cliveden, the third member of the second group, was built in 1761 by
Chief Justice Chew. Its solid and heavy masonry is of carefully dressed
Germantown stone, and at the peaks of the gables and corners of the roof
are great stone urns. Back of the house are two wings, one semi-detached
and the other entirely so, used for servants’ quarters and domestic
offices. All the features and detail about Cliveden are thoroughly in
keeping with the same characteristics as in the other two houses already
described.

The windows are broad and fill a great part of the wall space in the
façade, and the doorway is an essential feature that has been made the
most of by the architect. Both indoors and out the strongly classic
feeling has been emphasised in pillar and pediment, pilaster and
entablature. Triglyphs, guttæ and every other detail of classic
embellishment have been wrought with the nice precision due a worthy
subject.

Comparing Whitby, Mount Pleasant and Cliveden with the former houses of

320 :名無しの愉しみ:2019/03/27(水) 12:54:34.43 ID:???.net
堕落のRfAは無風過ぎてつまらん

321 :名無しの愉しみ:2019/03/27(水) 12:54:42.19 ID:???.net
the first Georgian type, certain differences at once strike us. The
whole aspect is changed by the greater breadth of windows and doors. The
houses look wider awake. This change in the size of the windows means,
of course, that the rooms within in most cases were lighter and more
cheerful than before. Then, too, the Palladian window has appeared. Both
Mount Pleasant and Cliveden afford good examples of it, Cliveden’s being
placed at the side while at Mount Pleasant it forms an important feature
in both the east and west fronts.

At Mount Pleasant and Cliveden we see, too, that the door has become a
subject for elaborate treatment, quite in contrast to the extremely
simple and unassuming manner of dealing with the same feature in the
earlier houses. At Mount Pleasant the severity of the roof line is
tempered by a balustrade and the effective management of the chimneys
while, at Whitby and Cliveden, urns embellish the peaks and corners.
Within we find that acanthus leaves and thistles have begun to grow, the
rose has blossomed, other conventional flowers and foliage have budded
and egg and dart mouldings have appeared. In other words, carving as a
mode of embellishment has attained an established vogue. The moulding
profiles have lost some of their trenchant boldness and, though the
ornamental detail, both indoors and out, is still vigorous, and at times
massive, there is generally visible an air of delicacy and refinement
not present before.

The Woodlands, the Highlands, and Upsala exemplify for us the third type

322 :名無しの愉しみ:2019/03/27(水) 12:58:11.08 ID:???.net
ビューロクラットが承認をサボってるとミラブルは主張
でもBCからしたら、ミラブルbotの承認材料が提示されないから保留にしてるだけだよなー
改名提案と同じように、bot承認申請にも有効期限を設定して期限切れは自動却下すべき
あと承認のために試用運転するのはいいが、テンプレのサンドボックスみたいにbotにもテスト環境用意してそっちで動作検証してくれよ

323 :名無しの愉しみ:2019/03/27(水) 13:09:46.73 ID:???.net
of Georgian. William Hamilton built the Woodlands about 1770. Anthony
Morris finished the Highlands in 1796, and Norton Johnson began Upsala
in 1798 and completed it three years later. Across the north front of
the Woodlands, at regular intervals, are six Ionic pilasters above whose
tops runs an elaborately ornamented entablature with pateræ and
flutings, the whole surmounted by a pediment. Before the house is a low
and broad paved terrace filling the space between the semi-circular bays
that project from the ends of the building. Between the two middle
pilasters, a round arched doorway with a fan light opens into the hall.
On the south or river front a flight of steps ascends to a lofty white
pillared portico from which a door opens directly into the oval shaped
ballroom.

In another respect the whole exterior aspect of the Woodlands is
different from the houses of the second type. Window treatment is always
a most important item in determining architectural character and it is
just here that a significant change is to be noted. The size of the
opening is, in some cases, the same, in others it is larger but, more
noticeable still, the muntins are far smaller and we lose the bold,
trenchant barring of white that emphasises the aspect of windows of the
earlier buildings.

The interior is finished with all the delicacy that one might expect
judging from the evidences of Adam influence without. One highly
significant feature of interior treatment in houses of the third type is

324 :名無しの愉しみ:2019/03/27(水) 13:24:09.47 ID:???.net
承認のための使用運転はbot承認された奴にお題出させたらいいよ
非承認は権限ブロックできるように変更してくれ、そうすればみらぶるなんてすぐ塞いでやる

325 :名無しの愉しみ:2019/03/27(水) 13:24:51.18 ID:???.net
the change made in the arrangement of the mantels. We have seen that in
houses of the first type, such as Graeme Park and in houses of the
second type, such as Whitby Hall or Mount Pleasant, the overmantel
panelling and embellishment were accorded much care and elaboration. The
chimney breast often extended a considerable distance into the room and
the ornamental superstructure above the fireplace reached all the way to
the ceiling.

Although these ornate overmantels reaching to the ceiling had begun to
fall into disfavour in England a little after the middle of the
eighteenth century, when houses of the second Georgian type were being
erected in the Philadelphia neighbourhood, Colonial conservatism
disregarded the newer style and clung to the mode approved by
time-honoured precedent. The fireplace with its setting has always held
a position of such exalted honour as the centre of family life that the
following extract from Clouston’s Treatise on Chippendale is
particularly illuminating in this connexion. In speaking of the
influence exerted by Sir William Chambers on architecture as well as on
furniture, he says:--“When he returned to England in 1755, [from the
Continent] he was

[Illustration: THE WOODLANDS, NORTH FRONT.]

[Illustration:

326 :名無しの愉しみ:2019/03/27(水) 13:28:24.88 ID:???.net
>プロジェクト:ユーモア (構想中) -娯楽として。今年のエイプリルフール『四月馬鹿』を機会にプロジェクトとして立ち上げることを考えています。
>『テンプレート:ユーモア』参照。--Hymenopus coronatus(会話) 2019年3月27日 (水) 04:21 (UTC)

馬鹿発見

327 :名無しの愉しみ:2019/03/27(水) 13:40:04.98 ID:???.net
Copyright, J. B. Lippincott Co.

THE HIGHLANDS, WHITEMARSH VALLEY, PA. 1796.

Middle Colonies Georgian, third phase.]

[Illustration:

Copyright, 1908, by Rogers & Manson

HOMEWOOD, NEAR BALTIMORE.

Southern Georgian, second phase in transition to third.]

accompanied by Wilton and Cipriani, afterwards so well known as an
artist and decorator. He also brought Italian sculptors to carve the
marble mantelpieces he introduced into English houses.

“These were made from his own designs, and the ornament of figures,
scrolls, and foliage was free in character. Strange to say, these
mantelpieces, designed and made by an architect, were yet the means of
taking away this important part of interior decoration from the hands of
the architect altogether and causing it to become quite a separate
production, made and sold along with the grates.

328 :名無しの愉しみ:2019/03/27(水) 13:50:39.71 ID:???.net
>>315
だーかーらーそんなんできるならAWBじゃなくてPWB使ってるって
>>322
自分はいいけど他にもAki42006さんとかのも放置じゃん

329 :名無しの愉しみ:2019/03/27(水) 13:55:22.70 ID:???.net
“In former times it had been an integrant portion of the room, reaching
from floor to ceiling, balanced and made part of the wall by having its
main lines carried round in panelling and enriched friezes. It was the
keynote of decoration and the master builder of the times grew fanciful
and exerted his utmost skill upon its carving and quaint imagery,
centralising the whole ornament of the room around the household shrine.

“Mantelpieces had gradually come down in height, though still retaining
much of their fine proportions and classic design. Many causes had
contributed to this, the chief being the disuse of wood panelling and
the preference given to hangings of damask, foreign leather and
wall-paper. In the reigns of Queen Anne and the Little Dutchman the
custom of panelling was partially kept up but the lining was only white
painted deal, after the fashion in Holland. At this time the upper part
of the chimney piece was still retained, but only reached about half way
up the wall. Gibbs, Kent and Ware kept the superstructure as much as
they could, but Sir William Chambers dealt it the most crushing blow it
had yet received by copying the later French and Italian styles and
giving minute detail more consideration than fine proportion. He
discarded the upper part altogether and helped to make ‘continued
chimney pieces’ things of the past.”

The much used Adam oval found expression even in the shapes of rooms,
and besides the oval ballroom at the Woodlands, we frequently find in
houses of the third type rounded or elliptical hallways and chambers.

330 :名無しの愉しみ:2019/03/27(水) 13:58:21.25 ID:???.net
「自分はいいけど」、つまり
>>328 はミラブル本人書き込みかww
ちなみにaki42006も一度試用運転してバグった後、再び試用運転したが何やったか分からん報告の書き方だから誰からもレスがつかない
つまり承認されないのはBCのせいではない

331 :名無しの愉しみ:2019/03/27(水) 14:04:34.58 ID:???.net
却下の提案出せば

332 :名無しの愉しみ:2019/03/27(水) 14:05:37.10 ID:???.net
ミラブルが管理者になることは永久にないだろうなあ
ソックパペットでやり直しするしかない
しかし、管理者なんてそうにまでしてなりたいものか?

333 :名無しの愉しみ:2019/03/27(水) 14:10:26.80 ID:???.net
At the Highlands, in the Whitemarsh Valley, we see the front of the
house adorned with tall Ionic pilasters rising from base course to
cornice, which is itself elaborately wrought. The woodwork inside is
excellent, but unfortunately the Adam mantels with their compo
decoration have been removed and now grace another house some miles
distant. At Upsala, in Germantown, however, we are in better luck, for
there the Adam mantels have remained untouched. The illustrations show
the rest of the house and make further specific comment unnecessary,
save to remark, regarding the windows, that here, as in other houses of
this latest type, larger panes of glass than in the two earlier types
are met with in not a few instances.

Before proceeding further in the course of comparison, a word ought to
be said about the colour of the paint used for interior woodwork of the
Georgian houses of all three types. For some reason there seems to be an
impression abroad that white was employed to the exclusion of everything
else. There was, it is true, a preponderance of white but its use was by
no means universal. A close examination of successive layers of paint on
some old woodwork reveals various shades of greys, blues, drabs,
brownish yellows and other hues beneath one or more coats of white. Grey
seems to have been one of the earliest variants from white and, in some
places, nothing else was ever used. At Graeme Park, for instance, the
first coat of paint was grey, and no other colour ever adorned its
panelling and door and window trims. At Stenton, on the other hand, the

334 :名無しの愉しみ:2019/03/27(水) 14:13:02.18 ID:???.net
>>330
あーそうなの
面倒臭いね
>>332
別に
現に多少は盛り上がったでしょ?

335 :名無しの愉しみ:2019/03/27(水) 14:16:54.69 ID:???.net
管理者になれば全部思い通りになって、気に入らない奴にはブロックを匂わせ、権力の座に就いていい気分になれるし、一般利用者とは違うのだよ一般利用者とは!と明確な差が付くから

とか?ありがちな権限欲を書いてみたが、
実際はウィキペディアにより時間を絡め取られて、無能では感謝どころか常にクビをちらつかされ、馬鹿にされ、執筆能力が足りなければ何の満足も得られない、
執筆が好きだったら時間は無くなり、例祭みたいな上がりポストで権限欲を満たしたい奴らは何の価値もないRfAに出たことを後で悔やむことになるだけだよ

管理者なんてやるもんじゃないよ、一般利用者が一番賢い
できればIPが最強

336 :名無しの愉しみ:2019/03/27(水) 14:19:22.72 ID:???.net
[[利用者:Rebirth10]]
>編集回数が増加したため更新します(今後は会話ページでの返信と荒らしの通報、写真の除去が主な活動となります)

チカチカ画像差し替えの期限示したりするかと思えばそれもせず
管理系の手出し優先宣言だなんて完全に調子乗ってやがる

東京砂漠さんよ、もうこいつ早く沈めていいよ

337 :名無しの愉しみ:2019/03/27(水) 14:22:38.52 ID:???.net
チカチカ画像w
いせちかみたいw

338 :名無しの愉しみ:2019/03/27(水) 14:24:00.51 ID:???.net
>>335
鶏ガラみたいにどれだけ害を振り撒きながら暴れられるか実験してみたら面白いと思うよ
まあ馬鹿の相手が増える分つられて自分の知能レベルも下がるのが玉に傷

339 :名無しの愉しみ:2019/03/27(水) 14:25:30.80 ID:???.net
taste of the occupants dictated a change of colour from time to time and
we find a good deal of variety in the successive coats. During the
prevalence of the second Georgian type white seems to have found more
general favour. With our last type, delicate colours again began to be
used.

Contrasting the Woodlands, the Highlands and Upsala with the houses
illustrating the second Georgian type, we find still further evidences
of architectural evolution. During the prevalence of the second type
individual features were singled out for decorative emphasis, but in the
days of the third type the entire front of the house or sometimes the
whole exterior was regarded from a decorative point of view. At Cliveden
the treatment of the doorway and the urns on the roof are the features
relied upon for the embellishment of the façade. At Mount Pleasant the
doorways of the east and west fronts, the Palladian windows above them,
the balustrade on the roof and the treatment of the chimneys supply a
fuller and more ornate decorative effect. But when we reach the third
period we see that the architect has considered carefully the decorative
element in both the proportions and detail of the whole building. It
would be hard to believe that the designer of the Woodlands, in drawing
his plans, had not carefully aimed at the pleasing ensemble of the
masses. The effect of the rounded ends is agreeable and a marked
departure from the straightforward rectangularity of most of the houses
of preceding types. The lofty portico of the Woodlands south or river
front had no precedent in Philadelphia. Vaux Hill or Fatland, erected

340 :名無しの愉しみ:2019/03/27(水) 14:32:02.42 ID:???.net
利用者:Yotomu

ノートに提案もしないで
独断で改名してるな
WP:RADIORISTENもやってるし
誰か殴りにいかないと

341 :名無しの愉しみ:2019/03/27(水) 14:33:55.41 ID:???.net
ガチYqmだからね、そいつ

342 :名無しの愉しみ:2019/03/27(水) 14:40:35.37 ID:???.net
about the same time, and Loudoun, a few years later, had the same
_motif_, and even John Bartram, in his last addition to his house,
adopted the same treatment. Neither was there a precedent for the method
of dealing with the north front, so we see that the Woodlands struck two
new notes in local architecture.

At the Woodlands and the Highlands we find pilasters carried the full
height of the walls--a new feature. The fenestration is arranged with
more regard to outward appearance and not solely from a utilitarian
point of view. We find that the high panelled overmantels, which
constituted an important architectural feature, had given place to the
low and elaborately adorned mantel that ought to be regarded rather as a
piece of furniture than as an architectural entity. Fireplaces had grown
smaller, fan lights above doors had become common and were enriched with
beautiful and sometimes intricate metal tracery. The comparison between
these later fan lights with their airy grace, and the earlier fan lights
of Mount Pleasant, with their ponderous mouldings, is instructive. In
the detail of all ornament heaviness has vanished and the polished
elegance of Adam influence has taken its place. Everywhere we find
pateræ, drops and swags, fluting and quilling, oval fans and dainty
urns and vases with delicate leaf and flower treatment.

Regarding the texture of stone walls, we ought also to note that in the
second and third types we find neatly squared and dressed stones used to
a considerable extent. At Cliveden, the Highlands and Upsala the fronts

343 :名無しの愉しみ:2019/03/27(水) 14:42:35.14 ID:???.net
堕落終了!

344 :名無しの愉しみ:2019/03/27(水) 14:54:53.68 ID:???.net
>>326
[[Wikipedia:ウィキぺたんの好感度]]

345 :名無しの愉しみ:2019/03/27(水) 14:55:39.33 ID:???.net
alone are of cut stone while at Whitby Hall the walls on all sides are
treated with the same formal precision.

Briefly summing up, then, it is clear that three distinct types exist.
The first has Queen Anne affinities but is Georgian in time and much of
its feeling. Ornamental detail is simple and bold and at times a trifle
heavy. The profiles of mouldings are strong and in high relief.
Simplicity and strength, combined with grace, give the prevailing note
in every instance. The second type is lighter and more ornate, but with
characteristic conservatism and abhorrence of the new fangled whims of
Sir William Chambers and the Brothers Adam, Philadelphia adhered to the
modes in vogue in England from twenty to twenty-five years before and
kept Ware in countenance who, in 1750, was still crowning his buildings
with heavy Queen Anne urns.

Notwithstanding the staunch adherence to conservative architectural
principles, however, a new feeling is everywhere perceptible. Though
the overmantel decorations still extended all the way to the ceiling,
the character of the ornamentation employed was vastly more elaborate
and graceful than anything to be found in buildings of the first type.
If the profiles of mouldings were not so bold and insistent they were,
nevertheless, quite as graceful. With the advent of floriated and
foliated _motifs_ in the carving, we naturally find a closer care to
detail of all kinds. At the same time there is to be seen a more
punctilious heed to all the little niceties and characteristic

346 :名無しの愉しみ:2019/03/27(水) 15:07:16.86 ID:???.net
YQMコピペも満更捨てたもんじゃないだね
貼られなくなったらYotomuが好き勝手やってやがるとは

347 :名無しの愉しみ:2019/03/27(水) 15:09:17.46 ID:???.net
>>346
Yotomuって誰?

348 :名無しの愉しみ:2019/03/27(水) 15:10:43.92 ID:???.net
distinctions between the classic orders.

By the time our third Georgian type appears, Adam influence has become
paramount and put to flight all mid-Georgian ponderosity. Even in the
case of manifestly “carpenter built” houses of the period, where, quite
unlike the three excellent examples here chosen to represent their
particular classes, no especial architectural merit is to be looked for,
we find no heaviness of line, and the character of ornamentation
employed is distinctly either a copy or an echo of Adam _motifs_ and, in
not a few cases, has caught much of their spirit.

It must be understood that the houses used for illustration have been
chosen because they represent their many contemporaries in the same
neighbourhood, all of which display the same characteristics according
to the date at which they were built. The foregoing analysis does not
pretend to be complete--it would take far more space to trace all the
subtleties of the subject--but aims only to direct attention to certain
facts that may conduce to our clearer understanding of American Georgian
and its resources in supplying our present needs.

In considering the variations between the Georgian types of the
Philadelphia neighbourhood it must be borne in mind that they ought not
to be judged too straitly by contemporary work in England. Such
comparison would only be misleading and unfair for several reasons. In
the first place, at the beginning of the Georgian period, local

349 :名無しの愉しみ:2019/03/27(水) 15:11:34.90 ID:???.net
>>347
【LTA:YQMまとめ】
【ブロック対象】 Rain night、本日晴天、彩虹舞台、座頭の雷蔵、邦路空也、丸和太郎、 
Kazuto Fujikawa、49.239.71.51 (IIJ 格安スマホ) 、いかガ、Yotomu、大阪のマサ、Shakhovskoy、X-enon147、
野良人、郊外生活、ミドリムシ一郎、小作、ビギナー雷太、KitaTKO、Kst01、Zervich7、Napoleon [(重水)、サンクチュアリィ

【ブロック済】 Yqm、ツバル、ホワイトジャック、Avoidman、水戸ケーブルインターネット、中国串、スポーツニワカとは言わせない、Baseball Artist、若狭正人、Verginoil
【編集傾向】 カテゴリ強行、議論バトル大好き
【物理的な位置】東京・茨城近辺一円(表示上札幌大阪もあり)
【IPアドレス】ケーブルTV、モバイル、串、VPN何でもあり
【特徴】
* Yqmはツイ垢@Yqm_wikiより、趣味がネット議論バトル
* ツバルは、バトルにおいて私がターゲットにしていた発言がある
* Yqmは、接点が無いKojidoiの風呂に長文投下した
Bot使い
* Kazuto Fujikawaは表に名が出ているが反論がない
* 本日晴天はスレで疑われ名前が出ているが表に名前が出ていない茨城県のBot使い
* Rain nightは井戸端とノートで発狂したが、他人のコメントが付いた後は反論がない
* IIJの格安スマホは、格安スマホを使いMarine-Blueに噛み付くも一蹴された
* 若狭正人は英語版荒らしでグローバルロック
* Yqm系は何故男女分けが好きなのか?あの傾向は悪いアスペルガーだよな
* 邦路空也は雨夜と分野被るし、Yqmが陸上の男女選手カテゴリ貼ってた
* Yqmの傾向に加えてNHKラジオ好きの特徴が邦路空也と一致するね
* Yotomu
* 前スレで必死に否定してたけど必死すぎて笑ってしまった
* 朝からLTA:YQMのスレ荒らしが止まらない件
* オリンピック関連表スタブを濫造する
* 相互感謝し他人を演じカモフラージュしようとする
* 「男優」表記をゴリ押したYqmの蔑称HOMO
* スレで追及されると「アジアンビの妄想」ではぐらかす

350 :名無しの愉しみ:2019/03/27(水) 15:12:19.88 ID:???.net
下らんブロック破りを繰り返しまくるYqmがいるので何回でも言ってやる!!!
逃げても無駄だwwwww
晴天雨夜空とかバレバレの舐めた命名してんじゃねえよ!!!
カテゴリと男女と改名に拘る屑野郎が!!!
野良人とYotomuといかガもな!!!

Yqm(ブロック)=Rain night(雨夜)=本日晴天=LTA
-...,,_\ ~¨ ''‐-..,,_  、_j
. \ ~ \- ...._\ \}.    /
   \~"''\- ..,,_\ /   /
. /   ヽ.._    ∠__  ・
/ u    /  "" '''' ‐/_
、U   /      、j、j、_,ィ `ヽf⌒
u   /        <.r:::::ヽZ
   、__    .ζ乂::乂(
   /::::::::::::::\   ,´⌒⌒
  i  ̄ ̄\:::::>    i >..、 /
  /      }.:.:./  /:::::::::::У
. /       ./:.:/  / '"´ ` i`"''‐ < うる
/    __ :::_   /    .! < せーぞ
  /::::::\`''-.,,_"''′    /
 /::::::::::::::::::`''‐..,,__''┐  /
.〈::::::::::::::::::::::::::::::::::::::::!  / <バカがぁーーーっ
 ヽ:::::::::::::::::::::::::::::::::/ /
    ̄ ̄ _  ̄ ̄  .'...,,
 __             i   `"'' -..,,_
:::::::: ̄ヽ..,,__,,.-..,,__/`"'' -..,,_
"''-..,,_::::::::::::::::::::::::::::::::::::::::::::::::`"'

351 :名無しの愉しみ:2019/03/27(水) 15:17:58.38 ID:???.net
575 名無しの愉しみ[sage] 2017/10/20(金) 09:44:13.71 ID:?
Yqmは晒し続けるに限るし、本垢のRain nightをCUし靴下のいかガ以下全部ブロックしなよ

576 名無しの愉しみ[sage] 2017/10/20(金) 09:51:29.78 ID:???
123名無しの愉しみ2017/08/13(日) 12:26:54.72ID:???
>121
男優の件は、日本語で俳優女優が適切だという意見が多かったのに、ツバルとYqmが結託し議論参加者に知らせず男優女優に変更して回ったのが悪い点
スレでもHmanなど日本語では俳優と女優という意見が大勢だった

俳優女優に分けることに反対は見られない
今回も俳優女優に分ける主張をしてた利用者に通知していないので、またやらかしてるんだという印象だ

578 名無しの愉しみ[sage] 2017/10/20(金) 09:53:33.53 ID:???
645 名無しの愉しみ2017/08/19(土) 10:37:19.08ID:???
ツバル「新しいカテゴリ名は『男優』にしようや!」
Yqm「それがいいっぺ!」

ツバル・Yqm「新しいカテゴリは『男優』です!」

その後・・・
ツバル → 無期限ブロック
Yqm → 無期限ブロック

そんな合意・・・無効に決まってんだろ

646 名無しの愉しみ2017/08/19(土) 10:42:24.24ID:
というか、ツバル=Yqmの疑い濃厚なんだから
そういうレベルであれを「合意」といっていいのかというね

352 :名無しの愉しみ:2019/03/27(水) 15:18:13.88 ID:???.net
755 名前:名無しの愉しみ[sage] 投稿日:2018/01/31(水) 16:20:39.43 ID:?
雨夜のクソ野郎どんだけ複垢ぶん回してるんだよ・・・
YQMだけブロックしたの意味不明

756 名前:名無しの愉しみ[sage] 投稿日:2018/01/31(水) 16:23:08.30 ID:???
明白な副垢使いなのにあんだけフリーパスで暴れてるのは絶対おかしい

757 名前:名無しの愉しみ[sage] 投稿日:2018/01/31(水) 16:28:23.08 ID:???
Jkrは今からでもいいから雨夜のCUを再提議しろよ
「やましいことが無いなら受け入れますよね」
ってもう一回言え

353 :名無しの愉しみ:2019/03/27(水) 15:18:30.07 ID:???.net
Jujiro @Jujiro12

LTA:YQM が書き殴った粗悪記事群。
品質的には読むに耐えないムチャクチャぶりなので、
改稿して後始末してくれる奇特な人が出てこないなら、
もうリダイレクト化して他の記事に誘導したほうが UX 的には良いと思う。
虚偽出典や外部サイトからのコピペが散見されるのも気にかかる。#jawp
14:54 - 2018年5月19日

少なくても3体以上のLTAが密かにトロール軍団を結成して
タッグを組んで大規模カテゴリ荒らしをしてた件。
#jawp の vandalism が新しいフェーズに入った兆しなのに
危機感が共有されていない。
例の男優カテ荒らしは全部いったん俳優に戻さないと
いけない案件だろうが手続き論にとらわれてる人が多い。
9:01 - 2018年5月18日

354 :名無しの愉しみ:2019/03/27(水) 15:19:13.79 ID:???.net
> まりりん ??ナイセン団 a.k.a. おかしのようせい @marineblue1223
>
> 会話ページでYqmのブロックにケチ付けたIPがいるが、
> こっちはCU依頼でミーパペ看破したこともあるので、
> ミーパペかどうかなんておおよそ識別できるんだよ。
> しかし、CUでミーパペ見抜くという高難易度の芸、
> 今後誰が披露するかなぁ? #jawp
>
> 3:45 - 2017年7月6日


わあったか、クソブラ野郎

355 :名無しの愉しみ:2019/03/27(水) 15:22:02.57 ID:???.net
ミラカス落選は笑えた!
反対1票ごとにカウントしてたのってオレだけ?
(よっしゃー5票突破!よーし次は10票突破しろーって)
でも結局は14票しか入ってねえんだよね。全然、騒ぐほどじゃないし。
ミラカス落選は笑えた。まじで
投票期間が終わって、手を叩いてわらったなぁ。
みらぶる(bot垢)が鈴虫にブロックされてる間、糞YQMの荒らし編集リバートしまくってた
アホだなーミラカス(呆)って思いながら
わざわざ会話ページまで行って記念カキコしようかと思ったよ。
でもミラカス落選のおかげで何かしらの利益を得た人だっている訳だし
結果的には良かったんじゃないかな。
たしか現役管理者が投票を渋っていたけどさ、
ミラカスってそもそも不適格だからそのまま落選させたかったんだよね。
今でも三度目の立候補に未練タラタラらしいけど、
せこいんだよ!俺らのコミュニティなんだよね。むかつく。
ところでブロック中あいつってトイレどうしてたの?
もしかしてペットボトル?汚ねぇなぁー。
どちらにしろ終盤の反対票ラッシュはまさになぶり殺しのようで壮観だった!
気持ちの良い夕刻でした

356 :名無しの愉しみ:2019/03/27(水) 15:25:53.65 ID:???.net
conditions forbade the lavish display of carved ornamentation that
marked so many houses of the same date in England. At that time there
were few craftsmen in the Colonies capable of executing the elaborate
carving in vogue on the other side of the Atlantic. The builders of
mansions, therefore, must perforce content themselves by a close
adherence to line and proportion and do without the highly wrought
carved embellishment. Then, too, besides this difficulty, many of the
builders of these early houses belonged to the Society of Friends, most
of whom from their religious principles were averse to a wealth of
ornament. In the second place, judging by contemporary English standards
would be misleading because at the time the second Philadelphia
Georgian type began to flourish, and the means and inclination for
elaborate ornament were both present, Colonial conservatism had become
an important factor in the dictation of style, and however closely
Philadelphians might copy the current modes of London in matters of
dress, in their manners and architecture they chose to cling to well
established precedent and had always remained thenceforward from twenty
to thirty years back of their British cousins in the method of their
architectural expression. Hence, for instance, the overmantels reaching
to the ceiling built as late as 1765. In all its phases, however,
Philadelphia Georgian, whatever minor differences there might have been,
was true to the traditions of the great English architects, and because
of its purity of style is worthy of close study today for the vital
inspiration it can supply.

357 :名無しの愉しみ:2019/03/27(水) 15:26:39.37 ID:???.net
英文貼り付け荒らしやってんのはクソ生体botのホモ野郎YQMだろうが

358 :名無しの愉しみ:2019/03/27(水) 15:26:55.38 ID:???.net
Wikipediaスレでbot荒らし(笑)

359 :名無しの愉しみ:2019/03/27(水) 15:27:58.62 ID:???.net
バレバレにバレてんだよ糞bot野郎YQMオラァッ!

360 :名無しの愉しみ:2019/03/27(水) 15:30:42.62 ID:???.net
これはウィキペディアスレの住人はもっと英語勉強するしろ!!
という龍伯からのメッセージじゃないか?

361 :名無しの愉しみ:2019/03/27(水) 15:30:59.28 ID:???.net
ミラブラは馬鹿だから何故かYQM加担だし同罪

362 :名無しの愉しみ:2019/03/27(水) 15:38:41.91 ID:???.net
これからはbotん便所野郎YQMって呼んでやるよコラァ

363 :名無しの愉しみ:2019/03/27(水) 15:41:08.05 ID:???.net
CHAPTER IX

THE GEORGIAN ARCHITECTURE OF THE SOUTH


If ever the architecture of a region or period truly reflected the
personality and manner of life of the people, it was surely the Georgian
architecture of the South in the eighteenth century. The planters of
that region were affluent and highly cultured and so eminently gifted
with the social instinct that the manor houses and mansions could not
fail to indicate by their material aspect the lavish hospitality and
splendid estate that it was the wont of their owners to maintain. The
great Georgian houses, surrounded by broad plantations, that dotted the
whole land, could have been erected only in a society possessed of
abundant wealth. And the South was opulent. Blessed by nature, as the
country was, with a genial climate and fruitful soil, and favoured by
exceptional economic conditions, great fortunes had accumulated which
permitted the existence of a large leisure class and encouraged a
profound regard for all the comforts and refinements of physical
environment. In New England we have seen that the architectural riches
of the Georgian style were chiefly reserved for interior embellishment,
while the majority of exteriors were allowed to go comparatively

364 :名無しの愉しみ:2019/03/27(水) 15:41:40.23 ID:???.net
botン便所で顔洗っておととい出直せコラYQMウワッ臭っ

365 :名無しの愉しみ:2019/03/27(水) 15:41:53.08 ID:???.net
>>361
ミラブルはバカネにも加担してたよ

366 :名無しの愉しみ:2019/03/27(水) 15:48:09.75 ID:???.net
何この怒濤の連投
すごく芳しいんだけど

367 :名無しの愉しみ:2019/03/27(水) 15:56:12.54 ID:???.net
unadorned, with a few notable exceptions. In the South, on the other
hand, the exuberance of nature and the seductive charm of the climate
invited the builder of a house to expand his plans and take full
advantage of impressive physical settings. Consequently we have the
amplitude of aspect so typical of the Southern mansion, an amplitude
that is also in some measure due to the extensive domestic entourage and
made possible by the abundant means of the occupants.

That the wealthy Southern planters should require surroundings of
domestic splendour that would have been impossible in most other parts
of the Colonies, either from lack of means or lack of inclination to
indulge in so lavish an expenditure, surroundings that had much in
common with the conditions obtaining on many of the baronial estates in
England, we may understand when we consider, by way of example, the
history of the Byrd family of Westover in Virginia. Colonel William
Byrd, the first of the family in America, came to Virginia in 1674. He
built the first house at Westover in 1690 and at his death left, as part
of his estate, a domain of 26,231 acres. His son, Colonel William Byrd
2nd, succeeding to this great wealth and further increasing his fortune
by his second marriage, began the erection of the present house about
1727 and completed it some time prior to 1735. When this second William
Byrd, “William the Great of Westover, died in 1744, the acres of the
noble estate numbered 179,440, about 281 square miles, a veritable
principality indeed.” It has been said of him that “his path through
life was a path of roses. He had wealth, culture, the best private

368 :名無しの愉しみ:2019/03/27(水) 16:00:58.08 ID:???.net
サクポは片付くんで次はついにバカブラかな
非公認ボットや自警癖治らないしね

369 :名無しの愉しみ:2019/03/27(水) 16:11:17.69 ID:???.net
library in America, social consideration, and hosts of friends; and when
he went to sleep under the monument in the garden at Westover, he left
behind him not only the reputation of a good citizen, but that of the
great Virginia wit and author of the century.” His epitaph, after
calling attention to the educational advantages he had enjoyed and his
close friendships with many of the greatest men of his day in England,
goes on to relate that “he was called to the bar in the Middle Temple,
studied for some time in the Low Countries, visited the Court of France,
and was chosen Fellow of the Royal Society. Thus eminently fitted for
the service and ornament of his country, he was made Receiver general of
his Majesty’s revenues here, was thrice appointed publick agent to the
Court and ministry of England, and being thirty-seven years a member, at
last became President of the Council of this Colony. To all this were
added a great elegancy and taste of life, the well bred gentleman and
polite companion.”

It is scarcely to be wondered at that a man so endowed by nature,
education and the possession of vast wealth should build in a manner
suited to his condition. In fact it would have been strange if he had
not. But William Byrd was not alone in his enjoyment of unusual
advantages. Although the incidents of his history were not duplicated,
his case was nearly paralleled by other men of his century in the South.
Almost without exception these favoured children of good breeding, to
which was joined the convenience of ample affluence, manifested an
elegant taste and an active personal interest in the building of their

370 :名無しの愉しみ:2019/03/27(水) 16:14:49.02 ID:???.net
うわっ、ミラブル本日2件目のbot作業依頼着手
無免許のタクシー運転手が走り回る状態だな、こりゃ

371 :名無しの愉しみ:2019/03/27(水) 16:26:22.21 ID:???.net
homes and it is to this interest on their part that we of to-day are
indebted for much of what is best in the execution of American Georgian
work. Not a few of the Southern planters were themselves competent
architects but, as representatives of their class in this particular, it
will be sufficient to mention two of them, persons no less illustrious
than George Washington and Thomas Jefferson. Washington always
manifested a deep interest in architecture, is believed to have designed
Pohick Church, had some hand in the plans of Christ Church, Alexandria,
supervised building on his own estates, exercised a directing influence
over the destinies of the public buildings planned or begun during his
lifetime in the Federal City and left an example of his capacity as a
decorative designer in the plastic ornaments of the famous mantel at
Kenmore. How deeply Jefferson was concerned with architectural matters,
both public and private, and how he maintained a lifelong interest in
everything pertaining thereto, an interest that began in early youth and
became stronger with advancing years, we well know. Pressure of onerous
public duties never abated his desire for architectural betterment
throughout the country nor diverted him from using all possible efforts
to secure the realisation of ideals. “Architecture,” he once wrote, “is
worth great attention--the most important of the arts, since it shows so
much.” At another time he penned the following:--“To give buildings
symmetry and taste would not increase their cost, it would only change
the arrangement of the materials, form and combination of members. This
would cost less than the burden of ornament with which these public
buildings are often charged. But the very first principles of the art

372 :名無しの愉しみ:2019/03/27(水) 16:38:01.78 ID:???.net
わかったよなんか適当に記事書くから

373 :名無しの愉しみ:2019/03/27(水) 16:39:34.62 ID:???.net
もうbotからは完全に手を引くよ

374 :名無しの愉しみ:2019/03/27(水) 16:41:27.86 ID:???.net
are unknown.” These views might find some application not inappropriate
at the present day. Jefferson did not confine his architectural
interests to matters theoretical nor to designing. He was

[Illustration: HARWOOD, ANNAPOLIS, 1774.

Southern Georgian, second phase.]

[Illustration: BRICE HOUSE, ANNAPOLIS, 1740.

Southern Georgian, second phase.]

[Illustration: SHIRLEY, JAMES RIVER, VA.

Southern Georgian, second phase.]

[Illustration: WESTOVER, JAMES RIVER, VA.

Southern Georgian, first phase.]

often to be found in the actual r&#244;le of workman. When he began the
operations at Monticello, about 1770, that left it in its present form,
he not only planned and supervised the work, “but was personally
responsible for such practical phases as heating, ventilation, plumbing
and drainage. He planned the farm buildings and the laying out of all

375 :名無しの愉しみ:2019/03/27(水) 16:43:19.68 ID:???.net
適当に書いたら粗を突かれてバカナノになるぞ

376 :名無しの愉しみ:2019/03/27(水) 16:49:32.62 ID:???.net
>>375
それっぽく隠すのでおk

377 :名無しの愉しみ:2019/03/27(水) 16:52:15.25 ID:???.net
隅から隅までチェックされそうです

378 :名無しの愉しみ:2019/03/27(水) 16:56:32.97 ID:???.net
the roads and bridle paths about the place. In addition, he trained all
his own workmen and even made experts of several of his slaves, whom he
later set free to earn their living at the trades he had taught them.”

In the South, as in New England and the Middle Colonies, we may without
much difficulty discern three phases of the Georgian modes of
expression, all of them with characteristics more or less clearly
defined. In view of the extended analysis of those phases made in the
chapter devoted to the Georgian period in Pennsylvania, New Jersey and
Delaware, it will be unnecessary to dwell at length upon the
corresponding characteristics to be found in the domestic architecture
of the South, a course that would merely involve bootless repetition. As
occasion arises, therefore, in considering typical examples of Southern
building, attention will be directed chiefly to points of divergence and
local peculiarities and modifications. The practices of building
kitchens and offices in structures apart from the body of the house; of
planning bedchambers on the ground floor and of making the hall of ample
enough proportions to be used as a living-room, when so desired, have
already been adverted to in the chapter on the Southern Colonial style.
All three practices were developed during the seventeenth century and by
practical usage proved their excellence so that they were retained when
a new and more elegant architectural mode supplanted the fashion of an
earlier day.

In several instances, such as Tuckahoe, erected about 1707, Belvoir in

379 :名無しの愉しみ:2019/03/27(水) 17:00:40.97 ID:???.net
>平成の年月胸に、一目でもと鹿が行列 両陛下、神武天皇陵参拝 橿原 /奈良

鹿せんべいを手ずから下賜されるため天皇皇后両陛下は奈良を訪問され
報道は憂国の鹿については一行もふれていない

380 :名無しの愉しみ:2019/03/27(水) 17:01:32.98 ID:???.net
橿原に鹿などおらんやろ

381 :名無しの愉しみ:2019/03/27(水) 17:11:37.46 ID:???.net
Anne Arundel County, Maryland, built about the same date, and Gunston
Hall, finished after the middle of the eighteenth century, we may trace
a transitional form, retained from seventeenth century precedents. The
general contour of these houses exhibits strong affinities with the
truly Southern Colonial type of dwelling but in the manner of execution
and the employment of ornamental detail we are on the Georgian side of
the boundary.

For the first Georgian phase, we cannot do better than study such houses
as Carter’s Grove on the James River, built about 1737, and Westover,
finished several years prior to that date. In both places we find many
of the characteristics that we should be disposed to look for after a
careful perusal of the notes on the earliest type of Georgian houses
given in Chapter VIII. In general contour and the treatment of the roof,
Carter’s Grove is not unlike Stenton. In addition, however, to the
particulars alluded to in Chapter VIII, we find at Carter’s Grove the
exceptionally broad hallway peculiar to the South, twenty-eight feet
wide. It is to be noted also that there and at other places, too, in the
South, are to be seen richly wrought baluster spindles, spiral turned or
carved, just as in some of the finer houses in New England. In this
connexion it is important to remember that at Tuckahoe, in addition to
the spiral turned balusters, there is some unusually fine carving on the
staircase executed in a more expansive and flowing style than the
carving of the middle or end of the century. The rich pilasters and
pediment of the doorway at Westover also show kinship to an earlier

382 :名無しの愉しみ:2019/03/27(水) 17:16:27.25 ID:???.net
桜pちゃんと休めてるじゃないか。えらいぞ。
今更ながら、管理者伝言板/投稿ブロックでの切干と郊外の不毛なやり取りを発見。

miraberuは稼働中だが、I may dissapear soon どこ行った。

383 :名無しの愉しみ:2019/03/27(水) 17:26:07.05 ID:???.net
だから嘘っぱち口だけと言われた通りになった
要ブロックでスマル師召喚せよ

384 :名無しの愉しみ:2019/03/27(水) 17:26:42.20 ID:???.net
tradition just as do some of the adornments of contemporary doorways in
New England.

Tulip Hill at West River, Anne Arundel County, Maryland, offers an
excellent example of the Southern Georgian house erected about the
middle of the eighteenth century. In point of detail it has the usual
earmarks of the date of its erection which it is unnecessary to revert
to. Several other points, however, are to be noted. Decorative panels in
relief at each side of the circular window in the front gable and a
decorative device in the pediment of the portico are touches of
embellishment of a kind not frequently found in the North and they have
their counterpart in many similar ornaments to be found on other
Southern houses built about this period. It is to be noted, too, that
the portico or porch is beginning to have a recognised architectural
place in the South. A few years later it assumed more imposing
proportions in the shape of the great white pillars, two storeys in
height, supporting a massive pediment carried forward as an integral
part of the roof. While speaking of porches it must not be forgotten
that credit is due the South Carolina type of Georgian house for the
double-decked or two storey porch so frequently met with in that state.

The necessity or desirability of developing the porch feature may have
hastened the welcome of the Classic Revival in the South because of the
opportunity it gave of constructing that architectural adjunct in an
imposing and thoroughly well-mannered and congruous method. At all

385 :名無しの愉しみ:2019/03/27(水) 17:36:11.81 ID:???.net
スマル師召喚って、海外亡命してる中東の宗教指導者みたいだなw
ミラブルより先に暴言吐いてるサダムフセインを完全に塞いでくれ

386 :名無しの愉しみ:2019/03/27(水) 17:36:41.04 ID:???.net
https://ja.m.wikipedia.org/w/index.php?title=Wikipedia:リダイレクトの削除依頼/受付&oldid=72150482

>緊急削除(即時削除実行者)ニューヨーク市地下鉄の記事名ガイドラインに沿っていないため。--SNK5578(会話) 2019年3月27日 (水) 08:25 (UTC)

どこにどう緊急性があるというのか

387 :名無しの愉しみ:2019/03/27(水) 17:41:47.18 ID:???.net
events, the Classic Revival seems to have met with earlier favour in the
South than elsewhere and its vogue was practically synchronous with the
third or Adam type of Georgian expression. As a case in point, there is
Monticello but it should be observed that Jefferson’s conception of the
Classic Revival

[Illustration: CARTER’S GROVE, VA. 1728.

Southern Georgian, first phase.]

[Illustration: ANDALUSIA ON THE DELAWARE, PENNSYLVANIA. 1794-1832.

Classic Revival.]

[Illustration: OLD MARITIME EXCHANGE, PHILADELPHIA.

Classic Revival.]

mode, if Monticello is to be regarded as a specimen of Classic Revival
work, had a dignity, honesty and sincerity about it that was afterwards
often lost sight of when employed by other men.

One cannot quit the task of reviewing the Georgian architecture of the
South without feeling deeply impressed with the great dignity and
breadth manifested in all its forms. It was a sincere expression of the

388 :名無しの愉しみ:2019/03/27(水) 17:56:52.84 ID:???.net
architectural needs of an important social condition and while it was
founded on time-honoured precedent, at the same time its application was
thoroughly American and full of vitality.




CHAPTER X

THE POST-COLONIAL PERIOD AND THE CLASSIC REVIVAL


After the close of the Revolutionary War came a period of comparatively
rapid evolution in architecture. This phase of post-Colonial evolution
reached its culminating point in the signal successes and almost
ludicrous failures of the Greek or Classic Revival, successes and
failures that occurred simultaneously, strange as it may seem, though
caused by the same influences, and are still to be seen in the older
cities of our land, oftentimes standing in close proximity.

Historically considered, this process of swift evolution is attributable
to several causes of which the chief were the rapidly increasing
affluence and prosperity of the new republic and the general approval
with which French influences and fashions were regarded. In the era of
vigorous mercantile and industrial reaction after the stress and strain

389 :名無しの愉しみ:2019/03/27(水) 18:11:59.06 ID:???.net
of a long and exhausting war, it was but natural that not only
merchants, manufacturers and other men of substance, but also whole
communities as well, should seek to express in structures domestic and
public the proper pride and confidence of their new-found political
importance and freedom. New social and civic demands were to be met and
architecture was quick to reflect the spirit of growth and progress. In
a measure, too, there were the ravages of shot, shell and fire and the
decay incident to a long financial depression to be repaired. With an
access of material prosperity came also an access of economic elegancies
and men of means and position demanded that their domestic surroundings
should measure up to new standards of luxury. When they found themselves
in circumstances to build anew, as they not infrequently did, their
houses, while usually following much the old arrangement of plan and
number of rooms, displayed new influences of ornamental detail and the
alteration or addition of features in conformity to the new mode.
Furthermore--and this was by no means the least factor affecting the new
conditions--in the general social overturn, wrought by the event of war,
the Loyalists, who represented a large portion of the wealth and
refinement of the Colonial period, had been ruined, dispossessed of
their estates, driven from the country or had withdrawn to England or
some of the other Colonies and their places had oftentimes been taken
by persons who had hitherto held a humbler state of life. These men of
new wealth and standing, who owed their advancement to their warm
espousal of the American cause, built themselves houses to accord with
their recently acquired rank and sought by the fineness of their

390 :名無しの愉しみ:2019/03/27(水) 18:27:03.59 ID:???.net
dwellings, as is the wont of _parvenus_, to make up for lack of birth
and breeding. It was but natural, too, in all these cases just
mentioned, that popular taste should incline toward an architectural
vogue that was French in its immediate inspiration rather than toward
any style whose precedents were to be found in the Mother Country whose
recent political domination was still held in bitter remembrance.

Architecturally considered, this evolution that culminated in the full
fruition of the Classic Revival shows three influences that are to be
reckoned in any attempt at its analysis. In the first place, there was
the Adam phase of the Georgian mode which had begun to find pronounced
expression in the American Colonies from about 1770 onward. The greater
refinements of this type, as analysed in preceding chapters, were
strongly in evidence up to 1800 or shortly afterward and their Adam
provenance was clearly distinguishable. In the second place, there were
the carpenter-designed and built houses of plainly defined Georgian
ancestry. During the eighteenth century, the public mind had become so
thoroughly imbued with the Georgian spirit of architectural classicism,
tempered and modified, to be sure, by conveyance through a British
medium, but classicism all the same, that even the most unpretentious
little houses gave evidence of the prevailing influence in one form or
another. It might be a house door with pilasters and pediment or it
might be a mantel. The pilasters flanking the doorway might have lost
all traces of near kinship to any of the classic orders, so far as their
details were concerned, and so might the pediment also, but the mere

391 :名無しの愉しみ:2019/03/27(水) 18:29:00.96 ID:???.net
確か、botの緊急停止ボタンテンプレートあったよね。
誰かあれを利用者ページに貼っちゃえよ。

392 :名無しの愉しみ:2019/03/27(水) 18:32:29.66 ID:???.net
>>391
おれは忙しいからあんたが貼っといて

393 :名無しの愉しみ:2019/03/27(水) 18:42:09.27 ID:???.net
fact that they were there showed plainly the source whence they were
derived. These carpenter-designed-and-built houses of the end of the
eighteenth century may be regarded as a residuum of the architectural
spirit of the epoch. Last of all, there was the pure classic influence,
the circumstances of whose transplanting to America we shall examine in
detail.

Both the architecture of the Georgian period and the architecture of the
Classic Revival were essentially classic in spirit but there was a vast
difference between their several manifestations of classicality and it
is most important that we should grasp that fundamental difference. The
classicism of Georgian architecture was free in its spirit and
interpretation and was elastic in its adaptability to the requirements
of domestic or public edifices. The architects who applied it were
blessed with common sense and while they incorporated a distinct element
of formal order in their work, they were not trammelled by so narrow a
conventionalism that they feared to make such adaptations as their own
original genius prompted, provided they were consistent with the source
of general inspiration. In other words, the classicism of Georgian
architecture was classicism humanised and rationalised by transmission
through the channels of the Renaissance or the labours of such
discriminating students of antiquity as the Brothers Adam. It was
elastic and suited alike to public edifices and abodes of both high and
low degree. It was also direct and simple and had the dignity and
vitality that art unaffected and ingenuous always shows. For this very

394 :名無しの愉しみ:2019/03/27(水) 18:43:19.15 ID:???.net
依頼文面をWindowsのメモ帳から転記して編集、作成
めーさん、履歴継承まめだな。

395 :名無しの愉しみ:2019/03/27(水) 18:53:06.53 ID:???.net
め〜〜

396 :名無しの愉しみ:2019/03/27(水) 18:57:14.02 ID:???.net
reason it was so convincing and so long retained its hold upon popular
taste.

The classicism of the Classic Revival, on the other hand, was
essentially and unalterably rigid in its adherence to the forms of
antiquity and the arch&#230;ological manner of applying those forms. It was
not an adaptation, it was, in very truth, a _revival_ of the modes of
two thousand years ago, a gigantic exhibition of architectural
arch&#230;ology. The strength of Georgian architecture lay in the freedom and
elasticity of its classicism and its ready flexibility to adaptation.
The weakness of the architecture of the Classic Revival was in its
rigidity and inflexible resistance to efforts to adapt it to varied
modern requirements. In the South, it is true, it showed a few traces of
freer interpretation, perhaps because in some cases the artisans were
incapable of rendering the accurate reproductions executed by better
skilled Northern mechanics but, even with this slight allowance, the
stamp of rigidity remained indelible.

Despite a degree of stiffness and pedantry, however, the architecture of
the Classic Revival, in its more felicitous manifestations, displayed
not a little real excellence, stateliness and grace. Many truly
important structures were built during the period of classic ascendancy
and to-day, after years of vicissitude in popular taste, their charm of
grace and quiet dignity is still fresh and enduring and constantly
reminds us of the courtliness of the generation that wisely planned and

397 :名無しの愉しみ:2019/03/27(水) 19:00:52.26 ID:???.net
[[Wikipedia:2019年ノートページに関する協議]]

アレな利用者ホイホイに化してるな

398 :名無しの愉しみ:2019/03/27(水) 19:01:36.71 ID:???.net
おれたちの戦いは終わらない

399 :名無しの愉しみ:2019/03/27(水) 19:02:06.28 ID:???.net
botみらぶるは、作業依頼で検収してもらってから別案件に手を出してはいかが。

400 :名無しの愉しみ:2019/03/27(水) 19:06:50.82 ID:fBfhDb4F.net
Wikipedia:Bot/使用申請#YuukinAWB
こちらは自分で事故報告しているし、後始末もできる。この違いなんだよなー。

401 :名無しの愉しみ:2019/03/27(水) 19:12:19.11 ID:???.net
achieved them. In its less regulated forms, on the contrary, probably
due to the ambitious contractor rather than to even an inferior
architect, the architecture of the Classic Revival was often unsuitable
in its application, uncomfortable and sometimes ridiculous. In the fore
part of the nineteenth century, classicism became an obsession among
builders whose sole aim seems to have been to transform each city in
the land into a second Athens or Rome. Everywhere could be seen
buildings that, if not planned on classic lines in their interior
divisions or their side elevations, were at least adorned with Greek and
Roman orders. This church or bank was embellished with a portico of
Corinthian columns, that one across the street had a corresponding
portico of severest Doric character while another, perhaps, around the
corner rejoiced in graceful Ionic pillars and, doubtless, just beyond
was a house whose owner took a proper pride in the impeccable purity of
his Tuscan piazza. Sometimes all the orders got inextricably jumbled
together on the same edifice and overrun with a veritable forest of
acanthus leaves and anthemia, and yet the effect was not wholly bad,
however much it might distress a purist, because the builders, in the
exuberance and freshness of their vigour, could not help producing some
vitality, although they were trying to be scrupulously accurate while
expressing themselves in a medium they did not fully understand. These
unseemly mix-ups of architectural botany or botanical architecture,
whichever one prefers to call it, were not of common occurrence it is
pleasant to record. They were the exception, and served to lend point to
the really excellent and creditable things that were achieved at a time

402 :名無しの愉しみ:2019/03/27(水) 19:19:57.14 ID:???.net
>>397
なんつーか、箸にも棒にもかからないような連中しか来てないところにjawpの本質が出てる

403 :名無しの愉しみ:2019/03/27(水) 19:27:24.17 ID:???.net
when a decorous formality went hand in hand with cultivated taste and
not a little vigour of thought.

The mutation of architectural style from the Georgian mode to that of
the Classic Revival was virtually synchronous and correspondent with the
sway of the Empire styles in furniture, the decorative arts and personal
attire. The Classic Revival style is altogether post-Colonial in date
and its exotic impetus and inspiration, derived from the France of the
First Napoleon and grafted upon a Georgian stock, cannot be regarded as
essentially a part of the logical process of architectural evolution
which had hitherto progressed by gradual and, for the most part, well
nigh imperceptible steps from one traditional form to another.

The vigorous classicism of the Georgian period, thanks to its filtration
through Renaissance channels, was elastic and appropriate in its
application. Even the elegancies and refinements of the Adam school of
Georgian expression, though drawn direct from the store of classic
antiquity, were judiciously adapted to current needs by masters of the
art of discrimination. But the type of classicism exemplified in the
Classic Revival was deliberately transplanted bodily and _de novo_ from
the ancient world by Napoleonic fiat, in like manner with the designs
for furniture and the patterns to dominate the products of the other
decorative arts. The transplanters sometimes showed a predilection for
heavy Roman forms rather than for the delicacy of Greek refinements, and
the transplanting was occasionally done in a clumsy way with little

404 :名無しの愉しみ:2019/03/27(水) 19:35:59.56 ID:???.net
>>402
これ財団の担当者が呼びかけを一斉送信してるんだけど、割と最近登録でなおかつトークページ利用歴のあるユーザを選んだっぽい
まーそもそもやる気ゼロなBletillaに仕切りを依頼してる時点でミスってるけども

405 :名無しの愉しみ:2019/03/27(水) 19:42:29.36 ID:???.net
apparent regard for fitness or the principles of sane adaptation. With
all the wealth of antiquity to draw from, it would have been strange
indeed if the fautors of revived classicism had not produced much that
was both exceedingly worthy and beautiful. As pointed out before,
whatever defect or weakness characterised the expression of the Classic
Revival style, viewed in the aggregate, is not to be attributed to the
forms employed but to the manner in which those forms were sometimes
misapplied and forced into uses or combinations to which they were ill
suited.

This neo-classic inspiration of Napoleonic French contrivance found
favour in America, thanks to the strong Francophile sentiment prevailing
in the latter part of the eighteenth century and at the beginning of the
nineteenth, which even dictated the colour and design of ladies’ gowns
and their method of coiffure. In the able hands of such men as Charles
Bulfinch, the neo-classic manifestation well merited all the popular
approval accorded it. It is scarcely fair, however, to put Bulfinch
forth, at least in his earlier period, as a typical exponent of Classic
Revival architecture. He was, it is true, imbued with the new
influences but he had too much creative instinct and too much sense of
fitness ever to descend to mere copying or wholesale borrowing. Besides,
he was, one might say, by date of birth and training, a product of the
Adam age and, by native bias, in full sympathy with its delicate and
refined methods of expression. Indeed, we may properly regard Bulfinch
as marking the transition from the Adam or last phase of Georgian

406 :名無しの愉しみ:2019/03/27(水) 19:46:06.67 ID:???.net
[[特別:投稿記録/212.33.239.50]]
[[特別:投稿記録/ほくりくちほう]]
新手の削除依頼荒らしか?

407 :名無しの愉しみ:2019/03/27(水) 19:57:35.65 ID:???.net
architecture to the modes of the Classic Revival for he combined in his
work many of the best features of both. He knew how and when to employ
Adam delicacy and refinement of detail or Adam exuberance of
embellishment without falling into a surfeit of finicky and saccharine
over-elaboration; he knew also when and where to use classic boldness
and vigour and even classic austerity without sinking from classic grace
into any of the heavy Roman forms of brutal vulgarity and military
bombast that sometimes marred the work of later exponents of Classic
Revival inspiration.

Bulfinch was possessed of consummate good taste, a fine sense of
proportion and a genius for judicious adaptation. He was educated while
the Adam influence was at its height, had broadened his field by
observation and foreign travel and began to practise just before the
first fresh impetus of direct classicism was launched. It was,
therefore, quite natural that, with his trained perception and happy
faculty of selection and combination, he should have picked out the best
in each school, and peculiarly appropriate that his work should
exemplify the transitional stage by which one was merged into the other
for, in the evolutionary process, already alluded to, the purest form of
neo-classic design found its analogue in the earlier Adam practice.

Along with Bulfinch, as a representative of the transition stage, must
be classed Samuel McIntire, of Salem, whose work both public and
domestic has always been justly esteemed. He, too, retained a large

408 :名無しの愉しみ:2019/03/27(水) 20:00:31.20 ID:???.net
>>402
そういう君もな

409 :名無しの愉しみ:2019/03/27(水) 20:12:40.95 ID:???.net
share of Adam elegance and wealth of detail which he successfully
incorporated with motifs and methods of treatment inspired by the more
recent impetus of classicism. To McIntire’s influence may be attributed
much of the slender delicacy of proportion and the attenuation of
pillars and pilasters--this attenuation had a counterpart in some of the
contemporary New York Dutch design--so noticeable in a great deal of New
England architecture of this period. He eliminated all grossness and
pared down the dimensions of columns while he drew out their length to a
degree that had no precedent in ancient practice and would have shocked
the French purists under whose auspices the new movement

[Illustration: ANDREW SAFFORD PORCH, SALEM, MASS.

Transition to Classic Revival.]

[Illustration: INTERIOR DOORWAY, NICHOLS HOUSE, SALEM, MASS.]

[Illustration:

Photograph by C. V. Buck, from Underwood & Underwood, N. Y.

THE CAPITOL AT WASHINGTON.

Classic Revival.]

410 :名無しの愉しみ:2019/03/27(水) 20:17:07.31 ID:???.net
私が一番得意な分野は鉄道です。

411 :名無しの愉しみ:2019/03/27(水) 20:24:00.70 ID:???.net
>>406
LTA:ECHIGO

412 :名無しの愉しみ:2019/03/27(水) 20:24:03.84 ID:???.net
>>399
bot作業依頼なんて、半年近く溜まってたこともあったから
そんなに急ぎでやらんでもいいのに。
強迫性障害が心配だ。

413 :名無しの愉しみ:2019/03/27(水) 20:27:55.10 ID:???.net
[Illustration: GIRARD COLLEGE, PHILADELPHIA.

Classic Revival.]

had been inaugurated. Despite these departures from architectural and
arch&#230;ological orthodoxy, however, McIntire’s work is replete with
exquisite charm and is justified by applying to it the touchstone of
good taste.

Latrobe, McComb, in his later work, L’Enfant, Hoban, Dr. Thornton,
Thomas Jefferson, Strickland and other noted architects of the last
years of the eighteenth century and the fore part of the nineteenth
followed classic precedent somewhat more closely in the practice of
their profession and may, therefore, be considered the most faithful and
typical exponents of Classic Revival principles. Much of their work is
noble in conception and peculiarly suited to the monumental character of
the buildings they designed.

The influence of the Classic Revival was to be noted earliest in public
edifices such as the Boston State House on Beacon Hill, the New Theatre
or the Bank of the United States in Philadelphia or, most of all, in the
Capitol at Washington in the design, erection and restoration or
rebuilding of which so many of the most eminent architects of the day
had a share. There the classic orders were reproduced with faithful
accuracy in combinations that displayed their chaste beauty and noble

414 :名無しの愉しみ:2019/03/27(水) 20:42:23.51 ID:???.net
[[Wikipedia:ウィキぺたんの好感度]]

nnkr

415 :名無しの愉しみ:2019/03/27(水) 20:43:00.26 ID:???.net
proportions in the most dignified and impressive manner. Capitals of
impeccable exactitude and fidelity to their prototypes, pediments and
entablatures of due proportion, triglyphs, mutules, modillion brackets,
acanthus leaves, egg and dart mouldings, dentils, anthemia and all the
other structural and ornamental features characteristic of either Greek
or Roman architecture became familiar objects to the public gaze and
exercised their subtle but powerful agency in the education of a
disciplined and elegant sense of architectural propriety.

The architecture of the Classic Revival was undoubtedly at its best in
public edifices or in large and imposing mansions which afforded
sufficient opportunity to display its ample characteristics. Such
structures, moreover, did not require any great stretch of ingenuity in
making adaptations. While columns might have to be lengthened out or
features foreign to classic conception added, the task of accommodation
rarely offered serious difficulties to be overcome. In the hands of such
men as Bulfinch or McIntire, at the outset, or of Latrobe, Hoban,
Strickland and their various able contemporaries, the Classic Revival
gave us many truly admirable structures instinct with dignity and grace.
In the hands of the too confident and insufficiently educated mechanic
who ventured to try his hand at designing, it was a very different thing
indeed and its remaining examples of this inferior type can scarcely be
viewed with pleasure.

If one may trace an analogy between the Adam mode and the best

416 :名無しの愉しみ:2019/03/27(水) 20:53:52.81 ID:???.net
>>414
・書きかけ
・改変コピペによる著作権侵害
・エイプリルフールはまだ先
・何よりまずユーモアとして寒すぎ
即時削除、初版投稿者を追放で

417 :名無しの愉しみ:2019/03/27(水) 20:58:04.99 ID:???.net
manifestations of the Classic Revival with its stately structures full
of breadth, dignity and repose, so may one also trace with ease an
analogy between the carpenter-designed-and-built houses of the end of
the Georgian period and much of the insignificant domestic work of the
Classic Revival. In other words, the elegant Adam creations bore
virtually the same relation to the contemporary carpenter-designed
houses as did the larger and serenely chaste compositions of the Classic
Revival to the small and inexpensive attempts on the part of ambitious
builders to apply the same style to little, cramped structures for which
it was manifestly unfit. There was this difference, however. The
carpenter-architects of the end of the Georgian period were far superior
in discrimination and taste to their successors, who tried to make up
for their lack of knowledge by ill-judged essays that succeeded only in
being ridiculous. Their tiny, temple-fronted houses were not domestic
and were as unreal and architecturally unsatisfying as stage settings
viewed from the rear. They were bombastic and pompous--one feels almost
like saying “pompious”--and displayed no real merit or refinement to
back up their preposterous pretensions to a dignity and state not at all
in keeping with their true purpose. The so-called “carpenters’ classic”
mode, which was really a chastened and restrained form of the debased
Classic Revival style, was infinitely preferable because it was simple
and did not pretend to be something it was not.

Among the thoroughly striking and important buildings erected in this
era that ought to be mentioned, besides those already referred to, are

418 :名無しの愉しみ:2019/03/27(水) 21:00:24.54 ID:???.net
>>391
[[Template:Emergency-bot-shutoff]]

これをミラブラのページに貼るのか?
そのページのユーザが対象だから、押すとミラブラがブロックされる(笑)

419 :名無しの愉しみ:2019/03/27(水) 21:07:31.10 ID:???.net
>>404
なんか目的もよくわからんけど、今のアレが日本語版の代表意見になるの?
恥だろやめてくれよ

420 : :2019/03/27(水) 21:09:57.18 ID:???.net
おはようございます
今日は何が盛り上がってますか?

421 :名無しの愉しみ:2019/03/27(水) 21:13:09.90 ID:???.net
the Sub-Treasury in New York, Girard College in Philadelphia, the
Philadelphia Custom House, and the Cathedral in Baltimore. These are
typical buildings and, for that reason, worthy of being kept in mind,
but the list of creditable examples might be added to almost
indefinitely.

As a direct result of the Classic Revival influence there was a certain
amount of modest and agreeable adaptation which created a pleasant
domestic episode in the annals of American architecture. Examples of
this modified classic school are unpretentious and, for the reason that
they mark no ambitious flights, commendable in their own field. For want
of a better name we have been accustomed to call this architectural
species “Carpenters’ Classic.” Whatever its shortcomings--and not much
can be expected of it for it makes no pretence--it was infinitely better
than much that followed it.

In contemplating the story of the Classic Revival one can find much to
be thankful for.

[Illustration: WINDOW DETAIL, HOUSE IN PHILADELPHIA.

Classic Revival.]

[Illustration: DOOR DETAIL, HOUSE IN PHILADELPHIA.

422 :名無しの愉しみ:2019/03/27(水) 21:19:22.34 ID:???.net
>>404
Bletillaはやる気はあるんだろう
能力がゼロなだけで

423 :名無しの愉しみ:2019/03/27(水) 21:28:15.54 ID:???.net
Classic Revival.]

[Illustration: STATE HOUSE, PHILADELPHIA, SOUTH FRONT. 1733.]

[Illustration: HALLWAY, STATE HOUSE, PHILADELPHIA.]

Let its failures be what they may, it was in large measure due to the
work done during the period of its ascendancy that we owe a certain
tradition and precedent in public work that has wrought for good and is
still working in our own day.




CHAPTER XI

PUBLIC BUILDINGS OF THE COLONIAL AND POST-COLONIAL PERIODS


The architecture of Colonial America, exclusive of the churches, was
almost altogether domestic in its scope and yielded but comparatively
few examples of impressive public edifices in proportion to the area of
the territory embraced. There were, however, enough secular public
buildings scattered through the length and breadth of the Colonies to
make a striking representation when grouped together and what the

424 :名無しの愉しみ:2019/03/27(水) 21:43:22.24 ID:???.net
aggregate collection of such structures lacked in point of numbers was
amply made up in point of individual excellence or historic interest, or
both, on the part of the several units. In the space of one chapter it
would be manifestly impossible to discuss fully all the secular public
buildings of the Colonies but enough of them can be considered to convey
a comprehensive idea of the civic architectural setting of Colonial
days.

If the houses and churches of the Colonial period in America reflect
the social and religious life of our forefathers, no less truly do the
public buildings reflect the civic and political side of their
existence. To be sure, the public buildings are not without their
interest and power to shed light on the social and economic conditions,
but it is especially in their civic and political capacity that their
appeal to us is strongest. Then, too, we may truly say that they form
much of the setting for the dramatic side of our history and, therefore,
the picturesque association is potent. With the State House in
Philadelphia (Independence Hall, as it has been called in later years),
we cannot fail to associate the Declaration of Independence and the
framing of our national constitution, eleven years afterward. Neither
can we fail to associate with Faneuil Hall or the Old State House in
Boston the stirring events that preceded the outbreak of the War for
Independence.

Of all the public buildings in the Colonies, the State House in

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Philadelphia, as the birthplace of our national existence, claims the
place of first attention and highest honour in the esteem of all loyal
Americans. Architecturally speaking, all the public buildings chosen for
consideration in this chapter represent more or less faithfully the
local characteristics of the places in which they were built. We
naturally expect, therefore, to find in the State House at Philadelphia
an example of the Middle Colonies Georgian at its best, nor are we
disappointed. From an architectural point of view, the State House was a
notable and imposing structure when it was erected in 1733 and, from the
same point of view, it would be equally notable and imposing had it been
built only yesterday. The scale is so broad and impressive that it
dwarfs other buildings of far greater size and loftier structure in the
vicinity. In this respect it is comparable to a small person of large
presence and much dignity, the scant measure of whose inches is not
accounted in the impression created among his fellows. We have all seen
such. Though the actual area covered by the State House is
inconsiderable--it is only one hundred feet long by forty-four feet in
depth, with a tower, on the south side or rear, measuring thirty-two
feet by thirty-four--there is such amplitude of proportion in the rooms,
in the size of all the central features and in the detail of
ornamentation, that the visitor instinctively feels himself in one of
the great buildings of the country, altogether irrespective of the brave
memories by which its walls are hallowed.

Seen from without, the State House is a most satisfying piece of

426 :名無しの愉しみ:2019/03/27(水) 22:12:35.16 ID:???.net
>>404
その案内Ndesign-clubの所にもいってるんだけど
ブロック後だという

427 :名無しの愉しみ:2019/03/27(水) 22:13:34.91 ID:???.net
Georgian work. The north front, pierced by a single door and eight broad
windows on the lower floor and an unbroken range of nine windows on the
upper, has a convincing charm of combined dignity and simplicity. The
doorway is severely plain and of proportions characteristic of the date
at which the edifice was built. The wide muntins of the small paned
windows, the well spaced string courses, and the oblong panels of blue
marble beneath the windows of the upper floor, diversify the surface and
impart a grace that quite prevents the impression of dumpy stodginess
that less carefully managed Georgian fa&#231;ades sometimes give. A white
balustrade, running the length of the building and set where the pitch
of the roof breaks into a much flattened gambrel to form a deck, affords
an additional note of grace and lightness comporting well with the
triple chimneys with arch-joined tops at each gable end.

The contrast between the deep red brickwork of the tower, carried one
stage above the cornice of the body of the hall, and the white wooden
superstructure for the clock, surmounted by an open cupola over the
bell, is striking and particularly effective viewed from the south on a
sunny morning in winter or early spring, when everything is fretted with
a laced pattern from the bare branches of the surrounding trees. In the
second stage of the south side of the tower, immediately above the door,
is a Palladian window that has always compelled admiration. The crushed
capitals of the pilasters and dividing pillars, though perhaps rude in
line and execution, are delightfully suggestive of the weight and
solidity of the tower above them. Grotesque heads and faces as ornaments

428 :名無しの愉しみ:2019/03/27(水) 22:22:41.59 ID:???.net
>>419
日本語版の代表にふさわしい人物はいるが英語でしゃべってるのを見たことがない
山梨とはいえ旅行代理店経営なら英語が得意でも不思議はないのだが

429 :名無しの愉しみ:2019/03/27(水) 22:24:46.41 ID:???.net
冗談よしてくれ、あんなおっさんが代表なわけないよ

430 :名無しの愉しみ:2019/03/27(水) 22:28:49.08 ID:???.net
for keystones were not very extensively used in our Colonial Georgian
architecture, but over the windows on three sides of the uppermost brick
stage of the tower are faces that for pathos of expression can quite
match those on the tower of Christ Church that lift their seemingly
sightless eyes alike to sun and snow and blinding rain. Though noticed
by few among the thousands that daily pass by, they are worthy of
attention. Masques or grotesque heads are also used in one or two other
places, such as the over-door carving in the interior of the building.

The warm tone of the walls is especially pleasing. Years and weather,
yes, and dirt, have imparted an exceedingly mellow tinge to the hard
burned brick laid in courses of Flemish bond, and although the glazed
black headers, found in so many old houses, are of rare occurrence, the
hue of the Colonial bricks is peculiarly rich. Relieved as the masonry
is by trimmings of native bluish marble and pencilled by weathered
mortar joints, the walls have a wonderful quality of texture and colour.

Although the triple-arched arcades and low, hip-roofed buildings on
either side of the State House are new, they are restorations and
conform to the provisions of the original plan. That plan called for
such structures, and they were begun several years subsequent to the
commencement of work on the main portion of the State House, but gave
place at a later date to the hideous barracks, devised to meet the
exigencies of public business, which endured till the last wave of
restoration happily removed them.

431 :名無しの愉しみ:2019/03/27(水) 22:43:54.71 ID:???.net
The State House was designed to accommodate the legislative and
executive branches of the Provincial government. The great east room, to
the left of the door on entering, was intended for the use of the
Assembly. In this room the Declaration of Independence was signed and in
this room, also, eleven years later, the Constitutional Convention sat
and framed the Constitution of the United States. Whether the west room,
across the corridor, and communicating with it by three large open
arches, was originally meant for the Supreme Court of the Province is
uncertain, but, at any rate, it was in time appropriated to that
purpose. The second floor has a long gallery running the full length of
the building along the north side facing Chestnut street, and this
apartment has been variously designated as “The Long Room,” “The
Banqueting Hall” and by sundry other titles. Facing the south are two
smaller rooms, separated by a spacious hallway or lobby, which also
opens into the Long Room. One of these lesser rooms seems to have been
intended for the use of the Governour’s Council.

Although the date of the building of the State House was 1733, its
completion was not accomplished till eight years later. This fact
probably accounts in some measure for the affinities of detail in the
interior woodwork with the second Georgian type, alluded to in the
chapter on Georgian architecture in Philadelphia and the neighbourhood.
The doorway on the Chestnut street front, both by its proportions and
its severe simplicity, belongs rather to the first type of Georgian as

432 :名無しの愉しみ:2019/03/27(水) 22:58:59.26 ID:???.net
exemplified by Stenton, Hope Lodge and Graeme Park. Inside the building,
however, we find the egg and dart moulding, modillion brackets carved
with acanthus leaves, ornate cornices with triglyphs, dentils and
mutules, fluted pillars and pilasters with ornate Roman capitals,
rosettes, elaborately wrought modillion brackets under the treads of the
stair, deeply panelled soffits and jambs, ornate pediments above doors
and overmantels, and all the other details characteristic of the second
Georgian period. In addition to being exceedingly elaborate, the
woodwork of the State House is executed in a masterly manner and marked
both by boldness and an unusual degree of grace.

At the extreme east and west ends of the

[Illustration: FANEUIL HALL, BOSTON, 1741.]

[Illustration: INDEPENDENCE ROOM, STATE HOUSE, PHILADELPHIA.]

[Illustration: OLD STATE HOUSE, BOSTON, 1728.]

State House group, the two buildings projecting farther toward the
street than the rest, are decent in appearance but quite unpretentious.
Of exterior architectural embellishments, such as the State House can
boast, they are innocent, save the cupolas, which are good. Inside, the
woodwork detail is pleasing. The western building, Congress Hall, was
erected in 1788; here Washington’s second inauguration took place and

433 :名無しの愉しみ:2019/03/27(水) 23:14:04.33 ID:???.net
here John Adams was inducted into office as President. The eastern
building, intended for the City Hall, was built in 1791. While
Philadelphia was the seat of national government it was turned over to
the Supreme Court of the United States and here presided Chief Justices
John Jay, John Rutledge and Oliver Ellsworth.

In New England, the most impressive secular public buildings are the Old
State House in Boston, built in 1728, Faneuil Hall, built in 1741, and
the Bulfinch State House, on the summit of Beacon Hill, built in 1795.

The Old State House, a structure of peculiarly pleasing proportions and
admirable poise, is thoroughly representative of the best Georgian
feeling of the period of its erection both in manner of construction and
detail. Its square lantern of three stages is particularly interesting
as are also the stepped gables at each end, with the carved figures of
the British lion and unicorn apparently stationed as heraldic
supporters of the ornate apex with the clock. On account of these
stepped gables the criticism has sometimes been advanced that the Old
State House shows traces of Dutch influence in its design. While it is
quite true that stepped gables are characteristic of many Dutch
buildings, the attribution of Dutch influence in the treatment of the
Old State House can scarcely be justified for there is nowhere else
observable any suggestion of Dutch tendencies and the precedent for
stepped gables in unmistakably English work of an earlier date is by no
means wanting. Rich in historic memories, of which, perhaps, the Boston

434 :名無しの愉しみ:2019/03/27(水) 23:25:46.85 ID:???.net
>>429
なら
この中で日本語版代表にふさわしいのを選べ
*椰子
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435 :名無しの愉しみ:2019/03/27(水) 23:27:04.16 ID:???.net
>>434
トモスだろタワケ

436 :名無しの愉しみ:2019/03/27(水) 23:29:20.27 ID:???.net
Massacre stands forth most vividly, it is deservedly cherished with
civic pride as the ancient centre of Provincial life and it is
gratifying to see how punctiliously and accurately it has been restored
to its pristine condition under the able direction of Joseph Everett
Chandler, to whose enthusiasm are due many other faithful restorations
of seventeenth and eighteenth century New England architectural
treasures.

Faneuil Hall, hard by, also worthily upholds the Georgian traditions of
the mid-eighteenth century in its storeyed fa&#231;ades, its gracefully
proportioned and detailed cupola and the excellence of its interior
cornices, pillars and carved capitals. This “cradle of American liberty”
is a truly noble building and a worthy setting for the stirring
historic episodes that have been enacted beneath its roof or under the
shadow of its walls.

The Bulfinch State House, a “model of classicality” as someone has not
inappropriately called it, is an exceptionally impressive precursor of
the Greek or Classic Revival. Designed at a time when the graceful
interpretation of the Georgian style, introduced by the Brothers Adam,
was still dominant, it combines the characteristic elegance of its epoch
with the bold vigour of classic inspiration, drawn direct from the font
of antiquity, that distinguished the best public architecture of the
early nineteenth century. Despite the alterations and additions to which
it has been subjected, its strong individuality still dominates the

437 : :2019/03/27(水) 23:29:27.13 ID:???.net
>>434
私が一人もいませんが?

438 :名無しの愉しみ:2019/03/27(水) 23:33:38.06 ID:???.net
>>437
LTAの代表はいせちかだろ(グローバルBAN済)

439 :名無しの愉しみ:2019/03/27(水) 23:36:31.43 ID:???.net
ザパニ死ね

440 :名無しの愉しみ:2019/03/27(水) 23:37:13.93 ID:???.net
here John Adams was inducted into office as President. The eastern
building, intended for the City Hall, was built in 1791. While
Philadelphia was the seat of national government it was turned over to
the Supreme Coaurt of the United States and here presided Chief Justices
John Jay, John Rutledge and Oliver Ellsworth.

In New England, the most impressive secular public buildings are the Old
State House in Boston, built in 1728, Faneuil Hall, built in 1741, and
the Bulfinch State House, on the summit of Beacon Hill, built in 1795.

The Old State House, a structure of peculiarly pleasing proportions and
admirable poise, is thoroughly representative of the best Georgian
feeling of the period of its erection both in manner of construction and
detail. Its square lantern of three stages is particularly interesting
as are also the stepped gables at each end, with the carved figures of
the British lion and unicorn apparently stationed as heraldic
supporters of the ornate apex with the clock. On account of these
stepped gables the criticism has sometimes been advanced that the Old
State House shows traces of Dutch influence in its design. While it is
quite true that stepped gables are characteristic of many Dutch
buildings, the attribution of Dutch influence in the treatment of the
Old State House can scarcely be justified for there is nowhere else
observable any suggestion of Dutch tendencies and the precedent for
stepped gables in unmistakably English work of an earlier date is by no
means wanting. Rich in historic memories, of which, perhaps, the Boston

441 :名無しの愉しみ:2019/03/27(水) 23:44:25.32 ID:???.net
structure, of which the original fabric is now but a small part, and
breathes abroad the ample spirit of post-Colonial dignity.

The original buildings of Harvard, or rather the worthy successors of
the first buildings, none of which remain, exhibit, in their plan,
proportions and general treatment, many admirable features quite
comparable to those of the best contemporary large Georgian buildings in
England and their substantial dignity, thoroughly in keeping with their
purpose, reflects the greatest credit upon the Colonial officers and
benefactors of the University.

Of the other Colonial or post-Colonial secular public buildings in New
England deserving of admiration and close study, all of which it would
be a congenial task to write about at length, did space permit, three
especially must be mentioned before passing on to discuss those in
another part of the country. They are the Custom House in Salem, which
will always be associated with the fanciful melancholy of Hawthorne’s
literary genius; the Town House or State House at Newport, built in 1743
from the designs of Richard Munday and, last of all, the Market or City
Hall, in the same place, built in 1760 after the plans of Peter
Harrison, sometime an assistant to Sir John Vanbrugh, whose close
connexion with that eminent English architect and subsequent removal to
the American Colonies throw an interesting side light upon the bonds
linking Colonial architectural developments with their source of
inspiration.

442 :名無しの愉しみ:2019/03/27(水) 23:59:30.43 ID:???.net
New York could boast the stately old building of King’s College;
Fraunce’s Tavern, whose festive board, upon the occasion of balls and
receptions, groaning with toothsome viands, caused the feasters to groan
with gout the next day; the City Hall, begun in 1803, whose chaste
classic elegance, surrounded by huge modern structures, still bears
eloquent witness to the civic good taste of the period when it was
erected. Henry James was greatly impressed with its “perfect taste and
finish, the reduced, yet ample, scale, the harmony of the parts, the
just proportions, the modest classic grace, the living look of the type
aimed at.” On looking at such noble examples of the architecture of a
past generation, one cannot but regret that the ruthless sweep of
commercial progress has brushed aside and demolished so many monuments
of the New York of Colonial days.

In Colonial cities and towns the town hall and market, usually found
close together if not actually occupying the same building, according to
old English custom, were so representative of the visible course of
civic life that some account must be taken of their presence though few
of them now remain. The old Provincial Hall or Court House in
Philadelphia, erected in 1707, was so thoroughly typical of these
combined judicial and mercantile structures that, although torn down
many years ago, it deserves some notice in this place. It stood in the
middle of Market street at the corner of Second and back of it the
market sheds or shambles stretched away towards the west, occupying the

443 :名無しの愉しみ:2019/03/28(木) 00:14:46.93 ID:???.net
whole middle of the street, and increasing in extent year by year as the
city grew and more accommodations for the farmers became necessary. It
was a substantial brick structure, built on arches, and was similar in
character and appearance to the town halls of that day in many English
county towns. “It was,” wrote a local antiquary, in one of his sketches,
“an important place. Monarchs on their accessions were there proclaimed;
wars were thence declared; and peace, when it came to bless the people,
there found a voice to utter it. New governours addressed the people
over whom they were appointed to rule, from its balcony; the emblems of
sovereignty, the royal arms of England, were there displayed.” There
centred all the official, legislative and administrative life of the
Province, there the Provincial Council sat, there the elections were
held and there were the gaol and those much dreaded but effective
instruments of correction, the pillory, the stocks and the whipping
post. The stocks, standing as they did in such close proximity to the
market, the rougher sort drew not a little amusement from pelting
culprits there confined with overripe vegetables and we are told, in the
reminiscent notes of one who was a boy at the time of the Revolution,
that “the whipping-post and pillory display was always on a market
day--then the price of eggs went up much.” Such was the old Philadelphia
Court House and very like it were the town houses and markets in the
other Colonial cities. One good example of this type of building, still
standing, is the brick portion of the market at Second and Pine streets,
Philadelphia, which

444 :名無しの愉しみ:2019/03/28(木) 00:25:15.48 ID:???.net
>>434
松崎温土

445 :名無しの愉しみ:2019/03/28(木) 00:29:50.93 ID:???.net
[Illustration: BULFINCH STATE HOUSE, BOSTON. 1795.]

[Illustration:

Copyright, by International News Service.

NEW YORK CITY HALL.

Classic Revival.]

[Illustration: OLD PINE STREET MARKET, PHILADELPHIA.]

[Illustration: CARPENTERS’ HALL, PHILADELPHIA.]

nearly resembles the Georgian town houses that may yet be seen in quiet
little English market towns. Very similar to this bit of Georgian
excellence are the old Town Hall in Chester, Pennsylvania, and the Town
Hall in Newcastle, Delaware.

In trying to form an adequate mental picture of the civic life of
Colonial times, in relation to its architectural setting, we must not
overlook the hostelries, theatres, schools and hospitals. The eighteenth
century ordinary came into contact with the social and civic life of the
period at every conceivable point. Thither came the most substantial
citizens, there matters of public concern were discussed, meetings were

446 :名無しの愉しみ:2019/03/28(木) 00:39:33.39 ID:???.net
>>434
やっぱり代表は猫好きだろう。
Wikipedia日本語版の現状を身をもって表現してくれている。

447 :名無しの愉しみ:2019/03/28(木) 00:44:45.58 ID:???.net
[[利用者:日本代表]]ってのが実在するなw

448 :名無しの愉しみ:2019/03/28(木) 00:45:01.01 ID:???.net
held, entertainments were given, distinguished strangers were f&#234;ted and
travellers found welcome hospitality. If one has a taste for poking
about and nosing into out of the way nooks and corners, a voyage of
discovery in some of our older cities will often be richly rewarded. On
north Second street, in Philadelphia, one may still dive under arch-ways
and find inn yards surrounded partly by balconied back buildings that
stretch away in a string of offices and kitchens, partly by stables and
waggon sheds. One almost feels that these inns have been transplanted
bodily from old London, so like are they to their English prototypes
and, we may incidentally add, in a much completer state of
preservation. Just such inn yards as these served for theatres in
Shakespeare’s day. It was from such inn yards, too, in the old staging
days, that the mail coaches set out with cracking whip and blast of
horn. The petty itinerant shows, that used to come occasionally to
divert our Colonial forebears by the sight of a real live lion or bear
or electric eel or any unusual creature that the showman had been able
to acquire, availed themselves of the inn yards for exhibitions. In
1763, Elizabeth Drinker, then at Frankford, notes in her diary: “A
lioness passed this road in ye morning. Paid 2_d._ for seeing her--a
large ugly animal.” No doubt the “large ugly animal” had been previously
exhibited in some of the inn yards on Second street, for out that
thoroughfare passed all the traffic for New York and every place to the
north.

Coffee houses, also, were favourite gathering places for conversation

449 :名無しの愉しみ:2019/03/28(木) 00:45:03.06 ID:???.net
今日は何かいいの入ってますか?

450 :名無しの愉しみ:2019/03/28(木) 01:00:13.92 ID:???.net
and refreshment and one of the most famous in Philadelphia--they were
much the same in all the cities--was the London Coffee House or
Bradford’s Coffee House, at the corner of Front and Market streets. It
was built in 1702 and presented an interesting example of truly Colonial
architecture in its striking brickwork, its penthouses and its
jerkin-headed, gabled roof. It should be noted that the jerkin-head roof
treatment, the plain survival of an English tradition, was to be found
on a number of other early Pennsylvania buildings but the practice of
building in this manner was soon discontinued. Watson in his “Annals”
tells us that “at this Coffee House--the Governour and other persons of
note ordinarily went at set hours to sip their coffee from the hissing
urn, and some of these stated visitors had their known stalls. It was
long the focus which attracted all manner of genteel strangers; the
general parade was outside of the house under a shed of but common
construction, extending from the house to the gutter way, both on the
Front street and High street sides. It was to this, as the most public
place, they brought all vendues of horses, carriages, groceries, &c.,
and above all, here Philadelphians once sold negro men, women and
children as slaves.”

It is to be sincerely regretted that the London Coffee House, like its
near neighbour the Provincial Hall, was torn down many years ago for,
quite apart from its architectural interest, its historic associations
were important and intimately connected not only with local events but
with events that had a bearing upon the affairs of the whole country.

451 :名無しの愉しみ:2019/03/28(木) 01:15:18.51 ID:???.net
One of these was the beginning of the opposition to the Tea Act which
started in Philadelphia and not in Boston as is popularly supposed.
“When the tax on tea was reduced to three pence per pound there seemed
to be a general disposition to pay it. At this juncture, when the
arrival of a fresh consignment from the East India Company was expected,
William Bradford gathered at the Coffee House several citizens, whom he
knew to be heartily opposed to the measures of the British Government,
and together they drew up a set of spirited resolutions anent the tea
question. On the following Saturday, October 16, 1773, a ‘large and
respectable town-meeting,’ presided over by Doctor Thomas Cadwalader,
was held at the State House and the resolutions were adopted
enthusiastically. The same resolutions were almost immediately
afterwards adopted, nearly word for word, by a town-meeting in Boston
(November 5, 1773), where a disposition to receive the tea had become
general, from an idea that an opposition to it would not be seconded or
supported by any of the other Colonies.”

Until the middle of the eighteenth century, the American public had been
without any organised effort to present dramatic performances and,
consequently, there were no theatres to be numbered among public
buildings before that time. Just after the middle of the century,
however, a stock company came over from England and started upon a round
of engagements in the different cities of the Colonies. By a portion of
the people they were heartily welcomed but for the most part they met
with an indifferent if not actively hostile reception. Nevertheless,

452 :名無しの愉しみ:2019/03/28(木) 01:18:24.10 ID:???.net
>>377
分かったよちょっとは真面目にやるって
>>382
ヒント:may

453 :名無しの愉しみ:2019/03/28(木) 01:30:31.17 ID:???.net
despite all opposition, they persevered, and in time won an established
position in the social life of the day. At first they made shift to get
along with quarters improvised in storehouses or other buildings that
might be temporarily adapted to their purpose but eventually it became
necessary to have structures designed especially to meet their needs. In
1759 a small wooden theatre was built in South or Cedar street,
Southwark, Philadelphia, but was used for only a brief period. Its place
was soon taken by a second structure, substantially built of brick,
farther up South street, above Fourth. This brick theatre was opened
November 21, 1766, “and was the first permanent building used for
theatrical purposes in America.” Both this building and its wooden
predecessor were on the _south_ side of South street and hence in
Southwark, as the jurisdiction of the Philadelphia city authorities
ended on the _north_ side of that thoroughfare. There was more liberty
of action in Southwark and both the first and second theatres were
located there to escape the violent opposition of the powerful Quaker
element which frowned upon dramatic performances and urged that “the
practise of play-acting would be ‘attended by mischievous effects, such
as the encouragement of idleness and drawing great sums of money from
weak and inconsiderate persons.’”

To this Southwark theatre repaired all the wealth, beauty and fashion of
Philadelphia, at that time the metropolis of the Colonies. There, until
1773, the “American Company” had its regular season and, despite Quaker
hostility, Philadelphia was the most important theatrical centre of all

454 :名無しの愉しみ:2019/03/28(木) 01:38:15.86 ID:???.net
ウィキペディア日本語版代表候補

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*GcG

455 :名無しの愉しみ:2019/03/28(木) 01:45:36.51 ID:???.net
the Colonial cities. During the acute troubles with the Mother Country
prior to the outbreak of the Revolution and while that struggle was in
progress the old stock company was driven from Philadelphia as most of
its members were loyal British subjects. While the British occupation of
Philadelphia lasted, Lord Howe’s officers gave amateur performances in
the Southwark theatre, devoting the proceeds to the benefit of the
“widows and orphans of the army.” The unfortunate Major Andr&#233; took an
active part in these dramatic efforts, and not only acted but assisted
in painting the scenery, and one drop curtain, bearing his name as
artist, was used until it was destroyed by a disastrous fire in 1821.
This circumstance and the fact that General Washington during his
residence in Philadelphia, as President of the United States, frequently
attended the performances, occupying one of the stage boxes above which
the arms of the United States had replaced those of Great Britain, have
lent an unusual interest to this first permanent American theatre. It
was a rectangular building with a low pitched gable end towards the
street front and devoid of any architectural pretension save three round
headed windows above the door and a modest cupola on the ridge of the
roof. Only the north wall of the old building still stands and is
incorporated in the fabric of a distillery which occupies the site of
the theatre.

In 1793, Charles Bulfinch built the first theatre in Boston and, in
1794, the “New Theatre” was opened in Philadelphia, at Sixth and
Chestnut streets. It was designed in a far more pretentious and stately

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manner than the old Southwark theatre and showed the coming influence of
the Classic Revival. In front was a long, pillared portico or arcade and
the whole fa&#231;ade displayed a good deal of architectural enrichment of a
formal kind. It may be regarded as thoroughly typical of the new
architectural tendencies and representative of the best sort of
play-houses that were erected for a number of years thereafter.

The Pennsylvania Hospital was the most notable eighteenth century
structure of its kind and its sterling architectural excellence becomes
ever increasingly apparent with the flight of years. The only attempts
at embellishment are upon the central pavilion and are both
well-considered and restrained. All the rest of the building was carried
out with the extreme simplicity of the eastern wing which was the first
portion to be built and was erected in 1753. One could not find anywhere
a more striking example of the transforming power of a string course of
contrasting colour upon a severely plain wall. The white string course,
standing out in strong relief against the deep red brick walls and
passing between the row of window heads on the ground floor and the
window cills of the storey above it, communicates to an extremely plain
exterior a charm and dignity of aspect that redeem it from the bald
austerity of a factory or barracks. Save this string course and the
cupola atop the roof, this oldest portion of the hospital and the
corresponding west wing are devoid of architectural adornment but their
just proportions and easy amplitude of dimensions are particularly
satisfying to the eye.

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Among the public buildings of the Colonial period, noteworthy both for
their architectural character and for historic association, Carpenters’
Hall in Philadelphia, where the sessions of the first Continental
Congress were held, demands the consideration of all patriotic
Americans. Quite apart from its historic importance, Carpenters’ Hall
challenges the admiration of every lover of Georgian architecture in its
sturdiest manifestation. The State House in Annapolis, the Court House
in Williamsburg, the Custom House in Charleston and other public
edifices of similar character imparted to civic life in Colonial and
post-Colonial days an element of dignity and poise.

The Classic Revival had one of its early significant manifestations in
the buildings of the University of Virginia, a group for which we have
to thank no less a person than Thomas Jefferson. The plan embodied the
most comprehensive building scheme that had yet been essayed. To
Jefferson’s discriminating architectural taste and conscientious
devotion to his self-imposed task as architect and supervisor of the
work we owe it that the University buildings worthily represent one of
the best phases of revived classicism in America. There is a dignity and
honesty in Jefferson’s conception of revived classicism and a thorough
sincerity that often failed to appear in later work of the same school.
The result achieved commands our respect and when we remember that the
parts of plans and sections of details were jotted down on scraps of
paper and the backs of scribbled memoranda we cannot help wondering what

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would have happened if the same seemingly careless and unsystematic
course were pursued in our own day. It was doubtless the enthusiastic
devotion of the architect and his constant supervision along with the
conscientious efforts and pride of every artisan that saved the day as
it did in so many other cases.

[Illustration: PENNSYLVANIA HOSPITAL, PHILADELPHIA.]

[Illustration: BLACK HORSE INN YARD, PHILADELPHIA.]

[Illustration: BRUTON PARISH CHURCH, WILLIAMSBURG, VA. 1714.]




CHAPTER XII

CHURCHES OF THE COLONIAL PERIOD


It is a far cry from the first place of worship contrived at Jamestown,
in 1607, to the stately fanes erected in the eighteenth century in all
the Colonies. Through each successive stage of development, however,
runs a thread of continuity corresponding to the material circumstances
of the colonists. Everywhere in the Colonies, the church building was an

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exceedingly important structure and no one building or set of buildings,
in each community, more faithfully reflected the social and political as
well as the religious conditions of the colonists. Setting aside the
civic and defensive uses to which church edifices were often put,
especially in the earliest period, and confining ourselves to the purely
ecclesiastical side of their existence, we shall find them an invaluable
index to the varied aspects of the life of the times.

For the sake of contrast, both historical and architectural, it will not
be amiss to quote Captain John Smith’s account of the first Virginia
place of worship so that we may fully realise the strides of progress
made from the feeble Jamestown beginning in 1607. He says: “This was our
church till we built a homely thing like a barne, set upon cratchets,
covered with rafts, sedge and earth; so was the walls. The best of our
houses [were] of like curiosity; but the most part far much worse
workmanship, that neither could well defend [from] wind nor raine. Yet
we had daily Common Prayer, morning and evening; every Sunday two
sermons; and every three months the Holy Communion, till our minister
died; but our prayers daily with an Homily on Sundaies we continued two
or three years after till our preachers came.” The words “till our
preachers came” mean, of course, the successors of the Rev. Mr. Hunt who
had accompanied the expedition.

In tracing the history of the older parishes and congregations, it is
the rule rather than the exception to find two or three successive

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ウィキペディア日本語版代表候補
一人だけ選べと言われると困るが10人なら

権限持ち代表
*Ks aka 98
*Bellcricket
執筆者代表
*海獺
*さかおり
*漆月例祭
武闘派代表
*ぱたごん
*アルトクール
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女枠
*さえぼー
一般利用者代表
*Sumaru

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houses of worship erected, as the means and growing numbers of the
people made it possible or expedient, to replace former structures of
meaner fabric which seem to have been regarded from the outset as merely
temporary gathering places, meant to serve only until worthy edifices
could be undertaken. Some of the earliest churches were merely block
houses or forts, occasionally surrounded by stockades, proclaiming the
ready physical as well as spiritual militancy of the worshippers within
their walls, but these were abandoned so soon as the increasing
prosperity and a greater sense of security from attacks by hostile
savages warranted a more peaceful and comfortable type of building for
religious purposes.

Of course, in the several parts of the Colonies, the character of the
buildings erected for religious uses indicated the prevailing local
ecclesiastical organisation. In the South, especially in Virginia and
Maryland, where the Church of England was the recognised dominant body
and Church and State were closely allied, we find the churches
conforming to English ecclesiastical traditions. In the Middle Colonies,
where religious liberty was freely permitted, we find a greater variety
including the structures peculiarly adapted to the worship of the Church
of England, Quaker meeting houses and the buildings designed to
accommodate the different German sects. In theocratic New England, while
Church of England edifices were to be met with now and again, the simple
meeting house type, agreeable to the congregational form of worship,
everywhere prevailed.

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Miraburuの場違い感半端ないんだけど
なぜ入れたし

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And now let us glance for a moment at the manner of people who
frequented these churches Sunday after Sunday. We shall find among them
the extremes of both worldly pomp and ostentation, on the one hand, and
humble simplicity, on the other, as they went to the weekly discharge of
their religious duties. Our Colonial forebears, however democratic some
of them may have been in religious principle or however much some of
them may have decried set ceremonial forms, were, almost without
exception, great respecters of persons and in no way did they more fully
display this common failing--it is just as prevalent in kindred forms at
the present day--than in their methods of seating the congregations
according to the accepted worth or dignity of the individual members.

In the South, the lords of the manors or the squires, just as in
England, had their great square pews in the chancel or, perhaps, a whole
transept would be reserved to their exclusive use for their family,
dependants or tenants as was the case, for example, in Christ Church,
Lancaster County, Virginia, where Robert (“King”) Carter, at whose
charge the edifice was built, made such a reservation. The “King’s” own
high panelled family pew, just before the pulpit, had a brass rail
around the top from which hung damask curtains on all sides except that
opposite the pulpit. This screened the occupants, when standing up, from
the gaze of the rudely inquisitive.

Upon the removal of the seat of the Virginia government from Jamestown

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to Williamsburg, in 1699, Bruton Parish Church became the “court church”
of the Colony and “official distinction was recognised and emphasized”
in the order of seating. The historian of the parish, writing of the
present building, which was completed in 1715, says: “To His Excellency
the Governour and His Council of State was assigned a pew elevated from
the floor, overhung with a red velvet canopy, around which his name was
emblasoned in letters of gold, the name being changed as Spotswood,
Drysdale, Gooch, Dinwiddie, Fauquier, Lord Botetourt and Lord Dunmore
succeeded to office. In the square pews of the transepts sat the members
of the House of Burgesses, the pews in the choir being assigned to the
Surveyor General and the Parish Rector, while in the overhanging
galleries in the transept and along the side walls of the church sat the
Speaker of the House of Burgesses and other persons of wealth and
distinction, to whom the privilege of erecting these private galleries
was accorded from time to time.”

In city churches, because of the greater number of important folk,
questions of precedence in seating were more perplexing than in the
country. At Annapolis in St. Anne’s, in Christ Church at Philadelphia
and also in the “court churches” in New York and Boston the Royal
Governours’ pews were marked by appropriate symbols of the majesty of
state, the royal arms carved in walnut that once hung above the
Lieutenant Governour’s seat being still preserved at Christ Church in
Philadelphia. The lesser dignitaries sat in due order becoming their
station.

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In New England it seems to have been the general custom in the earlier
period for the men to sit on one side of the church and the women on the
other. Afterwards, families sat together. In order to avoid bickering
and contention about the order of precedence it was not an unusual thing
to appoint a committee to “dignify the meeting.” The members of these
committees were changed from time to time “in order to obviate any of
the effects of partiality through kinship, friendship, personal esteem
or debt.” A second committee was appointed to seat the members of the
first committee according to their proper rank. In her charming book,
“The Sabbath in Puritan New England,” Alice Morse Earle says:--

“Sometimes a row of square pews was built on three sides of the
ground floor, and each pew occupied by separate families, while the
pulpit was on the fourth side. If any man wished such a private pew
for himself and family, he obtained permission from the church and
town, and built it at his own expense. Immediately in front of the
pulpit was either a long seat or a square enclosed pew for

[Illustration: OLD SOUTH CHURCH, BOSTON. 1730.]

[Illustration: KING’S CHAPEL, BOSTON.]

[Illustration: CHRIST CHURCH, PHILADELPHIA. 1727.]

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なぁ、サッカーしようぜ!

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[Illustration: ST. PETER’S CHURCH, PHILADELPHIA. 1761.]

the deacons, who sat facing the congregation. This was usually a
foot or two above the level of the other pews, and was reached by
two or three steep, narrow steps. On a still higher plane was a pew
for the ruling elders, when ruling elders there were. The
magistrates also had a pew for their special use. What we now deem
the best seats, those in the middle of the church, were in olden
times, the free seats.”

“In front, on either side of the pulpit (or very rarely in the
foremost row in the gallery), was a seat of highest dignity, known
as the ‘fore seat,’ in which only the persons of greatest
importance in the community sat.”

Not only in New England, but in the other Colonies as well, seats and
pews in the galleries seem to have been preferred as the most desirable
by persons of quality and consideration in the community next to the
specially exalted seats belowstairs.

In many places, particularly in the Middle and Southern Colonies, the
churches were regarded as the most dignified places of sepulture for
persons of consequence, and their gravestones, with the armorial
bearings and inscriptions almost effaced by the treading feet of
generations of worshippers, are to be seen in the aisles and chancel

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阿久津は悪魔

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pavements. The chancel was esteemed the most honourable place of burial
and as an instance of this may be mentioned the grave of General Forbes,
the hero of Fort Duquesne, in the chancel of Christ Church,
Philadelphia. John Penn, one of the Proprietaries, is buried at the
foot of the chancel steps. It is interesting in this connexion to note,
by way of exception, that Judge Moore of Moore Hall, the stout old
Pennsylvania Loyalist, and the person of greatest consequence in the
parish of St. David, Radnor, directed that he and his wife, the Lady
Williamina Wemyss, should be buried at the threshold of the church.
Emblazoned hatchments were frequently used at the time of funerals and
some of them are still preserved in our old churches. As in England,
during much of the eighteenth century, it was the fashion in the
Colonies to bury persons of note at night by the light of torches.

In not a few of the early churches there was an utter lack of uniformity
in the style of the seats or pews employed and permission was often
granted to influential persons to buy space within the churches and
erect pews of their own, suited to their personal fancy. The space not
occupied by these privately owned pews was sometimes filled with movable
benches, stools, or chairs, and it was not an unusual thing for the
humbler members of the congregation to bring their seats with them and
put them wherever they could find room. We find ample evidence of this
condition of things in places as widely apart as the simple country
parish of St. David’s, Radnor, in the Welsh Barony, and King’s Chapel
in Boston. In early days the members of St. David’s congregation fetched

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thither nondescript seats as they listed and it was not until well into
the eighteenth century that rough benches were furnished and “rented for
the support of the Church.” Not till the middle of the eighteenth
century do the parish records show the existence of pews and the custom
seems to have then prevailed of “selling a piece of ground within the
Church on which the purchaser had the privilege of building such a pew
as he desired.” With this system, or rather lack of system, in seating,
it appears that squabbles occasionally arose as we may judge from the
following minute in the old register:--

“October ye 26th, 1747. Whereas a Difference hath arisen between
Francis Wayne and his Brother Isaac Wayne [the father of General
Anthony Wayne] about their Right in the pugh Late Anthony Wayne and
John Hunter, and it appearing to the Vestry that ye sd. Francis and
Isaac have purchased the Ground of a Pugh and the sd. Isaac having
Built upon a part of the Ground the Vestry Do agree that the sd.
Francis have the ground for half a pugh joining of the west side to
Richard Hughes and Wm. Owen’s Pugh.”

So late as 1763 the “Vestry granted to Robert Jones the privilege to
build a Pew on a piece of ground in St. David’s Church, adjoining
Wayne’s and Hunter’s pew, he paying for the ground &#163;4 10_s._” In King’s
chapel in Boston the vestry “stipulated that each member should pay the
cost of building his own pew; this was accordingly done, but without any
uniformity, so that the interior of the old church must have presented

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an amusing diversity of work.... The walls were decorated with banners,
escutcheons, and coats of arms of the King of England, of the nobility
and gentry of the congregation, and of the Governour of the province,
and the interior was considered so magnificent and so luxurious as to be
a blot upon the religion of Massachusetts.”

As might be expected, when so much was made of assigning each member of
the congregation a seat befitting his dignity, the question of suitable
clothing loomed large in the minds of our forebears and from one end of
the Colonies to the other they gave way to the temptation to appear
before their neighbours in their best frills and furbelows so that the
church service on Sunday was often a clothes show as well. To such an
extent was this passion for display carried that it led to a custom in
some country parishes of New England to which Alice Morse Earle refers.
She says:--

“One very pleasing diversion of the attention of the congregation
from the parson was caused by an innocent custom that prevailed in
many a country community. Just fancy the flurry on a June sabbath
in Killingly, in 1785, when Joseph Gay, clad in velvet coat, lace
frilled shirt, and white broadcloth knee breeches, with his fair
bride of a few days, gorgeous in a peach coloured silk gown and a
bonnet trimmed ‘with sixteen yards of white ribbon,’ rose in the
middle of the sermon, in their front seat in the gallery and stood
for several minutes, slowly turning around in order to show from

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every point of view their bridal finery to the eagerly gazing
congregation of friends and neighbours. Such was the really
delightful and thoughtful custom, in those fashion-plateless days,
among persons of wealth in that and other churches; it was, in
fact, part of the wedding celebration. Even in midwinter, in the
icy church, the blushing bride would throw aside her broadcloth
cape or camblet roquelo and stand up clad in a sprigged India
muslin gown with only a thin lace tucker over her neck, warm with
pride in her pretty gown, her white bonnet with ostrich feathers
and embroidered veil, and in her new husband.”

If the same custom did not prevail in other parts of the country,
doubtless the members of the congregation had ample opportunity, and
made the best of it too, to scrutinise the apparel of their fellow
worshippers. It is to be feared, however, that their brave attire
sometimes suffered damage from insufficiently dusted seats for we read
that the sexton of Christ Church, Philadelphia, probably the wealthiest
and most splendid church in the Colonies, having applied in 1761 for an
increase of salary, it was agreed to give him “&#163;20 a year on a condition
that he was ‘to wash the church twice a year and sand it at Easter and
September; and also to sweep the church _once every two weeks_.’”

The music was of an exceedingly indifferent character from an artistic
point of view and was not always edifying and whole hearted on the part
of the congregation. In New England, musical instruments were only

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introduced after a storm of bitter opposition and general repugnance to
the “boxes of whistles,” as organs were contemptuously called. Even in
the Middle and Southern Colonies, where a prejudice against instruments
did not exist, the music must often have been of a distressing nature.
Referring once more to Christ Church we read that “the singer then
called the Clerk, was Joseph Fry--a small man with a great voice, who,
standing in the organ gallery, was wont to make the whole church resound
with his strong, deep and grave tones.” When there was a ripple of
improvement in the general musical situation, after the Revolution, “the
efforts of church musicians to raise the standard were apparently not
looked upon with favour. Joseph Fry, or his successors, did not ‘make a
cheerful noise before the Lord’ to the taste of the congregation, for in
1785 the vestry passed a resolution ‘that the clerks be desired to sing
such tunes only as are plain and familiar to the congregation; the
singing of other tunes, and frequent changing of tunes, being to the
certain knowledge of this vestry, generally disagreeable and
inconvenient.’”

Although early New England settlers were at first summoned to meeting
“by drum, horn and shell,” bells were soon introduced and in the Middle
and Southern Colonies great store was set by them and more than one fine
peal was brought hither from England. The bells of Christ Church,
Philadelphia, were particularly famous and were always being pealed so
that the German traveller, Dr. Schoepf, said that you would think you
were in a papal or imperial city--there was always something to be rung.

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“From the time that ‘the ring of bells’--the first in the Colonies--was
first hung, their metal throats were busy proclaiming all sorts of
things from the anniversaries of King Charles’s Restoration, Guy
Fawkes’s Day, and the King’s Birthday, down to semi-weekly markets or
the arrival in the Delaware of the ‘Myrtilla,’ Captain Budden’s ship, in
which the peal had been brought out from London.”

In a previous chapter reference has been made to the splendid equipage
in which wealthy people of the Northern and Middle Colonies came to
church. A word must be added, to complete the picture, of the way in
which Southern congregations arrived. While a few of the very wealthy
drove to church in their state coaches, the great majority came on
horseback for the distances were too great to traverse afoot. Horses
were tethered in groups to the trees about the churches and it was the
recognised custom that the congregation should gather in the church yard
before and after service and they gladly embraced the opportunity thus
afforded for social intercourse. In country districts of the South the
same condition prevails to-day, and saddle horses and buggies may be
found in groups under all the trees near the church building or in the
sheds, where such are provided.

And now we pass to a consideration of the architectural features of the
church buildings in the several Colonies. We shall begin with those in
Virginia as they were the earliest. Only two of the seventeenth century
structures in the Old Dominion remain but they are sufficiently

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>>466
お前がボールな?

476 :名無しの愉しみ:2019/03/28(木) 05:46:47.68 ID:???.net
distinctive to give us a very definite idea of the architectural ideals
that actuated the Virginia colonists. These are St. Luke’s at
Smithfield, built in 1632, and St. Peter’s, New Kent County, built at
the very beginning of the eighteenth century, but so closely following
the type of the first mentioned building that it may be reckoned as a
seventeenth century structure. Besides these two, there is the tower of
the old church at Jamestown to which has been added, in the way of
restoration, a body designed upon the lines of St. Luke’s, Smithfield.

St. Luke’s is a staunchly built rectangular brick structure with a steep
pitched roof and a heavy, square tower, of three stages, at the western
end. The coping of the eastern gable is curiously stepped in a way that
suggests Dutch or Flemish influence. The general appearance is that of a
rural English village church that might have been transplanted to its
new environment. There is little in its contour, proportions or detail
that savours of Renaissance inspiration, then dominant in England, but
rather does it smack of the old English Gothic feeling that
characterised many of the sixteenth century structures, when the Gothic
spirit was really decadent but still strong enough to retain certain
well defined traditional features. The side walls are strengthened and
divided into bays by buttresses and the pointed arch is retained above
the twin lancet windows. The mullions of these windows and of the east
window, with its unusual combination of round arch and pointed arch
sections, are substantially constructed of bricks. The one particular in
which Renaissance influence is visible is the use of quoins instead of

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buttresses to stiffen the tower corners. The round arched door is almost
Norman in character. Within, the walls are plastered above the wainscot
and the ceiling is a single barrel vault.

St. Peter’s, New Kent County, presents the same general contour so that
a family resemblance is unmistakable but it is less felicitous in all
its details. The tower is pierced by such large arched openings in front
and at the sides that it appears to stand on legs and to have no
particular connexion with the ground. There are no buttresses to support
the walls, the windows are rectangular with flat-arched lintels and are
filled with sashes. While venerable and interesting, St. Peter’s can
scarcely be regarded as in any way architecturally so satisfying as St.
Luke’s is. How much of this lack of charm is due to so-called
“restoration” and “improvements,” it would be hard to say, for want of
sufficiently specific data.

One of the earliest structures to show a distinctly Renaissance feeling,
a suggestive precursor of the Georgian buildings that soon followed, was
Bruton Parish Church at Williamsburg, completed in 1715. Here for the
first time may be seen the cruciform plan, often met with in other
Virginia churches, sometimes of Latin, sometimes of Greek outline. It is
curious that this feature, which belongs peculiarly to edifices of
Gothic provenance, should make its first appearance in a structure of
Renaissance inspiration. The pitch of the roof is steep and this fact,
along with the cruciform plan, gives the contour a partly Gothic

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character. All else is of Renaissance affinities.

[Illustration: GLORIA DEI (OLD SWEDES), PHILADELPHIA. 1700.]

[Illustration: ST. LUKE’S CHURCH, SMITHFIELD, VA. 1632.]

[Illustration: OLD SHIP CHURCH, HINGHAM, MASS.]

[Illustration: SLEEPY HOLLOW CHURCH, IRVINGTON, N. Y.]

There are no buttresses, the tall windows with round or compass heads
contain sashes with broad muntins and the sturdy, square tower, of three
stages, at the western end, is surmounted by an octagonal wooden spire
which, although severely simple and devoid of architectural ornament,
suggests in structural treatment the methods of Wren and his
contemporaries. Circular windows pierce the end walls of the transept
and chancel and these were originally filled with panes of plain glass
set in broad muntins. The brick is laid in Flemish bond and the cornice
is exceedingly simple and far less prominent than in later buildings of
purely Georgian character.

For examples of the typically Georgian churches of the South we may
instance Christ Church, Lancaster County, Virginia, “Old Pohick Church,”
Fairfax County, Virginia, with the building of which Washington was
intimately concerned and of which he was a vestryman, and Christ Church,

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Alexandria, where Washington was also a vestryman and frequent
attendant. The last named building was designed by James Wren, a
descendant, it is said, of the great Sir Christopher. Other churches
just as typical might have been selected but these three will fully
answer the purpose.

Christ Church, Lancaster County, was built in 1732 at the charge of
Robert (“King”) Carter as before stated. The ground plan is in the form
of a Greek cross, all the arms being of equal length. The shingle roof
is hipped and of steep pitch, the cornice is bold and vigorously
proportioned, the walls are of brick laid in Flemish bond with black
headers. The windows are round-or compass-headed and the brick surrounds
project slightly from the face of the wall, meeting at the top in a
white keystone. The muntins of the sashes are heavy and the panes small.
The door is set between heavy pilasters and surmounted by a straight
pediment. Above the pediment, and just below the cornice, is a small
elliptical window. Within, the aisles are paved with stone, the pews are
high and straight backed, the pulpit is an imposing structure and the
plastered ceiling is vaulted. All the details, both inside and out, are
characteristic of the Georgian mode.

“Old Pohick Church,” the parish church of Mount Vernon, was built in
1769 and shows evidence of later Georgian feeling in several of its
details. The cornice, notably, has become more refined in the proportion
and contour of its mouldings and the muntins are of less buxom

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dimensions. The building is taller than Christ Church, Lancaster County,
and the walls are pierced by two tiers of windows, those in the lower
tier being rectangular while those in the upper tier are round headed.
Both upper and lower windows have surrounds of one-coloured brick, not
projecting as at Christ Church but set flush with the surface of the
wall. The building is practically square in plan, the corners being
stiffened by white stone quoins, and the roof is hipped. Inside, the
aisles are paved with stone, the communion table, surrounded by a
railing, stands at one end of the church and the wall back of it is
panelled and embellished with a broken pediment resting on four Ionic
pilasters, in the panels between which are painted the Lord’s Prayer,
the Creed and the Ten Commandments. Against one of the side walls is
built a high, wine-glass pulpit with a great sounding board above it
and, just below it, the clerk’s desk. At the angle of the walls and
ceiling is an unusually heavy and elaborate wooden cornice. All the
minuti&#230; of the interior woodwork show the increasing refinement of
proportion and detail characteristic of this part of the Georgian
period.

Christ Church, Alexandria, built slightly later than Pohick Church, is
substantially the same in plan, the main points of difference being the
Palladian window at one end of the building and the tower and portico at
the other, the latter embellishment being a later addition. Inside, the
chief point of difference consists in the placing of the pulpit
immediately in front of the central member of the Palladian window, the

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panelled spaces on each side of the window being devoted to the Creed,
the Lord’s Prayer and the Ten Commandments, according to a common
custom. Christ Church, Alexandria, further differs from Pohick Church in
having galleries around three sides, supported on slender Tuscan
columns. The coved cornice at the angle of walls and ceiling, while
exceedingly graceful, is not so beautiful as the wooden cornice in
Pohick Church.

From considerations of date and geography, our attention is next claimed
by the group of small churches in the Middle Colonies which may be
represented by the Gloria Dei (Old Swedes), Philadelphia, St. David’s,
Radnor, and Trinity, Oxford. The present structure of the Gloria Dei was
built in 1700 to replace the old block house, built in 1665, which had
afforded a place of worship for the congregation since 1677. Seen from
the exterior, the church is cruciform in plan with an apsidal east end.
At the west end is a small, sharp pointed belfry surmounting a
projection in front of the church which is carried up to the peak of the
roof somewhat in the manner of a tower, the lower part forming a
vestibule. The roof is exceedingly steep in pitch and, by the same
token, thereby exhibits the Swedish origin of its plan. The apsidal east
end also indicates its Swedish origin for both the steep pitched roof
and the apse were thoroughly characteristic of the Scandinavian
ecclesiastical edifices. The brick is laid in Flemish bond, the headers,
which seem to have been the arch bricks in the kiln, being covered with
a vitreous blue black glaze. At several places an interesting diaper

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pattern is worked in the walls by the ingenious use of these glazed
headers. The great square windows are filled with heavy muntined sashes
and small panes of glass. It was found at an early date that the side
walls were being pushed over by the thrust of the roof and to brace them
the transepts, which do not appear in the interior plan, were built
about 1703, giving the building its cruciform appearance. The south
transept is a vestibule or porch while the north transept is used as a
sacristy. The ceiling is vaulted. North and south galleries date from an
early period but were built somewhat later than the rest of the
structure. The details of panelling and woodwork are of distinctly
pre-Georgian affinities.

St. David’s, Radnor, was built in 1714 and seems to have been the result
of the efforts of local artisans without much attempt at architectural
direction or planning. It is extremely simple in every way. In plan it
is rectangular with a later addition at one side to accommodate the
vestry room. The organ gallery is at one end and is reached by an
outside enclosed stone stairway. The roof is of steep pitch and the
cornices are severely plain. The round headed windows are now filled
with small panes set in broad muntins but, if we may believe tradition,
they were originally filled with diamond paned leaded casements. Perhaps
the most interesting architectural feature of St. David’s is the texture
of the stone work in its rubble walls which are built of random sized
native field stone and pointed with white mortar. This masonry is
thoroughly representative of the traditional manner of building stone

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walls which the Welsh artisans seem to have brought with them from their
Cambrian home and which has left such a strong impress upon the stone
work of so many of the old houses in Pennsylvania. It is one of the
clearest instances of the survival in America of methods of
craftsmanship brought from specific localities in the old world.

Trinity Church, Oxford, was built in 1711 and is mentioned here chiefly
because it exhibits a more ambitious plan in its original design, having
transepts in the interior which greatly add to its seating capacity and
carry out the cruciform idea both within and without. Its details of
design, masonry and woodwork display an affinity with the earliest phase
of Georgian work.

Christ Church, Philadelphia, to which we now come, stands for all that
is best in church architecture of the Colonial period in America. The
present building was erected in 1727 from plans prepared by Dr. John
Kearsley who seems to have drawn his inspiration largely from St.
Martin’s-in-the-Fields, London. From whatever source his inspiration
came, Christ Church is a peculiarly beautiful and graceful structure,
well meriting all the praise that has been bestowed upon it and
incidentally affording a striking instance of what might be achieved by
the amateur architects of the eighteenth century who believed that a
knowledge of architecture was an essential part of every gentleman’s
education and who were willing to put aside their own professional
vocations for a time in order to plan and superintend the erection of

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some public structure as a kind of public duty.

In every respect the building is thoroughly representative of the best
Georgian traditions. In outline the plan is rectangular with nave and
aisles. The round headed windows of the lower stage are separated from
each other by pilasters whose capitals support the projecting
cornice-like string course. Superimposed above this member are the bases
of other pilasters separating the windows of the upper tier and while
their capitals come immediately below the wooden frieze of the cornice,
the roof is surrounded by a heavily carved balustrade whose posts are
capped by well proportioned urns. At the eastern end of the church, a
great Palladian window lights the chancel. The tower, at the western
end, is a massive structure of brick and is surmounted by a wooden spire
of singularly graceful proportions and beautiful detail, inspired by
some of the masterly creations of Sir Christopher Wren. For all the
proportions are massive, the structure presents a light and graceful
appearance, attributable in large measure to the manner in which the
side walls are pierced with many windows and the wall spaces broken by
graceful architectural adornments such as the pilasters and string
courses. In this general lightening effect the triglyphs of the cornice
frieze and the spindles of the surmounting balustrade must not be
forgotten.

Within, the woodwork is thoroughly typical of the best Georgian
traditions with its fluted pillars, its carefully carved triglyphs and

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>>460
Tomos

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gutt&#230; and the nicety of the panelling. The aisles are now paved with
tile but fortunately the ancient tombstones fill most of the aisle space
so that the modern tiling is not obstrusive. The ancient pews have been
replaced by modern seats but historic locations are carefully noted by
small brass tablets.

St. Peter’s Church, Philadelphia, built in 1761, is peculiarly
interesting because it has never undergone profanation at the hands of
improvers or restorers. The old pews remain in their original condition
as does also the paving of small, square blocks of stone in the north
and south aisles. The exterior of St. Peter’s is less ornate than the
exterior of Christ Church but it preserves the same interesting feature
of having doors approximately at the four corners, the tower in both
cases either serving or having served at one time or another as a vestry
room. St. Peter’s exhibits at its eastern end a large Palladian window
of more expansive dimensions than that of Christ Church which, however,
was fully in accordance with the tendency of the times as Palladian
windows seem to have expanded their dimensions as the Georgian period
progressed. The pediments over the four doors are peculiarly interesting
at St. Peter’s and the cornice shows considerable refinement.

The galleries within are supported on Tuscan pillars and the other
woodwork, while of excellent proportions, is exceedingly simple and
dignified. It is of interest to note that the pulpit is accessible only
by climbing up through the tower; the clerks’ seats are immediately

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beneath it. The organ gallery is built above the chancel which is at the
east end of the church while the pulpit and the clerks’ desk are at the
west end so that frequent processions of the clergy during the course
of the service are sometimes necessary.

In the same class with Christ Church and St. Peter’s must be mentioned
St. Michael’s Church, Charleston, S.C., and St. Paul’s Chapel, New York
City. St. Michael’s was built in 1742 from plans, it is believed,
furnished by James Gibbs, the famous English architect, while St. Paul’s
is of native American design. Both churches show the strong influence of
Wren feeling which persisted in the ecclesiastical architecture of the
Georgian era.

While speaking of ecclesiastical architecture of the Middle Colonies we
must not omit to mention the Quaker meeting houses which were ordinarily
of brick or stone and sometimes covered with a coating of roughcast.
They are rectangular in form with pitch roofs and usually display two
rows of square windows. The cornices are simple and severe and all the
woodwork is extremely plain. As a rule there are four doors, two on each
of the longer sides. The woodwork within is not infrequently devoid of
paint and has acquired a wonderfully rich colour from age. In many of
the meeting houses there are galleries although the gallery is by no
means a universal feature. The smaller and older meeting houses are
generally of one storey in height but those of later date are frequently
of two storeys and in that case ordinarily have galleries. All the

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details of woodwork are so exceedingly simple that one can scarcely say
they show a marked affinity with Georgian models although they belong,
for the most part, to the Georgian period.

Nor must we forget the meeting houses erected to accommodate the various
German sects. These buildings generally displayed architectural
affinities of Teutonic character. As an example of this we might mention
the old Trappe Meeting House on the Perkiomen, or some of the Moravian
churches and Reformed churches in the interior of Pennsylvania.

It will be unnecessary to make any further mention of the Georgian
churches of New York as they are, in the main, similar to those that
have been mentioned in an earlier part of this chapter. Some note,
however, should be made of the little Dutch churches one occasionally
finds such as that at Tarrytown-on-the-Hudson. Here we see the same
persistence of Dutch ecclesiastical traditions as was noted in
Pennsylvania in the case of German traditions exemplified in the
structures like the Trappe Meeting House. The general form of the
building and the method of its execution might readily be paralleled in
Holland.

We now come to the New England Meeting House as the next type demanding
examination and for this we can find no more fitting example than the
Old Ship Meeting-house at Hingham, Massachusetts. This building was
erected in 1680 and it is said to have been framed by ship’s carpenters.

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It is a spacious square building of extreme severity of line. The roof
is hipped, or would be a perfectly hipped roof were it not truncated at
the top and finished with a balustrade and a belfry with a small pointed
spire. The exterior is so devoid of all architectural amenity that one
can scarcely speak of the structure as having any architecture at all.
The walls are clapboarded and the cornice is of the simplest contour.
The interior is plain and, owing to modernisation, has been made
unattractive and prosaic. For our purpose this building is valuable as
marking the four-square type of meeting house so often met with.

Where the older meetings have not fallen victims of modern improvement,
their interiors, though severe and rigid, possess a degree of charm with
their ancient high backed pews, tall pulpits, and seats for the elders
of the meeting immediately below them. Their excessive plainness is, of
course, proverbial, but although there was a dearth of architectural
amenity in their construction, it must be admitted that many of them
possessed the charm of unobtrusive simplicity.

The Old South Meeting-house, erected in 1730, is a fair representative
of similar structures where more attention was paid to and more
allowance made for architectural endeavour. The wonted plan of having
the pulpit on one of the long sides was adhered to and the gallery
stretched around on the other sides. The double rows of windows are
round arched and form the chief point of interest both on the exterior
and in the interior. The brick is laid in Flemish bond and there is a

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堕落の投票は今日昼すぎからか

491 :名無しの愉しみ:2019/03/28(木) 08:51:25.55 ID:???.net
今日の14:42(JST)からだな>投票

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slightly projecting base course several feet from the ground. Cornices
are plain and the expansive roof is rather flat in pitch. The tower,
while graceful enough in proportion, is severely plain. Nevertheless it
must be confessed that the attenuated proportions of the spire with the
little arcade around its base have a certain charm of their own which it
is extremely difficult to analyse.

Of wholly different type is King’s Chapel. Here we find ample evidence
of attention to architectural opportunity and enrichment. While the
rectangular plan is adhered to, the interior is divided into nave and
aisles by the columns which fulfil the double function of supporting the
roof and upholding the galleries. The windows in the lower row,
underneath the gallery, are of smaller dimensions than those in the
upper row which throw their light down over the galleries into the
middle of the nave. The windows of the lower row have flat arched tops
while those above are round arched. The masonry is of carefully dressed
stone and, while there are no buttresses, the front of the building is
adorned by pilasters at the corners and by a pillared arcade forming a
porch around the square tower. The roof is hipped. Inside the building,
far more play is given to architectural elaboration than outside. Here
we find the pairs of columns supporting the roof and galleries are
fluted from top to bottom and surmounted by elaborately carved
Corinthian capitals upon which are imposed sections of frieze and
cornice from which again spring the arches of the roof vaulting. While
the effect is agreeable enough, it cannot be denied that the arrangement

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JST氷鷺は融けて無くなりましたか?

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and general method of execution are illogical and capricious.

The old North and Trinity Churches, Newport, also exhibit a somewhat
similar and illogical arrangement of the ceiling and its method of
support. Trinity, Newport, and the old North are mentioned in addition
to King’s Chapel because they all represent the New England type of
ecclesiastical edifice erected during the Georgian period which affords
an antithesis to the auditorium type represented by the Old South which
may be regarded as a logical development of the type exemplified by the
Old Ship Meeting-house at Hingham.

It would be an unpardonable oversight to bring this chapter to a close
without mentioning buildings like the Park Street Church in Boston with
its graceful spire and other buildings of similar type, erected about
the same period, whose inspiration we owe partly to former
ecclesiastical traditions and partly to the new spirit of the Classic
Revival. In Boston, and elsewhere throughout New England, may be found
many such churches which illuminate the era in which that master of
architectural refinement, Samuel McIntire, wrought so successfully.

The foregoing pages, cursory as the review of ecclesiastical
architecture has necessarily been, will show the diversity of styles
that prevailed in the Colonies from North to South and incidentally the
reader will be enabled to compare the modes of architectural expression
with the ideals and habits of the people inhabiting the several sections

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of the country.




CHAPTER XIII

MATERIALS AND TEXTURES


The materials of which any structure is built and the way in which those
materials are manipulated have quite as much to do with the general
aspect as mass or contour. It is of the utmost importance, therefore,
that we pay due heed to the material resources at the disposal of
builders in the Colonial period. Furthermore, it must be borne in mind
that materials to some extent influenced architectural forms while, on
the other hand, tradition and hereditary preferences, as we have seen,
exerted a powerful influence upon the choice of materials and affected
the way in which they were employed.

A very great number of the settlers of New England, as stated in a
previous chapter, came from the Danish parts of England where the timber
tradition was especially strong. Consequently, despite the abundance of
stone in the new land, which they might readily have used, they
preferred, in the majority of instances, to build their houses of wood.

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Of course, some allowance, too, in this respect, must be made for ease
and expedition of working and for climatic conditions. In the Middle
Colonies and the South, most of the settlers came from the Saxon
portions of England where stone and brick traditions had always
prevailed and, although there was abundance of good timber and
occasionally some lack of other materials, there was a general
preference for brick or stone walls notwithstanding any inconvenience
incidental to procuring them. The artisans in each section preferred to
work with the materials with which they were most familiar and
householders also seem to have concurred in the popular choice. It is to
be noted that the lack of requisite material--marble or suitable
stone--had not a little to do with the common use of white-painted wood
for trims and external ornamental features in Georgian buildings whose
English prototypes, in many cases, were embellished with pillars,
pediments and cornices of the more durable substance.

It now behooves us to see what use was made of the several materials in
the various portions of the Colonies. We shall, of course, find brick
and stone structures in New England, and frame buildings in the Middle
Colonies and the South, but the preponderance numerically displayed the
characteristics just mentioned.

If “pigs is pigs”, doubtless, by the same token, “bricks is bricks” and
also “mortar is mortar.” Notwithstanding the profundity of this truism,
it is just as well to remember that there are bricks and bricks and that

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there is mortar and mortar, too, and that both, when brought together in
a wall, mutually interact and are susceptible of large diversity of
treatment. This very possibility of different combination afforded the
Colonial builder a field for the exercise of not a little ingenuity.

For the benefit of readers not accustomed to technical terms it will,
perhaps, be well to explain exactly what is meant by the words “bond”
and “texture” which are necessarily used in speaking of brick masonry.

The term “bond” simply means the way of laying or the manner of binding
and denotes the position in which the bricks are laid in their courses
and the appearance created by the relative position of the units. In the
walls of the houses built during the Colonial and post-Colonial periods,
four varieties of bond are found, two bonds sometimes being used in
conjunction for the sake of variety. They are English or Liverpool bond,
Flemish bond, Dutch cross bond and running bond. English or Liverpool
bond has alternate rows of stretchers (bricks so laid that the long side
is exposed to view) and headers (bricks so laid that only the ends
appear). The courses are arranged so that headers and stretchers break
joints. Flemish bond consists of alternate headers and stretchers in
every course, all joints being broken. It is the strongest and
best-locked of all bonds. Dutch cross bond, like English bond, consists
of alternate courses of headers and stretchers but with this difference:
in English bond, the headers and stretchers in alternate layers are
placed directly one above the other while, in Dutch cross bond, they

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break joints. Running bond consists entirely of stretchers and is a kind
of degenerate Dutch cross bond with all the headers left out or
introduced only at intervals of seven or eight courses to tie the face
of the wall together. English or Liverpool, Flemish and running bonds
were all in the common heritage of English building tradition.

For the sake of historical accuracy it is important to correct a popular
error occasioned by the terms “English” and “Dutch” brick. It is
commonly stated of many old buildings that they were built of brick
fetched overseas from England or Holland. No doubt some few were but
most of them were not. George Cary Eggleston set forth the whole matter
in a very clear light when he wrote that “nearly all these bricks,
whether English or Dutch, were made in America, as later scholarly
research has conclusively proved. The only difference between English
and Dutch bricks was one of dimensions. The small bricks, moulded upon
a Dutch model, were known as Holland bricks. The much larger ones,
moulded upon an English model, were called English bricks. The very
learned and scholarly historian of South Carolina, Mr. McCrady, has
conclusively proved that the so-called English bricks used in the
construction of Carolina houses could not have been imported from
England. By simple arithmetical calculation he has shown that all the
ships landing in the Carolinas during the seventeenth century--even if
all of them had been loaded exclusively with bricks--could not have
brought in enough bricks to build one half or one fourth the ‘English
brick’ houses of that part of the country.” There was abundant clay in

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the Colonies and the colonists, usually so resourceful and
self-dependent, were scarcely likely to ignore an opportunity under
their very noses and depend upon an imported commodity, even though they
could have afforded the cost. Indeed, bricks were _exported_ from some
of the Colonies.

To be sure, one record shows that ten thousand bricks were imported into
Massachusetts Bay in 1628, and we know that some bricks were imported
into the New Haven Colony at an early date and likewise that, during the
demolition of some very old Connecticut houses, bricks were found with
the name “London” impressed upon them. Then, too, several instances can
be cited in both the Middle and Southern Colonies, where bricks were
imported and used for certain specified buildings and there are a few
well authenticated cases of brick importation from Holland. But against
this meagre certitude of a few cargoes of bricks from overseas there is
the abundant evidence of extensive brick-making in the Colonies from a
very early date. There is one reference in official records to a brick
kiln in Connecticut in 1635 and there were doubtless other brick kilns
in operation both there and elsewhere at the same time or even prior to
that year.

The bricks in early Colonial use were of various sizes. As a rule, the
older the bricks the larger they are. They afterwards became smaller and
now, in our own time, they are large again. Some of the bricks were four
inches by eight and a quarter and two and five eighths inches thick,

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others were two and a half by four inches and eight inches long. The
“Dutch” bricks were thinner than the “English.” Most of the seventeenth
and eighteenth century bricks were roughly moulded and not a few were
underburned while others were extremely hard burned and had much
pleasing variation of colour. The ends of arch bricks in the kiln were
often burned till they acquired a bluish black and almost vitreous
glaze. These were used for headers and to them is due much of the
colour and pattern interest of old walls. The large bricks used for
“pugging” the openings between the timbers in the early timber built
houses are scarcely more than sun-dried and readily crumble and go to
pieces upon exposure to the weather.

In speaking of the “texture” of a wall, we must take into consideration
the kind of bricks used, their shape and size, their colour, their bond
devised to give a distinctive pattern to the wall face, the mortar
joints and, finally, the kind of mortar used. It need scarcely be said
that the results possible with the old brick of slightly irregular shape
and varied colour in English or Flemish bond--Flemish bond was
exceedingly popular among eighteenth century builders--were infinitely
more satisfactory than any that could be attained through the use of the
later “faultily faultless” pressed brick of monotonously uniform shape
and size, with a surface “like cut cheese and a colour like a
firecracker” and a great deal of the charm of the old work is due to
agreeable texture. While there is some exceedingly pleasing brickwork in
New England and especially in the Connecticut Valley, brick excellence

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駄楽は役に立つので必ず賛成に投票してください

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is much more common in the Middle States and the South where brick
building was always more in vogue. Occasionally in New England, and very
frequently farther south, a goodly degree of interest was achieved by
the combination of different bonds, by herring-bone panels, by
projecting courses on wall faces, at cornices or about chimney tops and
by diaper patterns, dates and initials wrought in blue headers on end
walls and in gables. Specially moulded capping bricks for base courses
and for the tops of walls were used to good effect.

Both field stone and local quarried stone were used in New England and
masonry was usually of the rubble type although occasionally the stones
were carefully squared and dressed. The same may be said of stone work
in New York. Sometimes the walls were of stone with brick door and
window trims, as at the Manor House at Croton-on-Hudson. In the Dutch
part of northern New Jersey the native reddish brown stone was employed
with excellent effect both in rubble masonry and for cut work. In both
cases it was often pointed with white mortar joints which gave a
peculiar and striking contrast.

In Pennsylvania we find masonry of singular excellence and beauty where,
again, both field stone and quarried stone were made use of. The
Pennsylvania rubble masonry, laid by workmen who were merely
perpetuating the traditions they had brought with them from England and
Wales, has always commanded admiration and, in the vicinity of
Philadelphia, the same inherited masonry traditions are still

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flourishing vigorously. These rubble walls were sometimes laid with
stones of random sizes, sometimes with stones of comparatively uniform
dimensions. In a few instances, notably in the neighbourhood of
Kingsessing, Philadelphia, and in the walls of Belmont, Fairmount Park,
Philadelphia, once the home of the witty Judge Peters of Revolutionary
fame, the old English custom of galleting the wide, white mortar joints
with little spawls was practised. It was not infrequently the case that
houses would have walls of dressed and squared stone in front with
rubble walls at the sides and rear. Some few, such as Cliveden in
Germantown, Philadelphia, and Whitby Hall, Kingsessing, Philadelphia,
were built of cut stone all the way about. Whitby Hall and a few other
houses also furnish interesting examples of brick door and window trims
that project slightly beyond the face of the stone wall. This
Pennsylvania stone work displayed practically no attempts at carving and
the one instance where it has been carved is found in the window trims
and Ionic capitals of the river front of the Bartram house, Kingsessing,
Philadelphia.

In connexion with Colonial stonework must be mentioned the coating of
walls with stucco and roughcast which were either allowed to remain
their natural colour or whitewashed, as at Wyck, Germantown,
Philadelphia. The very early houses were not stuccoed at first and the
stucco seems to have been added later as a protection, partly, against
the weather where porous stone had been used for the walls, such as some
of the grey stone quarried in the neighbourhood of the Whitemarsh

504 :名無しの愉しみ:2019/03/28(木) 11:27:32.32 ID:???.net
>>490
>堕落の投票は今日昼すぎからか

堕落が当選することはないだろう

505 :名無しの愉しみ:2019/03/28(木) 11:34:17.28 ID:???.net
Valley. The mica stone, so abundant in Pennsylvania, after a few years’
exposure, becomes impervious to moisture and never needs stucco
protection. Oftentimes stucco or roughcast were applied from choice and
not from necessity, especially among the German colonists who seem to
have been chiefly responsible for the introduction of the practice. For
the sake of finish, contrast and cleanly appearance the stucco or
roughcast coat was often whitewashed or yellow washed.

Much of the mortar in the early Colonial period was of poor quality and
rapidly disintegrated. Lime, however, was soon to be had. In some cases
it was imported, in others it was burned wherever limestone or oyster
shells were to be had and the quality of the mortar was very generally
improved throughout the Colonies. Some of it was exceptionally fine and
to-day is as hard as the bricks or stone it binds together.

The oaken timbers for the framing of houses were riven and hewn into
shape and dressed down with an adz. Rafters and joists were sometimes
treated thus and in other cases were sawn. The great summer beams and
oftentimes the studs, too, were finished with stopped chamfers along the
edges. The spaces between the studs, as noted in Chapter III, were at
first filled with “pugging” of stone or brick and clay mixed with
chopped straw and then plastered over in the manner of the “black and
white” or half timber work in England. Whether the wall spaces between
the studs were ever stopped with “wattle and dab”--an old English
filling of clay, plastered over a kind of loose basketwork of interwoven

506 :名無しの愉しみ:2019/03/28(木) 11:49:21.91 ID:???.net
wattles or withes--the writer is unable to say with certainty. It is not
at all improbable that the stud spaces were sometimes so filled and it
is quite certain that some of the early Connecticut chimneys were
constructed in this manner. The survival of “wattle and dab” work in New
England in any form is an interesting instance of the persistence and
continuity of craft traditions.

Clapboards were made chiefly of oak or pine and were nailed horizontally
to the outside of the studs. They were usually feather edged and lapped,
the upper over the lower. Although it is not impossible that there was
some precedent in England for the use of clapboards nailed horizontally
on the outside of the studding, it is highly probable that the practice
of applying them in this manner in New England was first dictated by
climatic necessity as a remedy and afterwards became incorporated as an
essential part of frame construction. In some parts of New England,
especially in Rhode Island and portions of Connecticut, studs between
the posts were dispensed with and vertical boarding of oak or pine,
usually more than an inch thick, was nailed to the cills and girts. This
vertical boarding, for which, also, there seems to have been an English
precedent, was generally, though not invariably, covered outside either
with horizontal clapboards or with long shingles.

Shingles of pine were made both in the sizes common to-day and also of
much larger dimensions, the latter being used for the outer sheathing of
walls that had first been boarded. Roof shingles were sometimes laid on

507 :名無しの愉しみ:2019/03/28(木) 12:04:26.71 ID:???.net
boarding, sometimes on “lathing” or small strips, nailed like purlins on
the rafters. Shingles afforded the usual roofing material not only in
New England but throughout the Colonies, although slate was not unknown
and on some of the larger buildings copper and lead were occasionally
used. In dry weather the danger to shingle roofs from sparking chimneys
and the additional source of danger, at all times, from defective or
uncleaned flues, led our forebears to adopt some rather curious and
interesting methods of fire prevention. In early New England there were
the chimney viewers whose duty it was to inspect the chimneys and compel
the householders, by fines or other means, to keep their chimneys in
repair and have them swept with sufficient frequency. This was a
precaution of the utmost importance in communities where most of the
houses were built of wood.

In Philadelphia, in Colonial times, the sight of a blazing chimney was
enough to throw the whole community into an uproar and blazing chimneys
were the subject of legislation by the Provincial Assembly of 1775,
which enacted that “Every person whose Chimney shall take Fire and blaze
out at the Top, not having been swept within one Calendar Month, shall
forfeit and pay the sum of Twenty Shillings; but if swept within that
Time and taking Fire and blazing out at the Top, the Person who swept
the same, either by himself, his Servants or Negroes, shall forfeit and
pay Twenty Shillings.”

Glass for windows in the beginning of the Colonial period was a luxury

508 :名無しの愉しみ:2019/03/28(木) 12:04:26.44 ID:???.net
堕落だけに落ちるのか

509 :名無しの愉しみ:2019/03/28(木) 12:05:34.86 ID:???.net
何の執筆実績もない、しかも馬鹿自警でよく立ったね

510 :名無しの愉しみ:2019/03/28(木) 12:09:41.92 ID:???.net
能力の低い人ほど自己を過大に評価する傾向があるのよ

511 :名無しの愉しみ:2019/03/28(木) 12:19:31.96 ID:???.net
enjoyed by only a few of the more well-to-do settlers and even oiled
paper was not always easy to come by so that oftentimes the humbler
houses had only shutters to close window apertures and afford protection
from the weather. Window glass, however, was imported at an early date
and at an early date, also, glass in small panes was manufactured in
the Colonies.

The earliest windows were filled with small diamond shaped panes leaded
into the casements and the casement window was universally used. In the
fore part of the eighteenth century, double or single hung sash windows
became the fashion and were very generally substituted for the older
casements by alterations made in the manner alluded to in Chapter III,
although, quite frequently, particularly in the Middle and Southern
Colonies, no change in the shape or dimensions of the window openings
was considered desirable or necessary. The lights for the sashes were
universally small and it was not until the end of the eighteenth century
that they increased appreciably in size. It should be remembered that a
great deal of the charm and individuality of fenestration during both
the early Colonial and Georgian periods was due to the manifold
divisions of the lights--with lead in the first instance and with heavy
muntins in the second. A good many of the old leaded casements that had
endured, despite the favour of the new styles, till the outbreak of the
Revolutionary War disappeared at that time, the lead being melted to
make bullets. This is said to have been the fate of the original windows
in the Church of St. David at Radnor.

512 :名無しの愉しみ:2019/03/28(木) 12:34:37.89 ID:???.net
Paint, in the first years of colonisation during the seventeenth
century, though not unknown, was not in common use and it must be
admitted that the old woodwork, whether oak or pine, took on a
delightful tone in the course of a few years from the combined agency of
the atmosphere and the smoke of wood fires. In Pennsylvania and the
neighbourhood, paint both inside and out seems to have been used from
the first. It should be remembered, particularly in this connexion, that
paint for either exterior or interior use in the Colonial and Georgian
periods was not invariably white. Colours were frequently used and
specific reference has been made in Chapter VIII to the employment of
paint of various colours for panelling and other interior woodwork.

The panelling in many of the old Colonial houses, and for that matter
the same thing may be said with perfect truth of much of the panelling
to be found in houses of the Georgian type, exhibits marked
irregularities. Although the almost medi&#230;val methods of the early
craftsmen were gradually supplanted by other ways of treating the
material, there was always a delightful personal element of originality
and lack of symmetry in the panelling and woodwork generally. It is this
very originality that gives it its charm and interest. It is precisely
like the features of the human face. If all the features of any human
face were absolutely symmetrical and regular, so that both sides were
precisely alike in every measurement, the countenance would be truly
imbecile in expression. It is the irregularity which causes the outward

513 :名無しの愉しみ:2019/03/28(木) 12:43:27.84 ID:???.net
ダニングクルーガー

514 :名無しの愉しみ:2019/03/28(木) 12:49:42.14 ID:???.net
indications of character and gives whatever beauty or the opposite
quality there may be. The early craftsmen had no compunction in making
one panel deeper than another, being governed therein by expediency, the
width of the piece they were using, or the distance to be covered. It
was not that they did not do their work well and in a workmanlike
manner, but they saw no reason why they should be tied down by a slavish
exactitude in the exercise of their craft, and they accordingly took
liberties for which we in our slavishly mechanical days may be truly
thankful, and from which we may learn a valuable lesson if we will only
use our eyes and not be afraid to act with a little independence.




CHAPTER XIV

EARLY AMERICAN ARCHITECTS AND THEIR RESOURCES


Who lived in our old houses and what manner of men they were, we
fortunately know. At any rate it is an easy matter to find out. Who
planned and built those houses we do not, as a rule, know nor will the
most careful search and enquiry always bring to light even the name of
the architect or, if they do succeed in doing so much, the information
gained is generally so meagre that it does but whet the appetite for

515 :名無しの愉しみ:2019/03/28(木) 13:04:47.95 ID:???.net
more. However, regardless of what we may or may not be able to learn of
the designer of this or that house or public building, we shall be quite
safe in attributing the design of early American structures to the
agency of one or the other of three classes of men. This triple division
consisted, first, of amateur architects; second, of carpenter architects
and, last of all, of professional architects. In this grouping, the
professional architect is given the last place because he was least
frequently represented. The first and second classes were by far the
most numerous and some of our best eighteenth century buildings, houses,
churches and other public structures alike, are the results of
collaboration between them.

We shall not be far wrong in ascribing seventeenth century buildings,
almost without exception, to the capable and resourceful craftsman who
not only preserved conscientiously the traditions he had learned as an
apprentice or journeyman in the Mother Country and faithfully
perpetuated them by his practice as a master carpenter or joiner in a
new land but also showed himself possessed of ready wit and keen
perceptive faculties by the alacrity with which he modified and adapted
traditional methods and precedents to new conditions and requirements of
climate and environment. So far as he could consistently do so, he held
by preference to tradition in plan, methods of construction and choice
of materials. When necessity or common sense, however, dictated a
departure from established usage he was quick enough to follow the
promptings of expediency and devise satisfactory substitutes for the

516 :名無しの愉しみ:2019/03/28(木) 13:09:57.68 ID:???.net
偏差値40程度であろうアホたちが自信満々に方針や法律持ち出してきて叩き潰されるのが
jawp仕草

517 :名無しの愉しみ:2019/03/28(木) 13:19:53.07 ID:???.net
deficiencies of past practice. Hence were originated local types without
any conscious attempt on the part of the agents to be original.

The methods followed by the seventeenth century American builder showed
a close relationship with the practices of medi&#230;val joiners and masons.
Furthermore, these early workmen showed an all-round mastery of their
own craft, an intelligent understanding of related crafts and a thorough
knowledge of the properties and uses of materials that their modern
successors would do well to emulate. They respected their calling and
took a proper pride in the excellence of their craftsmanship. Hence the
work of their hands, however plain and simple, still possesses a dignity
and honest beauty that plainly proclaim how they put their hearts into
what they were doing and, at the same time, command our reverence and
admiration. The old buildings have lasted so well and assumed such an
atmosphere of grace because the artisans acted upon the principle that
what was worth doing at all was worth doing well and set much store by
honest workmanship instead of regarding their occupation as a job to be
got through with at a maximum of wage for a minimum of time spent in
labour. They got the best out of their materials because they knew and
respected the peculiar qualities of their materials. Whether English or
Dutch, Welsh or Swedish, the handiwork of these seventeenth century
builders, wholly without pretence as it was, expressed faithfully the
aggregate of the contemporary phases of the domestic architecture in the
countries whence they came and also evidences both the beginnings and
development of our own several vernacular manifestations, all of which,

518 :名無しの愉しみ:2019/03/28(木) 13:31:54.47 ID:???.net
[[利用者‐会話:高尾山]]
謎のチーズバーガー爆撃w

519 :名無しの愉しみ:2019/03/28(木) 13:34:57.36 ID:???.net
to a certain degree, were obscured and discounted by the expansion and
increasing popularity of eighteenth century Georgian modes. To the
carpenter-architects of the seventeenth century we owe a great debt of
gratitude for their faithful preservation of time-honoured tradition in
plan and manner of building so that we may easily trace our
architectural lineage, for the intrinsic excellence of the structures
they erected and the lessons they can still teach us in craftsmanship
but, most of all, for the honesty and sincerity of the vernacular forms
they developed, forms created by ready ingenuity in response to local
needs and void of all pretence and hollow affectation. These forms, one
and all, are full of vitality. Their very fitness for the conditions
they were designed to meet in the neighbourhoods where they were evolved
and the successful event of their application to modern demands for
characteristic and informal domestic architecture drive home the extent
of our present debt to the forgotten and nameless architect-carpenters
of a by-gone generation.

With the dawn of the eighteenth century it becomes easier to connect
buildings and the names and personalities of those that designed them.
When we are not able to say with certainty that such a structure was
designed by such a man, we know, at least, that there were then living
in the different cities men of acknowledged architectural attainments,
that their work is to be seen in this house or that church as a matter
of indubitable record and that there is a strong presumption that their
influence is to be traced in the design of houses or public edifices

520 :名無しの愉しみ:2019/03/28(木) 13:50:02.27 ID:???.net
where there is no documentary evidence to support attribution to an
individual architect.

One of the earliest personalities known to us in a distinctly
architectural connexion is James Portius “whom William Penn induced to
come to his new city to ‘design and execute his Proprietary buildings.’”
He was “among the most active of the Carpenters’ Company and, at his
death, in 1736, gave his choice collection of architectural works to his
fellow members, thus laying the foundation of their present valuable
library.” This Carpenters’ Company of Philadelphia was the organisation
that, at a later date, erected its gild house, known as Carpenters’
Hall, where the Continental Congress for a time held its sessions. It is
still in an excellent state of preservation and still houses the
collection alluded to. The skill of the resident artisans of early
Philadelphia was of no mean order, as their handiwork amply attests
to-day, and, in 1724, the master carpenters of the city “composed a
gild large and prosperous enough to be patterned after ‘The Worshipful
Company of Carpenters of London,’” an organisation founded in 1477.
Unfortunately we cannot with certainty ascribe any buildings now
standing to the plans of James Portius. We can only make conjectures. It
is highly probable that Penn’s house, which originally stood in Letitia
Court until its removal to a site in Fairmount Park, was designed and
erected by the Proprietary’s architect. The Manor House at Pennsbury was
also, in all likelihood, designed by him or at least carried out under
his superintendence. It is a source of never ending regret that it was

521 :名無しの愉しみ:2019/03/28(木) 14:05:06.97 ID:???.net
allowed to fall into a state of utter decay and was then demolished. Had
it been preserved, we should now have an invaluable addition to the
architectural treasures of our country and an interesting commentary
upon the work of one of the earliest architects known to have practised
his profession in the Colonies.

It is most important to remember that some considerable degree of
architectural knowledge or, at the very least, some substantial
cultivation of architectural taste and discrimination seems to have been
considered an indispensable part of every gentleman’s education in the
eighteenth century. Consequently it is not surprising to find that some
of our native amateur architects possessed knowledge and ability by no
means contemptible. Architectural appreciation was favoured by the fact
that not a few of the sons of the wealthy and well-to-do were sent to
England to complete their education and usually spent some time
afterwards in travel on the Continent. Such broadening influences
naturally tended to stimulate and aid the development of architectural
taste and, as a certain amount of dexterity in drawing was highly
esteemed and practised as a polite masculine accomplishment, a
considerable number of men were fitted, to a far greater degree than the
majority of so-called well educated people nowadays, to translate their
architectural preferences into a form sufficiently intelligible for the
master-carpenter to work from in putting an idea into a tangible shape.

It is not to be inferred from the foregoing that a large number of men

522 :名無しの愉しみ:2019/03/28(木) 14:20:12.39 ID:???.net
of substance and leisure for the cultivation of polite accomplishments
were capable of producing a set of measured drawings, such as
professional architects prepare, to turn over to a contractor for
execution. They were not. But the division of functions was altogether
different. The client, as he would now be termed, showed a more
intelligent and constructive appreciation of architectural principles in
a proportionately larger number of cases than he does at the present
day. He formed a definite conception of what he wished and was capable
of conveying his desires lucidly by means of drawings or rough sketches
to the head workman charged with the actual task of construction. As the
average client was better informed and thought more clearly upon matters
architectural than the client of later times, so, on the other hand, the
master-carpenter of the eighteenth century was infinitely more capable
than the average artisan of like rank to-day. He was not only a skilled
master-mechanic, competent to translate rough draughts and sketches into
carefully prepared working drawings, but he was also a person of some
architectural education and taste and endowed with a nice perception and
valuation of architectural merits and proprieties. He was materially
aided in his work by a number of valuable and explicit architectural
books with measured drawings of whose assistance he did not hesitate
freely to avail himself. Furthermore, he still retained a sympathetic
respect for his materials and a conscientious appreciation of worthy
craftsmanship, inherited by tradition from his medi&#230;val predecessors and
wholly apart from modern commercialism. Pride in his calling impelled
him to the closest personal supervision and painstaking interest. He

523 :名無しの愉しみ:2019/03/28(木) 14:35:18.45 ID:???.net
would be content with nothing short of the best.

The amateur architects were no mere dabbling dilettanti, flirting with
a polite and amiable penchant for architectural amenities. The best of
them, and those that left the most impressive memorials of their talent
and skill, were, as we shall presently see, busy men of large affairs
and serious interests. They, as well as the master-carpenters, were
thoroughly conversant with the best architectural books of the period
and often had a fair showing of them on the shelves of their own
libraries. More than one of them left standing orders with their London
booksellers to send them, upon publication, such volumes as were most
worth while. Another factor of their fitness is also to be reckoned. It
was not unusual for them to possess training and experience as
surveyors. Indeed, it was almost imperatively necessary for large
landowners to have a knowledge of surveying in order to look properly
after their interests. This training gave them an insight into the
practice of making accurate measurements and draughting and the effect
of such practical and exact education was not without its weight when
they addressed themselves to designing buildings.

One of the most striking and eminent figures among the eighteenth
century amateur architects was the Honourable Andrew Hamilton, “the
day-star of the American Revolution,” as Gouverneur Morris styled him,
sometime Attorney-General of the Province of Pennsylvania, Provincial
Councillor, Speaker of the Provincial Assembly from 1729 and for a

524 :名無しの愉しみ:2019/03/28(木) 14:46:52.89 ID:???.net
いよいよ審判の時ですか、どきどきするな
管理者なれるよね?

525 :名無しの愉しみ:2019/03/28(木) 14:50:07.27 ID:???.net
毒島みたいなカスブロック破りを塞げよ

526 :名無しの愉しみ:2019/03/28(木) 14:50:24.08 ID:???.net
number of successive years afterward and, above all, illustrious jurist
and pleader, whose defence of Peter Zenger, the New York printer, in
1735, redounded to his fame both in England and throughout the Colonies.
He was a man of exceptional and varied attainments, of catholic
cultivation and outlook and endowed with remarkable elegancy of taste.
Amid all the distractions and pressing concerns of an exacting legal and
public career and the many demands involved in the successful management
of a large private estate, he nevertheless found time to devote a good
measure of attention to architectural diversions and left an enduring
monument to his talents in that direction in the State House in
Philadelphia.

The history of the plan for the State House is peculiarly interesting
for the light it sheds on contemporary conditions. Determined to erect
the State House, a committee of three was appointed by the Assembly, in
1729, to procure suitable plans. Two members of this committee prepared
plans for the new building, namely Andrew Hamilton and Dr. John
Kearsley, to whom further reference will be made in a following
paragraph. Dr. Kearsley, it is true, had achieved considerable
reputation as an architect by the plans that he had devised for Christ
Church, but Hamilton was not supposed to have any aptitude in that
direction. He was a lawyer, much occupied in the public business of the
Province. It seems, however, that he had mastered some architectural
knowledge while in London where, like so many other illustrious lawyers
of the Middle and Southern Colonies, he received his training in the

527 :名無しの愉しみ:2019/03/28(木) 14:50:25.61 ID:???.net
>>524
君ならなれるさ!きっと

528 :名無しの愉しみ:2019/03/28(木) 14:50:43.39 ID:???.net
毒島ミルクが賛成票第1号
おい切干大根、先越されてんじゃねーか

529 :名無しの愉しみ:2019/03/28(木) 14:51:35.80 ID:???.net
なんの支持ポイントも無いわけだが、いつ反対入れるかだけ

530 :名無しの愉しみ:2019/03/28(木) 14:56:09.65 ID:???.net
2票目マダー?俺につづけ馬鹿ども

531 :名無しの愉しみ:2019/03/28(木) 15:00:41.53 ID:???.net
あっと言う間に10票飛ばして駄楽を当選させようぜ

532 :名無しの愉しみ:2019/03/28(木) 15:05:30.58 ID:???.net
Inns of Court. Being a man of remarkable and sterling ability, combining
with his wide versatility and breadth of view a fund of initiative and
force, he generally pushed to a successful completion any matter to
which he addressed himself. His plan, a rough draught on parchment,
which is still to be seen in the collection of the Pennsylvania
Historical Society, was submitted to the Assembly and chosen. For
assurance of the excellence and soundness of his judgment, one has only
to turn their eyes to the fabric of the State House.

In the construction of public edifices, the trials and tribulations of
the eighteenth century architects could well compare with the
difficulties encountered in some instances by their twentieth century
successors. Work on the State House was indeed begun and vigorously
pushed forward by Hamilton so far as he was able, but there were all
sorts of obstructions to be surmounted and drawbacks and hindrances to
be set aside. There were grumbles and growls from influential people who
were either wholly opposed to the undertaking or else dissatisfied with
the site. There were hostile criticisms of the plan adopted, there were
strikes among the workmen, there was, at times, a lack of competent
labour, there were wranglings about the necessary funds to pay the
costs--everything, in short, combined to retard progress and Judge
Hamilton died in 1741 before his plans were fully executed. Although the
date of the erection of the State House is given as 1733--the greatest
portion of it was built then--its completion, as just stated, was not
achieved till eight years later.

533 :名無しの愉しみ:2019/03/28(木) 15:13:09.59 ID:???.net
切干行けや

534 :名無しの愉しみ:2019/03/28(木) 15:17:49.04 ID:???.net
自分で言うのも何だけどよく賛成しますねw

535 :名無しの愉しみ:2019/03/28(木) 15:20:36.15 ID:???.net
Another amateur architect of the period, deserving of mention, was
Joseph Brown who was born in Providence in 1733 and died there in 1785.
After acquiring a comfortable fortune in a manufacturing business, he
devoted himself to the pursuits towards which his tastes for science
inclined him. He was particularly interested in electricity and had a
comprehensive knowledge of the subject; he was likewise proficient in
mechanics and astronomy and held a professorship in Brown University, of
which institution he was also a trustee. Of his ability in the
architectural field, the First Baptist Church in Providence, erected in
1775, and various houses bear witness.

John Smibert, whose name we always associate with early New England
portraiture, also extended his activities into the realm of architecture
and designed Faneuil Hall whose evidence is a sufficient guarantee of
his skill. John Greene, of Providence, Captain Isaac Damon, of
Northampton, and many more might readily be added to a list that is
dignified by the great names of Washington and Thomas Jefferson.
Washington is said to have designed Pohick Church, Virginia, of which
parish he was a vestryman. It is certain, at any rate, that he was
deeply interested in the supervision of its erection as he also was in
the erection of Christ Church, Alexandria, where he was likewise a
vestryman. His architectural taste is still further to be seen in the
fabric of Mount Vernon. In this connexion it ought to be borne in mind
how lively an interest he manifested in the laying-out of the Federal

536 :名無しの愉しみ:2019/03/28(木) 15:21:49.03 ID:???.net
賛成2票目はKinori

537 :名無しの愉しみ:2019/03/28(木) 15:34:31.05 ID:???.net
500円のアマギフが100円で買える上に
300円ゲットできるよ。

@タイムバンクをインストール
A会員登録
Bマイページへ移動する
C招待コード→招待コード

jxNUGV

を入力でok

ゲットした300円ですぐにギフト買えるよ宜しくお願いします。

538 :名無しの愉しみ:2019/03/28(木) 15:35:40.19 ID:???.net
City and the planning of its public buildings according to a worthy and
comprehensive scheme. Jefferson’s skill as an architect is evidenced in
Monticello and in the buildings of the University of Virginia which are
chiefly, if not altogether, attributable to him as their designer.

Dr. John Kearsley and Dr. William Thornton were two busy and intensely
active eighteenth century physicians who found time to acquit themselves
most creditably in the field of architectural endeavour as well as to
do their full share in the discharge of sundry public duties which their
fellow citizens entrusted to them. Dr. Kearsley, arriving in
Philadelphia in 1711, soon built up an extensive practice and, at the
same time, undertook the instruction of a younger generation of medical
men whom he is said to have enrolled as apprentices for a seven years’
term of tutelage, a relation that the “apprentice” students apparently
found “both onerous and exacting, as it seemed to include the duties of
a servant, coachman, messenger-boy, prescription clerk, nurse and
assistant surgeon.” Apart from his labours as a physician, he was
engaged in civic and Provincial activities of the first order and long
occupied a seat in the Assembly of the Province. As an architect, he is
entitled to the highest praise for the masterly and surpassingly
beautiful design of Christ Church, erected from his plans in 1727, and
inspired to some extent, so it appears, by Saint Martin-in-the-Fields,
in London.

Dr. William Thornton is to be remembered as the designer of the first

539 :名無しの愉しみ:2019/03/28(木) 15:37:41.45 ID:???.net
おっしゃー!お前ら切干に続け!

540 :名無しの愉しみ:2019/03/28(木) 15:41:35.64 ID:???.net
これで堕落が当選したらミラブルちゃんがメンタルブレイクしちゃうよ〜><

541 :名無しの愉しみ:2019/03/28(木) 15:44:05.79 ID:???.net
切干は投票だけでコメントなしか、つまらん
現役管理者は今回投票するんだろうか?
例祭の時は初日に賛成多数、ミラブルは誰一人投票せずで分かりやすい反応だったが

542 :名無しの愉しみ:2019/03/28(木) 15:50:45.04 ID:???.net
Capitol at Washington whose erection he likewise superintended. When
Latrobe restored the building, after its partial demolition by the
British troops in the War of 1812, he adhered very largely to Dr.
Thornton’s plan. During a long residence in Philadelphia, he took an
active part in public affairs, was elected a member of the American
Philosophical Society and designed the old Philadelphia Library, which
was completed in 1790. Many houses are also to be ascribed to Dr.
Thornton’s agency. His connexion with the federal buildings necessitated
his removal to Washington where he continued to live for the remainder
of his life, occupying a position as first head of the Patent Office.

Interesting as it might be to prolong this biographical chronicle of
amateur architects of the eighteenth century, it is necessary to pass on
to a consideration of the carpenter-architect. Samuel Rhoads, sometime
Mayor of Philadelphia, the designer of the Pennsylvania Hospital, a
structure of which any architect in any century might well feel proud,
occupies a middle ground between the amateur and the carpenter-architect
and his history throws valuable light on conditions affecting the
methods and practice of both. According to the Quaker theory that every
boy should be brought up to a trade, no matter what calling he might
afterward intend to pursue, Rhoads “became a carpenter and builder,
though he did not confine his attention exclusively to this business,
but appears to have branched out into mercantile adventures,
speculations in real estate” and the like. “He was an early member of
The Carpenters’ Company of Philadelphia, and from 1780 until his

543 :名無しの愉しみ:2019/03/28(木) 15:50:46.97 ID:???.net
気乗りって管理者ちゃうの?

544 :名無しの愉しみ:2019/03/28(木) 16:02:07.21 ID:???.net
ミラブルのbotブロックで一悶着あった鈴虫、ミラブル立候補の引き金を引いてしまったKurihayaあたりが今回投票するか見もの
市井の人は質問だけで棄権すると予想

545 :名無しの愉しみ:2019/03/28(木) 16:05:50.31 ID:???.net
decease” was its master. He was exceedingly public-spirited and took an
active part in all enterprises for civic betterment. For a number of
years he sat in the Provincial Assembly where he served on numerous
important committees and was chosen one of the Pennsylvania delegates to
the First Continental Congress. A contemporary writer, in describing the
members of that body, said of him that “he was a respectable merchant of
Philadelphia, belonging to the Society of Friends--without the talent of
speaking in public, he possessed much acuteness of mind, his judgment
was sound, and his practical information extensive.” In October, 1774,
he became Mayor of Philadelphia. When Benjamin Franklin reorganised the
American Philosophical Society, in 1743, Rhoads was one of the officers
and for several years served as one of the vice-presidents.

From the foregoing memoranda it may be seen what manner of man Samuel
Rhoads was and in what esteem he was held by his fellow-citizens. But
what chiefly concerns our present purpose is his connexion, in the
capacity of “carpenter and builder”, with the designing of an
exceptionally fine piece of eighteenth century architecture. When the
Assembly of Pennsylvania, in 1751, passed an act founding the
Pennsylvania Hospital, he was elected a manager by the contributors and
continued on the board for thirty successive years. Ground was secured
and “this purchase being made, a complete plan of the buildings was
directed to be so prepared that a part might be erected, which could be
occupied the ensuing season. [1755.] Samuel Rhoads, one of the managers,
was very zealous in the work and, after consulting the physicians in

546 :名無しの愉しみ:2019/03/28(木) 16:19:43.80 ID:???.net
松崎温土はいつまで切干大根のケツ追いかけるのか

547 :名無しの愉しみ:2019/03/28(木) 16:20:54.32 ID:???.net
regard to the situation of the cells and other conveniences, he
presented a design of the whole building, in such form that one third
might first alone be erected with tolerable symmetry. After due
consideration,” the plan was adopted and, not many years afterward, the
whole design of this carpenter-architect became an accomplished fact to
the lasting satisfaction of succeeding generations.

One of the worthiest of the carpenter-architects was Asher Benjamin of
Massachusetts. Although his work was almost wholly domestic and many of
his commissions would nowadays be classified as “unimportant”, he
nevertheless exerted a markedly beneficial influence upon the
architecture of his day, an influence for which we have reason to be
grateful. He seems to have begun his career as a carpenter in
Greenfield, Deerfield and neighbouring Massachusetts towns. While
working in Greenfield, he published “The Country Builder’s Assistant”,
1796, a book of “simple and practical” scope, containing much suggestive
and useful material. Afterwards, removing to Boston, he published,
partly in collaboration with one D. Raynerd, and partly by himself,
several architectural works of a more ambitious nature. The trade of
carpenter-architect and builder was likewise creditably represented by
numerous other eighteenth century mechanics in New England and the other
parts of the country who, although they did not essay to publish
technical books, were nevertheless far more than mere commercial-minded
artisans perfunctrily “doing the jobs” appointed them and they achieved
the commissions they were entrusted with in a manner to merit the praise

548 :名無しの愉しみ:2019/03/28(木) 16:23:36.43 ID:???.net
堕落に4つも賛成票が投じられるとは

549 :名無しの愉しみ:2019/03/28(木) 16:26:46.98 ID:???.net
見えてる部分だけなら、権限乱用するようには見えないからの。

550 :名無しの愉しみ:2019/03/28(木) 16:28:29.58 ID:???.net
それで失敗した例はぶいあくとかあるよね
それに使えない例も

551 :名無しの愉しみ:2019/03/28(木) 16:32:22.61 ID:???.net
狂々亭駄楽が管理者になったらどうなるのだろう?

552 :名無しの愉しみ:2019/03/28(木) 16:35:59.49 ID:???.net
and emulation of modern designers. Nor may we forget the earlier
carpenter-architects of the seventeenth century who created standards of
excellence as a precedent for their successors of the eighteenth
century. Chief among them must be named John Allis of Braintree, born in
1642, who both designed and executed many houses and churches in
Massachusetts in the latter part of the seventeenth century; likewise,
due acknowledgment must be made to John Elderkin, a contemporary of
Allis, who left a deep and beneficial impress upon the architecture of
southeastern Connecticut.

It is exceedingly difficult to draw a sharp line of distinction between
the carpenter-architects and the earliest representatives of the
professionally trained architects whose occupation consisted mainly in
designing buildings and supervising their erection. During the greater
part of the eighteenth century, the many able amateur architects and the
capacity of the carpenter-architects to translate and embody acceptably
in tangible form the conceptions supplied by their employers would
naturally militate against the success of a numerous class of men whose
sole occupation was to design and supervise. It is not at all
improbable, therefore, that some of the men, whom we should be disposed
to regard as the early representatives of the professional architect
class, judging from the importance and visible evidence of the
structures attributed to them, played the r&#244;le of contractors as well
for the erection of the buildings they designed, even though they did
not share in the manual labour. We know, for example, that Richard

553 :名無しの愉しみ:2019/03/28(木) 16:40:40.39 ID:???.net
自警団と荒らしが狂喜乱舞の世界
クズの寝かせ垢で管理者になれるんだ、

554 :名無しの愉しみ:2019/03/28(木) 16:43:13.88 ID:???.net
>>553
ミラブルさんちぃーっす!

555 :名無しの愉しみ:2019/03/28(木) 16:51:03.44 ID:???.net
Munday first appears in active career as the partner of one Wyatt in a
building or contracting business. His capacity, however, shown by the
Town House or State House in Newport, built from his plans in 1743,
entitles him to a high rank among early American architects.

While some of the early professional architects--the term is not
altogether felicitous but seems necessary for the sake of
differentiating them from the other two classes--were doubtless
self-trained to a great degree, a few appear to have had instruction in
England under competent masters. Notable among them was Peter Harrison,
the architect of the Market or City Hall of Newport, built in 1760, who
was sometime an assistant to Sir John Vanbrugh and is said to have been
a pupil of James Gibbs. McBean, the designer of St. Paul’s Chapel of
Trinity Parish, New York, erected in 1764, is also thought by some to
have been a pupil of Gibbs, although there seems to be no trustworthy
base for such a supposition.

Charles Bulfinch, so deservedly revered in Boston and other New England
cities for the graceful and enduring memorials of his skill there to be
seen on every hand, will always occupy an exalted position among our
early American architects. Probably no one man ever left a stronger
impress upon the architecture of the community in which he lived. His
influence in Boston and the vicinity is quite comparable to the
influence of Sir Christopher Wren upon the appearance of London and we
can readily understand this when we remember that during a half century

556 :名無しの愉しみ:2019/03/28(木) 16:52:14.55 ID:???.net
>>553
立候補直前に管理者と喧嘩したり立候補中にBot暴走させたりしても当選すると思っていたのかね?

557 :名無しの愉しみ:2019/03/28(木) 16:54:52.40 ID:???.net
>>554-556
雑魚はすっこんでろよ

558 :名無しの愉しみ:2019/03/28(木) 17:06:08.99 ID:???.net
of practice he designed in the neighbourhood of forty churches,
libraries, theatres and other public structures in New England, besides
his contributions to domestic work. A discussion of the characteristics
of his individual style is to be found in Chapter X of this volume.
Suffice it here to say that he represented and upheld all the best
traditions and ideals that enter into the making of a worthy architect’s
career. He was fortunate in his environment and made the utmost use of
his opportunities. Born in Boston, in 1763, the son of Dr. Thomas
Bulfinch, an eminent physician, he was educated in the city of his
birth, graduating from Harvard in 1781. He afterwards travelled in
Europe, pursuing, as he went, the study of architecture. This course he
was well calculated to profit by to the fullest extent from naturally
keen powers of observation and discriminating taste. In 1786 he returned
to Boston and thereafter devoted himself to the practice of his
profession. As elsewhere noted, the old Boston Library, the first Boston
theatre, (1793), and the State House on Beacon Hill were among his early
contributions of importance to architecture in his own city but the
scope of his professional activities was not confined to Boston or New
England for, in 1817, he was called to be supervising architect for the
rebuilding of the national Capitol in Washington and retained that post
until its completion in 1830. As one of the fathers of American
architecture, Charles Bulfinch will always stand in a preeminently
honourable place.

Another of the “fathers of architecture in the United States” was

559 :名無しの愉しみ:2019/03/28(木) 17:14:00.06 ID:???.net
>>557
ミラブルさん、自分のbot荒らしも入ってますよ(笑)

560 :名無しの愉しみ:2019/03/28(木) 17:16:55.15 ID:???.net
利用者:狂々亭駄楽
バベル積み上げてるやつに碌なのがいたことはないのだが

561 :名無しの愉しみ:2019/03/28(木) 17:20:49.63 ID:???.net
堕落さん5票目入りました
意外と無風で当選するのか?

562 :名無しの愉しみ:2019/03/28(木) 17:21:13.93 ID:???.net
Benjamin Latrobe, a man of extraordinary mental endowments, an
accomplished linguist and scholar, an eminent engineer and architect, a
gallant soldier and a typical gentleman of the old school with all the
best that such a designation implies. Born in 1767, the son of an
English Moravian clergyman in Yorkshire, he was educated in England and
achieved a promising position in his profession, being at one time
Surveyor of Public Offices of the City of London. In 1796, on the eve of
his coming to America, he was offered the post of a Crown Surveyor at
the annual salary of &#163;1000 but, fortunately for American architecture,
he preferred to migrate. During the course of his professional career,
he carried many important engineering projects to a successful issue and
executed many notable architectural commissions. In this connexion he is
perhaps best known as the designer of the Roman Catholic Cathedral in
Baltimore, the Bank of the United States in Philadelphia and by his work
upon the Capitol building at Washington which he was called upon in 1803
to complete and which James Madison, in 1815, asked him to rebuild after
its partial demolition by the British troops in the War of 1812. His
pupil William Strickland of Philadelphia, by structures of his own
designing which included the old Maritime Exchange, the old Mint and
the Philadelphia Naval Asylum, buildings full of substantial dignity and
grace, paid a fitting tribute to Latrobe’s mastership and inspiration.

In the honourable roll of early American architects we must also
remember Major L’Enfant who so ably laid out the plan for the City of
Washington; James Hoban, whose Dublin training and youthful familiarity

563 :名無しの愉しみ:2019/03/28(木) 17:26:45.59 ID:???.net
堕落が管理者?冗談だろ
こいつは明らかにミラブルより方針理解してないぞ

564 :名無しの愉しみ:2019/03/28(木) 17:29:56.71 ID:???.net
>>563
鈴虫よりましだろう
鈴虫は削除票しか入ってないのに存続終了させるんだぞ

565 :名無しの愉しみ:2019/03/28(木) 17:30:33.29 ID:???.net
>>563
そもそも記事執筆において貢献があるのか?

566 :名無しの愉しみ:2019/03/28(木) 17:30:48.86 ID:???.net
複垢[[利用者:若区須羽朗]]の低質記事立項を見たら白目を剥くよw

567 :名無しの愉しみ:2019/03/28(木) 17:36:20.93 ID:???.net
with the best of English and Irish Georgian work peculiarly fitted him
for success in his treatment of the old State House at Charleston, South
Carolina, and the White House in Washington; John McComb, among whose
best known works are the City Hall of New York and St. John’s Chapel,
Varick street, and many more designers whose names and individual
achievements one would gladly recall did space permit. The reader,
however, notwithstanding the lack of further specific reference, cannot
fail to recognise from the memoranda already set forth how worthy has
been our architectural past, how able were the men to whom we are
indebted for it, how they worked and how fit are the examples they have
left for our study and emulation.




INDEX


A

Adam, Brothers, 111, 152, 170;
creations, 179;
elegance, 176;
influence, 105, 111, 119, 146, 151, 175;
mantel, 148, 149;

568 :名無しの愉しみ:2019/03/28(木) 17:37:00.67 ID:???.net
管理系でこれといったトラブルがないのも好評価につながってんじゃないか?

569 :名無しの愉しみ:2019/03/28(木) 17:40:54.20 ID:???.net
得点もあるが失点も多いミラブル君と
得点は少ないが失点も少ない堕落君と
選ぶなら堕落というなら靴下天国だな

570 :名無しの愉しみ:2019/03/28(木) 17:46:01.04 ID:???.net
狂々亭駄楽が管理者になれたら記事執筆なんてどうでもいいってことだな
自警天国をウィキペディアが公認したようなものだ

571 :名無しの愉しみ:2019/03/28(木) 17:48:58.12 ID:???.net
[[利用者:狂々亭駄楽/備忘録#削除依頼]]
これ系のリスト作る奴が本当に謎なんだよなー
自分の品位落とすだけだと思うんだが

あ、俺は賛成票入れるから怒って荒らしたりするなよ

572 :名無しの愉しみ:2019/03/28(木) 17:49:44.85 ID:???.net
>>570
V悪が管理者なってる時点で記事執筆なんてどうでもいい事だろ

573 :名無しの愉しみ:2019/03/28(木) 17:51:10.57 ID:???.net
V悪がダメだったからろくな記事執筆ができない奴はダメなわけでして

574 :名無しの愉しみ:2019/03/28(木) 17:51:31.62 ID:???.net
海獺さんは[[もつ煮]]書いてるだろ!

575 :名無しの愉しみ:2019/03/28(木) 17:51:36.85 ID:???.net
mode, 179;
_motifs_, 153;
oval, 148;
phase, 168, 170;
school, 173;
type, 164.

Adams, John, 123, 189.

Alexandria, Va., 159, 221.

Allis, John, 269.

Alterations, 39.

American Philosophical Society, 266.

Andr&#233;, Major, 200.

Annapolis, Md., 203, 209.

Anne Arundel Co., Md., 96, 162, 163.

Architect, carpenter, 252, 255;
early American, 252 _et seq._

576 :名無しの愉しみ:2019/03/28(木) 17:52:56.21 ID:???.net
もつ煮の実績だけでウィキペディアの帝王として君臨した海獺さん

577 :名無しの愉しみ:2019/03/28(木) 18:06:40.81 ID:???.net
Architectural, books, 135;
continuity, 42;
evolution, 42.

_Architectural Record_, 35.

Architecture, Colonial, definition of, 7, 8;
Georgian, definition of, 7, 8.

Armorial bearings, 211.

Arnold, Benedict, 93, 141.


B

“Bait,” horses, 77.

Bake House, Salem, Mass., 53, 54, 55.

Bala, Pa., 69.

Baltimore, Md., 273.

578 :名無しの愉しみ:2019/03/28(木) 18:08:33.08 ID:???.net
>>572
つまり狂々亭駄楽が管理者になってもおかしくないってことか

579 :名無しの愉しみ:2019/03/28(木) 18:16:53.03 ID:???.net
>>576
[[電気パン]]を忘れるな

580 :名無しの愉しみ:2019/03/28(木) 18:18:36.28 ID:???.net
若区須羽朗=狂々亭駄楽の無出典エロ記事濫造野郎に賛成入れてる奴ら

581 :名無しの愉しみ:2019/03/28(木) 18:21:57.79 ID:???.net
Baluster spindles, 110, 165.

Balustrade, 185.

Barge-board, 73.

Bartram house, 244.

Bartram, John, 132, 133, 151.

Beacon Hill, Boston, 177.

Bedchamber, 91;
groundfloor, 94, 96.

Beds, truckle or trundle, 45;
“let down,” 45.

Bells, church, 216.

Belmont, Fairmount Park, Phila., 134, 244.

Belvoir, Anne Arundel Co., Md., 162.

Benjamin, Asher, 268.

582 :名無しの愉しみ:2019/03/28(木) 18:26:28.49 ID:???.net
>>576
もつ煮で稀代の良ユーザーR.Lucyを追い出した海獺な

583 :名無しの愉しみ:2019/03/28(木) 18:28:12.63 ID:???.net
まあ自警極めてる奴の方が執筆極めてる奴より管理者向きではあるだろう
堕落が極めてるレベルかは別として

584 :名無しの愉しみ:2019/03/28(木) 18:36:56.85 ID:???.net
>>571
どうせなら削除依頼での賛否と結果も出してほしい。けっこう変な票があるはず。
最近の長期化では[[Wikipedia:削除依頼/鈴木光]]

585 :名無しの愉しみ:2019/03/28(木) 18:37:01.94 ID:???.net
Bergen County, N.J., 15.

Berkeley, Governour, 87, 91.

Bermuda, 86.

Bethlehem, Pa., 76.

Beverley, 95.

Bond, 238;
Dutch cross, 238;
English, 238;
Flemish, 137, 186, 221, 222, 223, 225, 238;
Liverpool, 238;
running, 238.

Boston, Mass., 52, 54, 209, 271;
Library, 272;
Massacre, 190;
State House at, 177.

Boyd, John, T. Jr., 35.

586 :名無しの愉しみ:2019/03/28(木) 18:39:24.04 ID:???.net
堕落は当選するん?

587 :名無しの愉しみ:2019/03/28(木) 18:40:39.69 ID:???.net
自警を極めるとは無闇やたらに数を増やすことではないよな

フルボッコの形勢を1票で逆転させるとか、阻止するとかそういう削除依頼の経験を持ってる奴こそ極めてる

588 :名無しの愉しみ:2019/03/28(木) 18:41:09.79 ID:???.net
>>586
節子みたいに言うなよ、不吉だろうが

589 :名無しの愉しみ:2019/03/28(木) 18:43:22.23 ID:???.net
[[利用者:SIGMA0754]]
これは誰の規制逃れなんだ?

590 :名無しの愉しみ:2019/03/28(木) 18:44:01.58 ID:???.net
そもそも投票しているのが自警ばかりなので執筆経験は問われないのでは?

591 :名無しの愉しみ:2019/03/28(木) 18:48:34.68 ID:???.net
>>589
俺だよ!オレ、オレ

592 :名無しの愉しみ:2019/03/28(木) 18:52:06.78 ID:???.net
Braintree, Mass., 269.

Brick, 23, 88, 137, 219, 221, 223, 225, 233;
building regulations, 84;
Dutch, 86, 241, 242;
English, 86, 239, 240;
imported, 240;
making in Virginia, 84, 85;
New Haven Colony, 240;
prices of, in Virginia, 86;
use of, in Virginia, 87.

Bricklayers, 83.

Brickwork, 185, 196.

Brown, Joseph, 263.

Brown University, 263.

Bruce, Philip, 94.

Bruton Parish Church, Williamsburg, Va., 209, 220.

Bulfinch, Charles, 105, 111, 174, 175, 176, 201, 271, 272;

593 :名無しの愉しみ:2019/03/28(木) 18:59:28.04 ID:???.net
>>590
そういうことだなw

594 :名無しの愉しみ:2019/03/28(木) 19:07:09.89 ID:???.net
influence of, 271;
Statehouse, 191.

Bulfinch, Dr. Thomas, 272.

Burials, 211.

Byfield, Mass., 107.

Byrd, 94.

Byrd, William, 157.

Byrd, Col. William, 158, 159.


C

Capital, 188, 227;
carved, 106;
Corinthian, 234;
Ionic, 244.

“Captains’ walks,” 2.

595 :名無しの愉しみ:2019/03/28(木) 19:10:02.28 ID:???.net
ミラブルがとうとうbot申請を取り下げたな

596 :名無しの愉しみ:2019/03/28(木) 19:16:32.99 ID:???.net
速報

ミラブル、堕落に反対票一番乗り

597 :名無しの愉しみ:2019/03/28(木) 19:17:58.12 ID:???.net
>>595
> Wikipedia:Bot/使用申請 &#8206; →&#8206;2019-03-28T09:54:30 差分 履歴 +273&#8206; みらぶる: 一旦取り下げ。

一旦やぞ

598 :名無しの愉しみ:2019/03/28(木) 19:18:58.94 ID:???.net
反対のコメント入れろやこのクソ野郎

599 :名無しの愉しみ:2019/03/28(木) 19:20:48.85 ID:???.net
>596
過半数から不信任されたクズの反対票にどれぐらいの重みがあるのだろうか

600 :名無しの愉しみ:2019/03/28(木) 19:21:33.99 ID:???.net
LTA化の始まりだな

601 :名無しの愉しみ:2019/03/28(木) 19:22:14.84 ID:???.net
Carolina.
See SOUTH CAROLINA.

Carpenter, architect, 179.

Carpenters’ Company of London.
See WORSHIPFUL COMPANY OF CARPENTERS.

Carpenters’ Company of Phila., 256, 266.

Carpenters’ Hall, Phila., 202, 256.

Carpentry, books on, 135.

Carter, Robert, 208, 221.

Carters’ Grove, Va., 162, 163.

Casement, leaded, 53.

Cathedral, Baltimore, Md., 273.

Catskills, 19.

Cedar Grove, Harrogate, Phila., 134.

602 : :2019/03/28(木) 19:22:21.71 ID:???.net
おはようございます
今日は誰が盛り上がってますか?

603 :名無しの愉しみ:2019/03/28(木) 19:28:36.14 ID:???.net
>>599
むしろザパニの投票のように逆の票を大量に呼び込むだけなきがす

604 :名無しの愉しみ:2019/03/28(木) 19:29:30.76 ID:???.net
あからさまな報復票で草

605 :名無しの愉しみ:2019/03/28(木) 19:30:18.99 ID:???.net
>>596
憂さ晴らしか、、、カッコワルイ

606 :名無しの愉しみ:2019/03/28(木) 19:36:38.24 ID:???.net
>>603
それいったら切干大根の票の価値なんて・・・

607 :名無しの愉しみ:2019/03/28(木) 19:36:44.34 ID:???.net
ミラーハイトとミラブラ、どうして差がついたのか?慢心…環境の違い

608 :名無しの愉しみ:2019/03/28(木) 19:37:19.23 ID:???.net
Cedar Park, Anne Arundel Co., Md., 96, 98.

Cellar, 88.

Chamberlayne, Major Thomas, 88, 91.

Chambers, Sir William, 146, 148, 152.

Chandler, Joseph Everett, 52, 190.

Charleston, S.C., 230.

Chesapeake Bay, 96.

Chester, Pa., 195.

Chew, Chief Justice, 93, 123, 124, 143.

Chimney, 20, 87, 144, 247, 248;
breast, 146;
brick, 88;
brick and stone, 89;
central, 49;
clay, 52;

609 :名無しの愉しみ:2019/03/28(木) 19:39:47.76 ID:???.net
まともな感性だと自分が惨敗落選した直後は
他者の投票に首突っ込むのは控えるものだが
躊躇なく反対票入れに行く辺りがミラブル
伊達におくすり処方されてない

610 :名無しの愉しみ:2019/03/28(木) 19:41:57.51 ID:???.net
おくすり飲んだ後に反対票に取り消し線を引く流れかな

611 :名無しの愉しみ:2019/03/28(木) 19:45:23.53 ID:???.net
>609
まあ病気だな

612 :名無しの愉しみ:2019/03/28(木) 19:47:22.45 ID:???.net
>>610
そこまでやらかしたら流石にsumaru辺りに米炊かれても文句言えない

613 :名無しの愉しみ:2019/03/28(木) 19:52:24.15 ID:???.net
Wikipedia‐ノート:リダイレクトの削除依頼/受付#ノートリダイレクト削除の価値

ミラブルはここにも首突っ込んでいるんだが…

2018年8月29日で終わっている議論
半年以上過ぎて今ここにお前が口を挟む理由があるのかね
メンヘラだから時と場合を考えられないのか

614 :名無しの愉しみ:2019/03/28(木) 19:52:31.48 ID:???.net
exterior Southern, 89;
exterior New England, 89;
offsets, 89;
outside, 80, 89;
pieces continued, 148;
quadruple, 142;
sloped weatherings, 89;
stone, 49.

Chippendale, Treatise on, 146.

Christ Church, Alexandria, Va., 159, 221, 223, 224, 264;
Lancaster Co., Va., 208, 221, 222;
Philadelphia, Pa., 119, 125, 186, 210, 211, 216, 226, 227, 229, 230, 262.

Church, bells, 216;
city, 209;
“Court”, 209;
Colonial period, 205 _et seq._

Church of England, 207.

Cipriani, 147.

City Hall, Newport, R.I., 192;

615 :名無しの愉しみ:2019/03/28(木) 20:03:22.30 ID:???.net
>>195
未だにジャックは野放しか

616 :名無しの愉しみ:2019/03/28(木) 20:06:58.39 ID:???.net
ミラブルは身体を張って反対を防いでいるのだよ

617 :名無しの愉しみ:2019/03/28(木) 20:07:36.81 ID:???.net
New York, 274.

Clapboard, 23, 246, 247;
casing, 50;
first use of, 50;
tradition, grafting of, 103;
in gable ends, 28.

Classic, element, 99;
formality, 101;
Revival, 11, 12, 105, 111, 112, 115, 116, 165,
166, 169, 170, 171, 173-175, 177-180, 191, 201, 203, 235.

Classicism, 101, 169, 171, 173;
Renaissance, 128;
revived, 203.

Climate, 252;
influence of, on architecture, 80.

Climatic conditions, 237.

Cliveden, Germantown, Phila., 93, 124, 143, 144, 150, 152, 244.

Clothing, 214.

618 :名無しの愉しみ:2019/03/28(木) 20:11:20.70 ID:???.net
>>609
反省して自粛しろって?落選ごときでそんな真似するわけがないじゃん

619 :名無しの愉しみ:2019/03/28(木) 20:16:01.87 ID:???.net
ミラブルの反対の直後に市井の人が賛成www

620 :名無しの愉しみ:2019/03/28(木) 20:16:58.40 ID:???.net
市井の賛成コメント「さわやかです。」

621 :名無しの愉しみ:2019/03/28(木) 20:17:27.26 ID:???.net
市井の人はアンチミラブル

622 :名無しの愉しみ:2019/03/28(木) 20:18:59.63 ID:???.net
どこがさわやかなんだろう?
ふざけてんな市井の人

623 :名無しの愉しみ:2019/03/28(木) 20:19:33.36 ID:???.net
爽やか以外に賛成理由ないだろ

624 :名無しの愉しみ:2019/03/28(木) 20:20:03.52 ID:???.net
>>622
ミラブルくーんちぃーッス!

625 :名無しの愉しみ:2019/03/28(木) 20:20:45.52 ID:???.net
なごやかですWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW

626 :名無しの愉しみ:2019/03/28(木) 20:21:41.12 ID:???.net
大喜利会場かよw

627 :名無しの愉しみ:2019/03/28(木) 20:21:51.46 ID:???.net
市井の人「さわやかです」のあとに
切干大根「なごやかです」は久々に爆笑したわ

628 :名無しの愉しみ:2019/03/28(木) 20:22:25.52 ID:???.net
ミラブルより返信

バカメ

629 :名無しの愉しみ:2019/03/28(木) 20:22:41.03 ID:???.net
Clouston, Treatise on Chippendale, 146.

Coffee houses, 196;
London, Phila., 196, 197;
Bradford’s, Phila., 196, 197.

Colonial architecture, definition of, 7, 8.

Colour, contrasting, 202;
of interior paint, 149;
Dutch 36.

Column, 178; Corinthian, 172.

Congress Hall, Phila., 189.

Connecticut, 49, 269.

Cooper River, S.C., 96.

Cornice, 72, 108, 138, 233.

Coultas, Col. James, 139, 141.

630 :名無しの愉しみ:2019/03/28(木) 20:24:36.48 ID:???.net
おまえらコメントで遊んでるんじゃない

631 :名無しの愉しみ:2019/03/28(木) 20:24:59.87 ID:???.net
厳粛なるRfAの場を茶化した罪は重い

632 :名無しの愉しみ:2019/03/28(木) 20:25:17.11 ID:???.net
切干大根のくせしてセンスあるじゃねえか

633 :名無しの愉しみ:2019/03/28(木) 20:26:01.83 ID:???.net
英語版みたいでいいじゃないか<さわやかなごやか

634 :名無しの愉しみ:2019/03/28(木) 20:27:52.12 ID:???.net
切干大根、市井の人に唆され罠にハマったなw

635 :名無しの愉しみ:2019/03/28(木) 20:37:47.87 ID:???.net
“Country Builder’s Assistant”, 268, 269.

Country seats, 132.

Court House, Phila., 193, 194.

Craftsmanship, methods of, 80.

Croton-on-Hudson, N.Y., 24, 29, 243.

Croton River, 118.

Custom House, Salem, Mass., 192.


D

Dale, Sir Thomas, 86.

Damon, Capt. Isaac, 264.

Danish strain, 79.

Declaration of Independence, 183, 186.

636 :名無しの愉しみ:2019/03/28(木) 20:42:27.80 ID:???.net
よーし次は「ぱたごんです」が続け!

637 :名無しの愉しみ:2019/03/28(木) 20:47:40.93 ID:???.net
*市井の人(会話) 2019年3月28日 (木) 11:13 (UTC) - さわやかです。
*切干大根(会話) 2019年3月28日 (木) 11:18 (UTC) - なごやかです。

なんだこいつ

638 :名無しの愉しみ:2019/03/28(木) 20:52:52.50 ID:???.net
Deerfield, Mass., 107, 268.

DeLancey, 116.

Delaware, 4, 8, 74, 161, 195;
County, Pa., 61;
Georgian, 120, 121.

Door, 138, 143;
batten, 30;
divided, 30;
Dutch, 30;
house, 92, 96, 97.

Doorway, 140, 163, 169, 185;
Dutch, 35;
elaborate, 106;
plain, 106;
round arched, 109.

Dormer, 76;
sharp peaked, 89;
long, 89.

Drinker, Elizabeth, 196.

639 :名無しの愉しみ:2019/03/28(木) 20:53:52.07 ID:???.net
海獺と申します、と来てもいいぞ

640 :名無しの愉しみ:2019/03/28(木) 20:58:16.15 ID:???.net
>>587
違うね
潰した人数で決まるのさ

641 :名無しの愉しみ:2019/03/28(木) 20:59:29.94 ID:???.net
>>637
ここでミラブラが態度を批判するコメントを投稿すればいいのに

642 :名無しの愉しみ:2019/03/28(木) 21:01:52.86 ID:???.net
>637
両者にゲンコツ

643 :名無しの愉しみ:2019/03/28(木) 21:02:58.42 ID:???.net
[\w\s.,]{50,}
↑正規表現であぼーん登録推奨(数字はお好みで)

644 :名無しの愉しみ:2019/03/28(木) 21:04:42.17 ID:???.net
切干大根のせいで誰もコメントしなくなった

645 :名無しの愉しみ:2019/03/28(木) 21:05:07.44 ID:???.net
>>637
切干はともかく
市井はどうしてしまったんだ

646 :名無しの愉しみ:2019/03/28(木) 21:07:57.21 ID:???.net
Dummer house, Byfield, Mass., 107, 108.

Dutch, brick, 86;
Colonial type, 12 _et seq._, 29, 31, 115;
Colonial tradition, 115;
houses, characteristics of, 24 _et seq._;
houses in New Jersey and Long Island, 28;
of Hudson Valley, 21;
settlers on Delaware, 58.


E

“E” Plan, 48.

Earle, Alice Morse, 45, 210, 214.

Eaton, Governour Theophilus, 47;
house, 47;
inventory, 47.

Eaves, 27, 96, 138, 139;
flaring, 27.

647 :名無しの愉しみ:2019/03/28(木) 21:08:22.62 ID:???.net
この怪しさでピンとこないロアサもやばいね
ブロック破りと靴下の巣窟だよ、堕落したRfAだ

648 :名無しの愉しみ:2019/03/28(木) 21:09:27.89 ID:???.net
市井は実はd(・∀<)みたいな投票態度に憧れていたのかな
不良はカッコいい的な

649 :名無しの愉しみ:2019/03/28(木) 21:10:59.36 ID:???.net
>>645
すべてはココから

グッドラック。d(・∀<)--Yapparina(会話) 2019年3月16日 (土) 00:09 (UTC)

650 :名無しの愉しみ:2019/03/28(木) 21:11:06.30 ID:???.net
Yapparinaか!

651 :名無しの愉しみ:2019/03/28(木) 21:11:10.68 ID:???.net
クズですな

652 :名無しの愉しみ:2019/03/28(木) 21:12:10.21 ID:???.net
誰か反対入れて面白くしろ

653 :名無しの愉しみ:2019/03/28(木) 21:15:03.08 ID:???.net
やっぱりな

654 :名無しの愉しみ:2019/03/28(木) 21:16:26.62 ID:???.net
Miraburu (会話) 2019年3月28日 12:10 (UTC) にぎやかです。

655 :名無しの愉しみ:2019/03/28(木) 21:16:43.28 ID:???.net
テレポちゃん「がんばってね」

656 :名無しの愉しみ:2019/03/28(木) 21:21:26.28 ID:???.net
Miraburuは私怨にしか見えないな
私怨まるだしを恥じないのはプログラマリオぐらいだと思ってたが

657 :名無しの愉しみ:2019/03/28(木) 21:23:03.62 ID:???.net
Economic conditions and architecture, 101.

Eggleston, Edward, 9, 39.

Eggleston George Cary, 239.

Elderkin, John, 269.

Ellsworth, Oliver, 189.

Embury, Aymar, 28.

Empire, style, 12.

England, 100.

English, brick, 86;
spoken in America, 78.

Entablature, 108.

Entry, New England, 92.

Environment, 252.

658 :名無しの愉しみ:2019/03/28(木) 21:38:08.07 ID:???.net
Ephrata, Pa., 76.

Episcopalians, 125.

Esopus River, N.Y., 19.

Essex County, N.J., 15.


F

Fairfax County, Va., 221.

Fair Hill, Phila., 134.

Fairmount Park, Phila., 131, 141, 257.

Faneuil Hall, Boston, 183, 189, 190, 264.

Fan light, 142, 145.

Farm, buildings, 161;
houses, brick, 74;
houses, Dutch, 21.

659 :名無しの愉しみ:2019/03/28(木) 21:46:50.14 ID:???.net
2019年3月28日 (木) 12:32 Muyo (会話 | 投稿記録) が よしづかくん (会話 | 投稿記録) を無期限ブロックしました
(アカウント作成も禁止、自分の会話ページも編集禁止) (sockpuppet: 利用者:Ndesign-clubまたはその模倣)

順当に塞がれたか

660 :名無しの愉しみ:2019/03/28(木) 21:53:12.59 ID:???.net
Fatland, Montgomery Co., Pa., 151.

Field stone, 69.

Fireplace, 138, 146, 151;
Dutch, 34.

First Baptist, Providence, R.I., 263, 264.

Fitzhugh, William, 83, 91.

Flemish, bond, 137, 186, 221, 222, 225, 233;
scroll, 110, 186.

Forbes, General, 211.

Fort Nassau, N.J., 58.

Framing, 245.

Fraunce’s Tavern, N. Y. City, 116, 117, 192.

French, influence of, 166.

French Revolution, 12.

661 :名無しの愉しみ:2019/03/28(木) 21:58:31.64 ID:???.net
あだばなです。

662 :名無しの愉しみ:2019/03/28(木) 22:07:04.36 ID:???.net
おくすりです。

663 :名無しの愉しみ:2019/03/28(木) 22:08:12.02 ID:???.net
堕落は無風当選ぽいな

664 :名無しの愉しみ:2019/03/28(木) 22:08:16.74 ID:???.net
Frieze, 108.


G

Gable, 89, 139, 143, 163.

Galleting, 244.

Gallery, 209, 224, 225, 229, 230.

Gambrel, 97;
roof, 25, 26, 27, 75;
Southern, 90.

Gardens, Philadelphia, 128.

Georgian, architecture, definition of, 7, 8;
American phase, 154;
buildings, 220;
churches, 221;
churches of N. Y., 231;
influence, 10;
local adaptations, 102, 103;

665 :名無しの愉しみ:2019/03/28(木) 22:10:31.87 ID:???.net
おいしい豚肉は英語できるんじゃなかったの?
wikibrakeとか恥かしいw

666 :名無しの愉しみ:2019/03/28(木) 22:10:50.31 ID:???.net
ショーケン

速報注意

667 :名無しの愉しみ:2019/03/28(木) 22:11:37.96 ID:???.net
あら、一気に当落ラインに来た

668 :名無しの愉しみ:2019/03/28(木) 22:12:08.35 ID:???.net
誰かあと1票入れろ

669 :名無しの愉しみ:2019/03/28(木) 22:12:54.88 ID:???.net
>>666
1分間で9版更新w

670 :名無しの愉しみ:2019/03/28(木) 22:14:12.58 ID:???.net
>これまでの2度のブロック共に脊髄反射的に解除依頼を出していることを考慮し、
>その間の会話ページの編集禁止も検討すべきではと思われます。
>-- 狂々亭駄楽 2019年3月24日 (日) 16:11 (UTC)

こいつ馬鹿だろ
解除依頼なんてスルーしとけばいい
スルーで済むものを最初から塞ごうとするのは管理者としてはゴミ対応
直前で新幹線が会話禁止を主張してたからつられたんだろうな
アホ

671 :名無しの愉しみ:2019/03/28(木) 22:17:57.94 ID:???.net
>>669
速報で没日を28日にセットしてそのあと間違いだと気付き26にセットし直す
速報廚は処刑せねば

672 :名無しの愉しみ:2019/03/28(木) 22:23:20.83 ID:???.net
Middle Colonies types, 146, 188;
mode, beginning, 102;
mode, character of, 99, 100, 103, 105, 106, 109, 110, 112, 113, 114;
New England, 157;
period, 120;
Philadelphia, 128, 129, 130, 154;
Southern, 156;
Southern, character of, 162;
tradition, 190, 228;
types, 149.

German, principalities, 100;
sects, 207.

Germans, 60;
character of settlers, 63;
influence of, 71, 72;
as farmers, 65, 66;
settlers, 62, 63;
Pennsylvania, 74.

Germantown, Phila., 63, 148;
Road, 71;
stone, 143.

673 :名無しの愉しみ:2019/03/28(木) 22:33:52.59 ID:???.net
堕落の作成記事削除依頼に出したの
おいしい豚肉のログアウト=真珠だろ

674 :名無しの愉しみ:2019/03/28(木) 22:38:28.39 ID:???.net
Gibbon, Grinling, 110.

Gibbs, James, 119, 148, 230, 271.

Glass, 249.

Gloria Dei, Phila., 224.

Gloucester Point, N.J., 58.

Graeme Park, Horsham, Pa., 69, 93, 106, 126, 135-138, 146, 149, 188.

Grange, the, Montgomery Co., Pa., 134.

Greek Revival, _v._ Classic Revival, 165.

Greene, John, 264.

Greenfield, Mass., 268.

Green Spring, Va., 87, 91.

Grosvenor Road, Westminster, London, 106.

Grumblethorpe, Germantown, Phila., 134.

675 :名無しの愉しみ:2019/03/28(木) 22:38:57.24 ID:???.net
いやいやいや、今回のRfAの候補者によく分からない賛成票が入ってるのだが
反対する人が1人もいないというw

676 :名無しの愉しみ:2019/03/28(木) 22:46:52.03 ID:???.net
誰かあと1票反対入れてくれ

677 :名無しの愉しみ:2019/03/28(木) 22:49:53.34 ID:???.net
おいしい豚肉ってなんだっけ、ムーンなんとかだかとやりあってた記憶

678 :名無しの愉しみ:2019/03/28(木) 22:51:11.19 ID:???.net
おいしい棒肉なら僕の肛門にも心あたりがあるのですが。

679 :名無しの愉しみ:2019/03/28(木) 22:53:37.27 ID:???.net
Gunston Hall, Va., 162.


H

Hadley, Mass., 107.

Half-timber, 85;
methods, 51.

Hall, 91, 92, 138, 140;
central, 96;
great, 92.

Hamilton, Honourable Andrew, 134, 260, 262.

Hamilton, William, 145.

Harrison, Peter, 192, 271.

Harriton, Bryn Mawr, Pa., 69.

Harvard College, Cambridge, Mass., 191, 272.

680 :名無しの愉しみ:2019/03/28(木) 22:54:56.78 ID:???.net
豚肉、だらくは会話ページ禁止の検討を提案しただけで主張していないのですが・・・これがいわゆる捏造による印象操作というやつなのですね

681 :名無しの愉しみ:2019/03/28(木) 22:57:12.98 ID:???.net
スカ1引退したのではないのか

682 :名無しの愉しみ:2019/03/28(木) 23:00:16.18 ID:???.net
>>659
むしろ遅いくらいだ

683 :名無しの愉しみ:2019/03/28(木) 23:01:59.88 ID:???.net
>>659
本人はバレないと思っていたんだろうな〜

684 :名無しの愉しみ:2019/03/28(木) 23:08:41.48 ID:???.net
Hatfield, Mass., 107.

Haverford, Pa., 61.

Hayward, Nicholas, 83.

Hempstead, L.I., 16.

Henrico, Va., 86, 88, 91.

Henry VIII, 101.

Highlands, the, Whitemarsh Valley, Pa., 134, 144, 148, 150-152.

Hingham, Mass., 232, 234.

Hoban, James, 177, 274.

Hoffmann house, Kingston-on-Hudson, N.Y., 25.

Holland, 16, 22, 100, 148.

Hood, overdoor, 70.

Hope Lodge, Whitemarsh Valley, Pa., 69, 93, 106, 135, 137, 188.

685 :名無しの愉しみ:2019/03/28(木) 23:08:52.19 ID:???.net
真珠キター

686 :名無しの愉しみ:2019/03/28(木) 23:11:56.38 ID:???.net
これで面白くなった
次も反対に入れてくれ

687 :名無しの愉しみ:2019/03/28(木) 23:11:58.06 ID:???.net
Wikipedia:管理者への立候補/狂々亭駄楽/20190321

賛成:9
反対:3

まだどうなるか分からない

688 :名無しの愉しみ:2019/03/28(木) 23:15:30.79 ID:???.net
ミラブルも何かコメントしろよ
ただの腹いせみたいじゃないか

689 :名無しの愉しみ:2019/03/28(木) 23:19:30.69 ID:???.net
>>688

ただの腹いせだろこれの

>狂々亭駄楽(Daraku K.) 2019年3月19日 (火) 21:55 (UTC) - 申し訳ありませんが反対票とさせていただきます。
>時にMiraburuさんは自身の熱意が空回りしているような場面があるように思います。
>今年1月から2月にかけての複数のベテラン管理者との諍いの件やある投稿ブロック依頼の票撤回などが例として挙げられます。
>それらの件を踏まえ、今後管理者という立場となった場合、常に冷静に権限を行使できるか些か不安な面があると思い、反対票とさせていただきました。
>特に今回の立候補期間中に未許可のBotでトラブルを起こしてしまったのは少なからずマイナス点となったしまったのは否めません。

690 :名無しの愉しみ:2019/03/28(木) 23:23:36.45 ID:???.net
Miraburuの評価が下がっていく・・・!

691 :名無しの愉しみ:2019/03/28(木) 23:25:04.64 ID:???.net
もう1票反対入れてくれ

692 :名無しの愉しみ:2019/03/28(木) 23:26:53.06 ID:???.net
MiraburuとMirinanoはよく似ている

693 :名無しの愉しみ:2019/03/28(木) 23:29:25.86 ID:???.net
Mira何とかいう暴言屋がいたような

694 :名無しの愉しみ:2019/03/28(木) 23:29:57.11 ID:???.net
カスリオ反対

695 :名無しの愉しみ:2019/03/28(木) 23:35:06.10 ID:???.net
Au lecteur.

Ce livre reproduit int&#233;gralement le texte original, et
l’orthographe d’origine a &#233;t&#233; conserv&#233;e. Cependant quelques
erreurs typographiques ont &#233;t&#233; corrig&#233;es. La liste de ces
corrections se trouve &#224; la fin du texte. Les corrections
indiqu&#233;es dans l'Errata ont &#233;galement &#233;t&#233; apport&#233;es, et la
ponctuation a fait l'objet de quelques corrections mineures.

Les notes de bas de page ont &#233;t&#233; renum&#233;rot&#233;es cons&#233;cutivement
et plac&#233;es &#224; la fin de chaque chapitre ou section.

Les parties de texte en gras dans l'original sont repr&#233;sent&#233;es
=ainsi=.




&#201;TUDE

SUR

LES MALADIES &#201;TEINTES

ET

696 :名無しの愉しみ:2019/03/28(木) 23:40:06.26 ID:???.net
スカのコメント響かんね
誰でもいいってわけじゃないからな

697 :名無しの愉しみ:2019/03/28(木) 23:40:06.70 ID:???.net
ミラブル君はむきげんぶろっくに突き進んでると思わんか

698 :名無しの愉しみ:2019/03/28(木) 23:41:38.05 ID:???.net
ミラブルさん、どうやったら、15分ごとに自動で5chに英文を投稿できるのですか。
是非お教えください。

699 :名無しの愉しみ:2019/03/28(木) 23:44:53.66 ID:???.net
つくえのうえにかみをようい

700 :名無しの愉しみ:2019/03/28(木) 23:45:53.40 ID:???.net
このままでは狂々亭駄楽が管理者になってしまう
いいのかこれで?

701 :名無しの愉しみ:2019/03/28(木) 23:47:07.62 ID:???.net
アカウント取得後2年の新人が偉そうなこと言ってるなあ

利用者:Scarlet 1

702 :名無しの愉しみ:2019/03/28(木) 23:48:22.73 ID:???.net
利用者:Scarlet 1

あ、いちいち監視していただかなくて結構です。

703 :名無しの愉しみ:2019/03/28(木) 23:48:59.23 ID:???.net
>>701
生まれ変わりやろ

704 :名無しの愉しみ:2019/03/28(木) 23:50:12.04 ID:???.net
LES MALADIES NOUVELLES




PRINCIPALES PUBLICATIONS DU M&#202;ME AUTEUR


Toxicologie g&#233;n&#233;rale r&#233;dig&#233;e sur les notes du professeur Joseph
Anglada, et accompagn&#233;e d’un tableau toxicologique pour servir &#224;
la recherche analytique des poisons. 1835, in-8, 356 pages.

&#201;tude sur les sp&#233;cifiques d’affections et les sp&#233;cifiques
d’organes. 1843.

Contagion de la morve des solip&#232;des &#224; l’homme. 1845.

De la pathog&#233;nie de l’inflammation et de son application &#224; la
th&#233;rapeutique de cette maladie (th&#232;se de concours. 1849, in-8,
113 pag).

Quels sont les avantages de la connaissance de l’histoire de la
m&#233;decine pour la m&#233;decine elle-m&#234;me (th&#232;se de concours. 1850,
in-8, 183 pages).

705 :名無しの愉しみ:2019/03/28(木) 23:52:02.29 ID:???.net
誰か反対しといて
俺はあさってに反対する

706 :名無しの愉しみ:2019/03/28(木) 23:53:12.55 ID:???.net
スカの49件分の履歴、なんという汚なさ

707 :名無しの愉しみ:2019/03/28(木) 23:55:28.32 ID:???.net
スカトロレット1

汚い

708 :名無しの愉しみ:2019/03/29(金) 00:05:16.66 ID:???.net
Trait&#233; de la contagion pour servir &#224; l’histoire des maladies
contagieuses et des &#233;pid&#233;mies. 1853. 2 volumes in-8.

De la pathologie, de son objet, de son but et de ses principes.
1853.

De l’heureuse influence de la civilisation sur la fr&#233;quence des
maladies populaires. 1854.

De l’importance d’une bonne doctrine m&#233;dicale pour la
th&#233;rapeutique. 1856.

De la pr&#233;tendue d&#233;g&#233;n&#233;rescence physique et morale de l’esp&#232;ce
humaine, d&#233;termin&#233;e par le vaccin. 1856.

Des causes en m&#233;decine. 1857.

Du vitalisme de Montpellier. 1858.

De la maladie et de l’affection morbide. 1859.

Notice sur la biblioth&#232;que de la Facult&#233; de m&#233;decine de
Montpellier pour servir &#224; l’histoire de cette Facult&#233;. 1859.

709 : :2019/03/29(金) 00:09:32.89 ID:???.net
>>673
私以外の誰だと思ったんですか?

710 :名無しの愉しみ:2019/03/29(金) 00:20:21.94 ID:???.net
IMPRIMERIE L. TOINON ET C&#7497;, A SAINT-GERMAIN.




&#201;TUDE

SUR LES

MALADIES &#201;TEINTES

ET LES

MALADIES NOUVELLES

POUR SERVIR

A L’HISTOIRE DES &#201;VOLUTIONS S&#201;CULAIRES DE LA PATHOLOGIE

PAR
CHARLES ANGLADA

PROFESSEUR DE PATHOLOGIE M&#201;DICALE A LA FACULT&#201; DE MONTPELLIER
MEMBRE FONDATEUR DE L’ACAD&#201;MIE DES SCIENCES ET LETTRES DE LA

711 :名無しの愉しみ:2019/03/29(金) 00:34:31.87 ID:???.net
Yassieはブレないなあ

712 :名無しの愉しみ:2019/03/29(金) 00:35:26.55 ID:???.net
M&#202;ME VILLE CORRESPONDANT DU COMIT&#201; DES TRAVAUX HISTORIQUES ET
DES SOCI&#201;T&#201;S SAVANTES DE LA SOCI&#201;T&#201; IMP&#201;RIALE DE M&#201;DECINE DE
MARSEILLE DE LA SOCI&#201;T&#201; M&#201;DICALE DU D&#201;PARTEMENT D’INDRE-ET-LOIRE
DE L’ACAD&#201;MIE DE CHIRURGIE DE MADRID, ETC.

&#171;Il est certain que des maladies nouvelles
apparaissent et que des maladies anciennes
s’&#233;teignent. S’il y a une g&#233;ographie pour la
Pathologie, il y a aussi une chronologie.&#187;

(LITTR&#201;, trad. d’Hippocrate, t. V, p. 507.)

&#171;Pourquoi n’y aurait-il pas des maladies
historiques, comme il y a des animaux et des
v&#233;g&#233;taux fossiles? Pourquoi ne pourrait-il
pas na&#238;tre, sous l’influence de circonstances
passag&#232;res, des maladies nouvelles et
passag&#232;res, comme il na&#238;t des vari&#233;t&#233;s
nouvelles d’animaux et de plantes?&#187;

(CH. B&#338;RSCH, _de la Mortalit&#233; &#224; Strasbourg_,
p. 96, 1836.)


PARIS

713 : :2019/03/29(金) 00:39:09.17 ID:???.net
ヤシーさんが反対したので
これからは賛成を入れますね

714 :名無しの愉しみ:2019/03/29(金) 00:39:47.51 ID:???.net
面白くなってきたな、これでこそRfAよ

715 :名無しの愉しみ:2019/03/29(金) 00:44:50.58 ID:???.net
管理者権限なんもっと気軽に与えて気軽に剥奪すればええのに
変すぎるのを弾く程度でええやんって思うんやけどね

enだと反対に10票即詰みされるとWP:SNOWで早期終了とかもあって笑える

716 :名無しの愉しみ:2019/03/29(金) 00:49:38.60 ID:???.net
ヤシーの反対理由も相変わらずだなw

717 :名無しの愉しみ:2019/03/29(金) 00:50:30.52 ID:???.net
J.-B. BAILLI&#200;RE ET FILS

LIBRAIRES DE L’ACAD&#201;MIE IMP&#201;RIALE DE M&#201;DECINE
rue Hautefeuille, 19, pr&#232;s le boulevard Saint-Germain

LONDRES | MADRID
HIPP. BAILLI&#200;RE | C. BAILLY-BAILLI&#200;RE

1869

Tous droits r&#233;serv&#233;s.




A LA M&#201;MOIRE DE MON P&#200;RE

JOSEPH ANGLADA

PROFESSEUR A LA FACULT&#201; DE M&#201;DECINE DE MONTPELLIER DOYEN ET
PROFESSEUR A LA FACULT&#201; DES SCIENCES DE LA M&#202;ME VILLE
ETC., ETC., ETC.

718 :名無しの愉しみ:2019/03/29(金) 00:56:54.81 ID:???.net
もう最近ほとんどRfAで通らなくなって来ちゃってるじゃん

719 :名無しの愉しみ:2019/03/29(金) 00:57:31.77 ID:???.net
Yassie の言うことは正論かと
くるくる亭堕落は自警に過ぎないんだよね

720 :名無しの愉しみ:2019/03/29(金) 01:05:43.97 ID:???.net
PR&#201;FACE


Ce livre n’est qu’une &#233;tude: j’esp&#232;re que les exigences de la critique
ne d&#233;passeront pas la mesure de mes pr&#233;tentions.

La nature de mon sujet m’a impos&#233; de longues et minutieuses recherches.
D&#232;s mes premiers pas, je me suis assur&#233; que les auteurs ont perp&#233;tu&#233;,
en se copiant, des erreurs accept&#233;es sans contr&#244;le, et je n’ai rien
n&#233;glig&#233; pour &#233;chapper &#224; ce reproche. Bien d&#233;cid&#233; &#224; tout voir par
moi-m&#234;me, j’ai rejet&#233; les mat&#233;riaux de seconde main, et j’ai toujours
puis&#233; aux sources. Toutes les fois que la fid&#233;lit&#233; d’une traduction m’a
paru suspecte, je l’ai refaite, et ce n’a pas &#233;t&#233; la partie la moins
ingrate de ma t&#226;che. J’ai tenu, par-dessus tout, &#224; mettre entre les
mains de mon lecteur, des pi&#232;ces justificatives dignes de sa confiance.

En exprimant les opinions que j’ai cru devoir adopter, je me suis
fait une loi d’&#233;viter toute affirmation trop absolue. La mobilit&#233; du
terrain de la discussion, la diversit&#233; des points de vue, le contraste
ou l’incertitude des interpr&#233;tations d&#233;battues, seront l’excuse de ma
r&#233;serve. Quand j’ai pris la plume, je me suis bien promis de ne pas
oublier &#171;qu’il est dans la destin&#233;e de certaines questions de rester
des questions[1].&#187;

721 :名無しの愉しみ:2019/03/29(金) 01:06:30.38 ID:???.net
ヤシーのは[[:en:WP:NOTQUITEYET]]ってことやね

722 :名無しの愉しみ:2019/03/29(金) 01:06:53.76 ID:???.net
>市井の人(会話) 2019年3月28日 (木) 11:13 (UTC) - さわやかです。
>切干大根(会話) 2019年3月28日 (木) 11:18 (UTC) - なごやかです。



723 :名無しの愉しみ:2019/03/29(金) 01:08:29.74 ID:???.net
>>722
やしーの正論の前に恥晒しの大馬鹿だな

724 :名無しの愉しみ:2019/03/29(金) 01:09:09.84 ID:???.net
ピンクパスタンも本当の馬鹿よな

725 :名無しの愉しみ:2019/03/29(金) 01:10:26.57 ID:???.net
現在
賛成11
反対4
信任率73%

726 :名無しの愉しみ:2019/03/29(金) 01:11:37.16 ID:???.net
賛成来る前にあと1人反対が欲しい

727 :名無しの愉しみ:2019/03/29(金) 01:12:33.87 ID:???.net
均衡した状態で楽しむには反対先行が面白い

728 :名無しの愉しみ:2019/03/29(金) 01:16:25.84 ID:???.net
堕落が管理者になったら日本語版は終わりだね

729 :名無しの愉しみ:2019/03/29(金) 01:17:31.75 ID:???.net
>>728
終わった方が良くね?

730 :名無しの愉しみ:2019/03/29(金) 01:18:19.99 ID:???.net
Wikipedia:管理者への立候補/狂々亭駄楽/20190321

賛成 12
反対 4

信任率 75%

731 :名無しの愉しみ:2019/03/29(金) 01:20:36.17 ID:???.net
>投票期間が終了した時点で、10票以上かつ有効投票の内4分の3以上の賛成票を得た場合に候補者は信任されます。

今のところ信任可能性大

732 :名無しの愉しみ:2019/03/29(金) 01:20:49.06 ID:???.net
Pline pr&#233;tend que l’histoire pla&#238;t de quelque fa&#231;on qu’elle soit
&#233;crite: &#171;_Historia quoquo modo scripta delectat_.&#187; Si tout le monde
pensait de m&#234;me, je serais sans inqui&#233;tude sur l’accueil qui m’attend;
mais j’ai de fortes raisons pour &#234;tre moins rassur&#233;.

On ne peut se dissimuler que l’histoire a perdu une grande partie de
son prestige. La m&#233;decine actuelle se vante d’oublier son pass&#233;, et de
sacrifier au pr&#233;sent l’h&#233;ritage qu’elle en a re&#231;u. Son id&#233;al est de
mettre l’observation des faits contemporains &#224; la place des &#171;_fables
traditionnelles_&#187; (le mot n’est pas de moi) qui ont berc&#233; la na&#239;ve
cr&#233;dulit&#233; de nos p&#232;res.

Je n’essaierai pas de d&#233;sarmer des pr&#233;ventions qu’on &#233;l&#232;ve &#224; la hauteur
d’un principe. Je r&#233;clamerai seulement contre le d&#233;dain irr&#233;fl&#233;chi d’un
moyen d’&#233;tude, dont l’utilit&#233; me para&#238;t trop manifeste dans certains
cas, pour &#234;tre m&#233;connue.

La question que je traite, ne peut &#234;tre &#233;videmment &#233;clair&#233;e et r&#233;solue
que par l’histoire. Elle seule contient la r&#233;v&#233;lation de cet aspect
particulier de la pathologie, que l’observation, renferm&#233;e dans les
limites d’un temps et d’un pays, n’aurait jamais soup&#231;onn&#233;.

Si les anamnestiques ou les ant&#233;c&#233;dents des sujets forment un des
&#233;l&#233;ments les plus pr&#233;cieux, et souvent m&#234;me, l’&#233;l&#233;ment d&#233;cisif du

733 :名無しの愉しみ:2019/03/29(金) 01:30:37.74 ID:???.net
プログラムは京大出身の超エリートだからな

734 :名無しの愉しみ:2019/03/29(金) 01:32:05.08 ID:???.net
[[利用者:人ちゃ]]
くっさ

735 :名無しの愉しみ:2019/03/29(金) 01:33:29.00 ID:???.net
また靴下野郎プログラムかよ

736 :名無しの愉しみ:2019/03/29(金) 01:34:09.65 ID:???.net
自称超エリート様の作成記事をチェックしてみろ

737 :名無しの愉しみ:2019/03/29(金) 01:35:53.90 ID:???.net
diagnostic des maladies individuelles, les anamnestiques des soci&#233;t&#233;s
humaines, dans l’&#233;volution de leur vie collective, ne sont pas
moins n&#233;cessaires pour d&#233;terminer le caract&#232;re de leur constitution
pathologique, et les changements qu’elle a subis par l’action des
si&#232;cles. C’est de ces rapprochements historiques, recueillis depuis les
&#233;poques les plus lointaines jusqu’&#224; nos jours, qu’est sorti ce grand
fait des maladies &#233;teintes et des maladies nouvelles dont il me para&#238;t
difficile de nier l’int&#233;r&#234;t et l’importance, &#224; moins d’une indiff&#233;rence
pr&#233;con&#231;ue qui &#233;quivaudrait &#224; un d&#233;ni de justice.


En 1850, le hasard des concours m’appela &#224; d&#233;fendre l’histoire de la
m&#233;decine contre les attaques qui la discr&#233;ditent[2]. Tout ce qu’il
m’est permis de dire, c’est que j’apportai dans l’ex&#233;cution forc&#233;ment
rapide de ma t&#226;che, la chaleur d’une conviction de longue date, et
je serais heureux si l’ouvrage que je publie, renfor&#231;ait d’un nouvel
argument la th&#232;se que j’ai soutenue.

L’Histoire qui comprend toute la dignit&#233; de son r&#244;le, occupe, n’en
d&#233;plaise &#224; ses d&#233;tracteurs, un rang &#233;lev&#233; dans l’Encyclop&#233;die m&#233;dicale.
Mais la valeur des services qu’elle peut rendre est subordonn&#233;e au
caract&#232;re de la philosophie qui l’inspire. Si elle se borne &#224; une
simple exposition chronologique, elle r&#233;tr&#233;cit gratuitement son
domaine. En d&#233;roulant &#224; nos yeux le fleuve du pass&#233;, en d&#233;crivant
les sinuosit&#233;s et les accidents de son cours, elle doit dire aussi,

738 :名無しの愉しみ:2019/03/29(金) 01:38:21.32 ID:???.net
>>719 >>722
ちっとも正論じゃねーよ
ただの偏狭な執筆加筆至上主義じゃねーか

739 :名無しの愉しみ:2019/03/29(金) 01:39:07.04 ID:???.net
>>738
つまり自警は管理者になるべきと

740 :名無しの愉しみ:2019/03/29(金) 01:39:13.19 ID:???.net
>>738
「で、あんたは最近まともな貢献してんの?」って言ってやりたいわ

741 :名無しの愉しみ:2019/03/29(金) 01:41:47.23 ID:???.net
次は反対に入れよう

742 :名無しの愉しみ:2019/03/29(金) 01:42:07.94 ID:???.net
ヤシーの投稿履歴偏重と質疑応答軽視に対して米炊く奴はおらんのかね

743 :名無しの愉しみ:2019/03/29(金) 01:46:39.33 ID:???.net
心配しなくても信任なんてされないから
まともな管理者はほぼ全員反対でしょ
信任しそうなら管理者が反対投じるから大丈夫

744 :名無しの愉しみ:2019/03/29(金) 01:49:13.54 ID:???.net
>>742
成果偏重と精神論軽視に対してもな

745 :名無しの愉しみ:2019/03/29(金) 01:49:42.90 ID:???.net
市井はなんだあのコメント
こいつそろそろどうにかしないと
切干レベルのゴミじゃねーか

746 :名無しの愉しみ:2019/03/29(金) 01:50:58.28 ID:???.net
quelle est la nature du mouvement qui l’entra&#238;ne, et quel est le but
o&#249; il tend, au milieu des obstacles qui ralentissent sa marche ou en
troublent momentan&#233;ment la direction.

Ce n’est pas le lieu, je le regrette, de d&#233;velopper des consid&#233;rations
que je ne fais qu’indiquer. Je ne d&#233;passerai pas cependant les bornes
d’une pr&#233;face, en disant, sans d&#233;tour, ma pens&#233;e, sur ce parti pris
d’abaisser les vieux ma&#238;tres et leurs immortels &#233;crits, sur cette
ingratitude affich&#233;e pour ceux qui ont parcouru la carri&#232;re avant
nous, et nous ont pass&#233; le flambeau.

Effacer l’aur&#233;ole des grands noms qui personnifient, dans la succession
des &#226;ges, l’ordre scientifique dont on a jur&#233; la perte; proscrire les
&#339;uvres consacr&#233;es par la sagesse des si&#232;cles: tel a toujours &#233;t&#233; le mot
d’ordre des r&#233;formes.

Lorsqu’on s’est appropri&#233; le programme exp&#233;ditif de Bacon:
&#171;_Instauratio facienda est ab imis fundamentis_,&#187; la logique prescrit
de porter hardiment le marteau sur le vieil &#233;difice, et de d&#233;blayer le
sol des d&#233;bris vermoulus qui l’encombrent. On avisera plus tard au plan
de la construction nouvelle qui doit s’&#233;lever sur ces ruines: &#171;_Campos
ubi Troja fuit_.&#187;

L’Histoire nous montre cette entreprise dans bien des pages de ses
annales; il n’y a de chang&#233; que le nom des acteurs et les couleurs de

747 :名無しの愉しみ:2019/03/29(金) 01:51:27.98 ID:???.net
カイルとはどなたですか?

748 :名無しの愉しみ:2019/03/29(金) 01:53:39.96 ID:???.net
>>742 >>744
まず極度のアメリカかぶれと日本文化軽視に対してだな

749 :名無しの愉しみ:2019/03/29(金) 01:55:35.83 ID:???.net
反対するのは英雄

750 :名無しの愉しみ:2019/03/29(金) 01:59:22.60 ID:???.net
一度ちゃんと聞こうと思っていたことがある

751 :名無しの愉しみ:2019/03/29(金) 02:07:36.22 ID:???.net
なんだ

752 :名無しの愉しみ:2019/03/29(金) 02:12:37.46 ID:???.net
ピンクパステルはどの面下げて投票してんだ

753 :名無しの愉しみ:2019/03/29(金) 02:13:34.65 ID:???.net
なぜだ

754 :名無しの愉しみ:2019/03/29(金) 02:15:20.84 ID:???.net
好き好き大好き

755 :名無しの愉しみ:2019/03/29(金) 02:22:48.96 ID:???.net


756 :名無しの愉しみ:2019/03/29(金) 02:26:29.98 ID:???.net
さわやかです。

757 :名無しの愉しみ:2019/03/29(金) 02:27:44.81 ID:???.net
なごやかです。

758 :名無しの愉しみ:2019/03/29(金) 02:43:28.40 ID:???.net
「さわやか」だの「なごやか」だの
意味不明なコメントで賛成する連中ばっかりだな・・・
このまま信任してしまって良いの?

759 :名無しの愉しみ:2019/03/29(金) 02:48:42.64 ID:???.net
>>742
堕落おつ

760 :名無しの愉しみ:2019/03/29(金) 02:51:15.00 ID:???.net
guider vers les r&#233;gions d’une philosophie plus tol&#233;rante.

Restons de notre si&#232;cle, rien de mieux; mais gardons-nous de l’isoler,
comme une de ces &#238;les flottantes qui surgissent tout &#224; coup du sein
des eaux. Au lieu de proclamer entre les Anciens et les Modernes un
st&#233;rile et &#233;nervant antagonisme, unissons-les franchement par cette
indissoluble et f&#233;conde alliance, tant d&#233;sir&#233;e par Baglivi: &#171;_Quoad
fieri potest, perpetuo jungendi f&#339;dere_.&#187; Puisque, apr&#232;s tout, &#171;on est
toujours le fils de quelqu’un&#187; renon&#231;ons d&#233;sormais &#224; la pr&#233;tention
inou&#239;e d’&#233;luder la loi commune.

Il n’y a qu’un moyen de nous assurer que nous avan&#231;ons: c’est de savoir
d’o&#249; nous venons et o&#249; nous sommes. Faute de cette pr&#233;caution, indiqu&#233;e
par le bon sens, ceux qui ont toujours &#224; la bouche ce grand mot de
progr&#232;s &#171;_Os magna sonaturum_,&#187; s’exposent &#224; n’&#234;tre que stationnaires
ou r&#233;trogrades.

Ambroise Par&#233; nous compare &#224; &#171;l’enfant qui est sur le col du g&#233;ant.&#187;
Cette similitude souvent rappel&#233;e est un trait de lumi&#232;re. Montons sur
les &#233;paules de nos devanciers pour &#233;tendre notre horizon et contempler
ce qu’ils n’ont pu voir. C’est ainsi que la m&#233;decine reculera ses
fronti&#232;res, et enrichira son empire sans &#233;branlement, sans r&#233;volution
nouvelle. Et quand elle dressera l’inventaire pacifique de ses
conqu&#234;tes, elle se fera honneur de rendre loyalement aux hommes et aux
id&#233;es de tous les temps, la justice qui leur est due.

761 :名無しの愉しみ:2019/03/29(金) 02:52:00.40 ID:???.net
プログラムはコメントで椰子を名指ししたのか
例の質問が利用者ノートに飛んでくるかもなw

762 :名無しの愉しみ:2019/03/29(金) 03:06:18.55 ID:???.net
Montpellier, le 9 d&#233;cembre 1868.

NOTES:

[1] L. Peisse, _De la m&#233;decine et des m&#233;decins_, 1857, t. I, p.
204.

[2] Ch. Anglada, _Quels sont les avantages de la connaissance
de l’histoire de la m&#233;decine pour la m&#233;decine elle-m&#234;me?_ Th&#232;se
de concours pour la chaire de pathologie et de th&#233;rapeutique
g&#233;n&#233;rales. Montpellier, 1850, 183 pages.




INTRODUCTION


Une opinion tr&#232;s-r&#233;pandue parmi les m&#233;decins, admet l’invariabilit&#233; de
la pathologie.

Toutes les maladies qui ont exist&#233; ou qui &#233;clatent autour de nous sont
rapport&#233;es &#224; des types arr&#234;t&#233;s et pr&#233;con&#231;us, et doivent rentrer bon gr&#233;
mal gr&#233; dans les cadres &#233;tablis par les nosologistes.

763 :名無しの愉しみ:2019/03/29(金) 03:06:42.06 ID:???.net
>>761
その質問されて一番困るの最近ろくな編集してないヤシーのほうじゃないの?
真珠さん会話ページに凸してきてよ

764 :名無しの愉しみ:2019/03/29(金) 03:17:09.32 ID:???.net
阿久津は悪魔 

765 :名無しの愉しみ:2019/03/29(金) 03:18:47.37 ID:???.net
阿久悠は天使

766 :名無しの愉しみ:2019/03/29(金) 03:21:23.48 ID:???.net
L’histoire et l’observation protestent &#224; l’envi contre ce pr&#233;jug&#233;, et
voici ce qu’elles enseignent:

A des maladies qui ont disparu et dont on ne retrouve le souvenir que
dans les archives de la science, succ&#232;dent d’autres maladies, inconnues
de la g&#233;n&#233;ration contemporaine, et qui viennent, pour la premi&#232;re fois,
faire valoir leurs titres.

En d’autres termes, il y a des maladies _&#233;teintes_ et des maladies
_nouvelles_.

Je connais la t&#233;nacit&#233; des pr&#233;ventions de doctrine, et je n’ose
esp&#233;rer que ce livre soit pour mes lecteurs, comme il l’est pour
moi, la d&#233;monstration du grand fait pathologique que j’&#233;nonce. Quoi
qu’il advienne, je n’ai pas cess&#233; en l’&#233;crivant de m’appliquer cette
r&#233;flexion de La Bruy&#232;re: &#171;Il faut chercher surtout &#224; penser et &#224;
parler juste, sans vouloir amener les autres &#224; notre go&#251;t et &#224; nos
sentiments: c’est une trop grande entreprise[3].&#187;


Pour poser nettement les termes de la question, &#233;cartons d&#232;s &#224; pr&#233;sent
un malentendu qui pourrait en fausser le sens.

Les maladies se forment de deux mani&#232;res: par _r&#233;action_ et par

767 :名無しの愉しみ:2019/03/29(金) 03:36:31.49 ID:???.net
_affection_. La confusion de ces modes pathog&#233;niques a &#233;t&#233; le vice
radical de la doctrine de Broussais.

Les maladies _r&#233;actives_ sont celles dont le premier ph&#233;nom&#232;ne est un
acte morbide qui r&#233;pond imm&#233;diatement &#224; une impression malfaisante
venue du dehors. Leurs sympt&#244;mes varient au gr&#233; des agents qui les
provoquent et sont en rapport, sauf exceptions, avec la nature de
l’impression ressentie et l’&#233;tendue du dommage qui en a &#233;t&#233; la suite.
Enfin, ils sont li&#233;s si intimement &#224; leur cause initiale, qu’il d&#233;pend
de nous de les produire &#224; volont&#233;, sous la r&#233;serve des contingences
vitales.

Par opposition, les maladies _affectives_ repr&#233;sentent un &#233;tat morbide
g&#233;n&#233;ral pr&#233;par&#233; de longue main, et qui tient sous sa d&#233;pendance les
localisations &#233;ventuelles. Leur origine la plus commune est dans des
causes obscures, insaisissables. On ne peut d&#233;terminer leur rapport
avec les influences morbides ordinaires. Il faut donc que l’activit&#233;
vivante ait en elle-m&#234;me la raison suffisante du changement qui s’est
op&#233;r&#233; dans l’&#233;tat normal des fonctions et des organes. C’est ce qu’on
exprime en disant que ces maladies sont _spontan&#233;es_, ou r&#233;ductibles &#224;
une modification insolite de la vie hygide, sans le concours apparent
d’une cause ext&#233;rieure.

Un grand nombre d’affections spontan&#233;es sont _sp&#233;cifiques_ (_speciem
facere_). Leur nature est incompr&#233;hensible et se refuse &#224; toute th&#233;orie

768 :名無しの愉しみ:2019/03/29(金) 03:42:05.72 ID:???.net
俺のいない5年くらいの間にHOPE追放騒動って面白い事件があったんだな
履歴や当時のスレを追って笑ったわ

769 :名無しの愉しみ:2019/03/29(金) 03:51:35.36 ID:???.net
rationnelle. On en a la notion empirique sans pouvoir s’en faire
l’id&#233;e. Ces maladies traduisent le plus haut degr&#233; de l’individualit&#233;
morbide, et le cachet original qu’elles portent les distingue nettement
de toutes les autres. Elles sont incommutables, ce qui signifie
qu’elles ne peuvent se transformer en une autre maladie. Leurs
traits essentiels persistent malgr&#233; les modificateurs externes. Quoi
qu’on en ait dit dans ces derniers temps, elles peuvent se passer de
provocations sp&#233;cifiques, puisqu’on les voit souvent appara&#238;tre sans
qu’on parvienne &#224; d&#233;couvrir l’action pr&#233;alable d’un stimulus appropri&#233;.

Le dogme de la spontan&#233;it&#233; est en flagrante contradiction avec la
doctrine qui place dans le monde ext&#233;rieur l’origine de tous nos maux.
On a tent&#233; de le discr&#233;diter en l’accusant d’&#233;tablir l’existence de
maladies _sans cause_!

Il faut &#234;tre bien pauvre d’arguments s&#233;rieux pour pr&#234;ter une absurdit&#233;
pareille &#224; une doctrine antipathique.

Quand nous disons qu’une maladie est spontan&#233;e, nous ne pr&#233;tendons pas
affirmer, pour tous les cas et d’une mani&#232;re absolue, qu’aucun facteur
externe n’a pris part &#224; sa production. La vie, telle qu’elle nous
appara&#238;t dans sa manifestation organique, implique une relation plus ou
moins intime entre le m&#233;canisme qu’elle met en jeu et certains agents
modificateurs. Mais il reste toujours vrai qu’on chercherait vainement
dans les agressions ext&#233;rieures la cause prochaine des maladies

770 :名無しの愉しみ:2019/03/29(金) 04:06:39.77 ID:???.net
affectives. Dans les cas m&#234;mes o&#249; une provocation appr&#233;ciable n’aurait
pas &#233;t&#233; &#233;trang&#232;re au fait pathologique, elle n’aurait pu agir que
conjointement avec des modes internes pr&#233;existants, dont l’organisme
garde le secret.

Les retours p&#233;riodiques des acc&#232;s de fi&#232;vre, les reprises
intermittentes des attaques de goutte, ne sont pas plus l’effet d’une
stimulation venue du dehors que les r&#233;volutions des &#226;ges et les phases
successives de la gestation.

On saisira mieux, apr&#232;s quelques exemples, l’importance de la
distinction que je viens d’&#233;tablir.

La d&#233;couverte de la poudre &#224; canon, qui a amen&#233; une grande r&#233;volution
dans l’art de la guerre, a transform&#233; les blessures et les mutilations
du champ de bataille. Devant les plaies par armes &#224; feu, l’art,
pris d’abord au d&#233;pourvu, a d&#251; &#233;clairer son inexp&#233;rience par un
long apprentissage. Des instruments appropri&#233;s &#224; leur nouvelle
destination ont grossi l’arsenal du chirurgien d’arm&#233;e. Des livres
sign&#233;s des noms les plus illustres ont r&#233;dig&#233; le code de cette partie
de la th&#233;rapeutique. L’observation a r&#233;duit &#224; leur valeur une foule
de pr&#233;jug&#233;s que le caract&#232;re insolite de ces d&#233;sordres avait paru
justifier d’abord, et la pratique a su mettre &#224; profit le redressement
de ces th&#233;ories surann&#233;es. Voil&#224; donc un groupe remarquable de maladies
r&#233;actives qui n’ont pris place dans la science qu’&#224; dater du XIVe

771 :名無しの愉しみ:2019/03/29(金) 04:21:44.06 ID:???.net
si&#232;cle.

L’introduction de la vapeur dans l’industrie, en multipliant les
machines, a cr&#233;&#233; pour les ouvriers de nouveaux dangers dont leur
imprudence proverbiale les rend trop souvent victimes. Les instruments
qu’anime l’aveugle action du moteur d&#233;chirent, emportent, broient
une portion de chair, un membre, parfois le corps tout entier. Les
plaies par arrachement partiel, sauf quelques exceptions dont il est
ais&#233; de se rendre compte, sont suivies le plus souvent d’une r&#233;action
formidable qui &#233;clate surtout quand l’amputation a &#233;t&#233; imprudemment
diff&#233;r&#233;e. Quel que soit d’ailleurs le caract&#232;re commun et pr&#233;vu des
ph&#233;nom&#232;nes cons&#233;cutifs, on doit reconna&#238;tre que le mode de formation
de ces plaies appartient en propre aux mobiles adopt&#233;s par l’industrie
moderne. Chez les anciens, la main de l’homme accomplissait l’&#339;uvre
&#233;chue de nos jours aux puissances m&#233;caniques, et les occasions de
rem&#233;dier &#224; de pareils d&#233;sordres devaient au moins &#234;tre bien rares.
Celse n’en fait m&#234;me pas mention dans sa chirurgie.

Ces faits, dont on pourrait grossir le nombre, montrent la mobilit&#233;
des r&#233;actions traumatiques qui int&#233;ressent la structure et l’int&#233;grit&#233;
des organes, et qui sont plus sp&#233;cialement du ressort de la chirurgie.
Mais la m&#234;me observation s’applique aux maladies r&#233;actives que leurs
caract&#232;res rattachent de plus pr&#232;s &#224; la m&#233;decine interne, et qui
tiennent une si grande place dans l’histoire des professions.

772 :名無しの愉しみ:2019/03/29(金) 04:36:48.03 ID:???.net
Ramazzini a touch&#233; &#224; ce sujet. Mais une &#339;uvre pareille se compose
d’&#233;l&#233;ments changeants et mobiles qui en exigent la r&#233;vision
fr&#233;quente. Si la marche de la civilisation emporte certaines maladies
professionnelles, elle ne tarde pas &#224; les remplacer par d’autres, et
l’hygi&#232;ne trouve toujours sur ses pas de nouveaux probl&#232;mes: _Uno
avulso, non deficit alter_[4].

Nagu&#232;re encore toutes les statistiques attribuaient aux _doreurs
sur m&#233;taux_ un triste privil&#233;ge dans le martyrologe de l’industrie.
L’ing&#233;nieuse application de la galvanoplastie a supprim&#233; la _maladie
mercurielle_ avec son hideux cort&#233;ge de sympt&#244;mes dont la mort &#233;tait
l’in&#233;vitable terme.

Tout le monde a entendu parler des accidents formidables et notamment
des n&#233;croses des os maxillaires provenant de l’action des vapeurs
phosphor&#233;es qui se d&#233;gageaient dans les ateliers o&#249; se fabriquent les
allumettes. Ces accidents prenaient des proportions mena&#231;antes, et il
&#233;tait urgent d’assainir une industrie qui mettait incessamment en p&#233;ril
la sant&#233; et la vie des ouvriers[5].

La chimie, qui n’est jamais en d&#233;faut, s’est charg&#233;e de remplir
l’indication, et le phosphore rouge a remplac&#233; un poison redoutable
par un agent inoffensif. Quand ce proc&#233;d&#233;, d&#233;gag&#233; de quelques entraves
qu’il faut encore respecter, aura conquis dans la pratique le monopole
que lui assigne l’int&#233;r&#234;t bien compris de la salubrit&#233; publique, cette

773 :名無しの愉しみ:2019/03/29(金) 05:07:01.72 ID:???.net
Mais j’aurai l’occasion de reprocher la m&#234;me faute aux m&#233;decins de tous
les temps qui ont d&#233;cor&#233; du nom de _peste_ les &#233;pid&#233;mies inconnues dont
l’apparition est venue les surprendre.

Si je me suis clairement exprim&#233;, on a compris que les maladies
r&#233;actives, qui paraissent et se retirent avec leurs provocations
d&#233;termin&#233;es, ne peuvent &#234;tre celles dont j’ai entrepris l’&#233;tude
chronologique. Comme elles sont sous la d&#233;pendance de leurs causes,
elles ne doivent offrir qu’un ensemble de ph&#233;nom&#232;nes relativement
tr&#232;s-restreint, et qui ne varient, en quelque sorte, que par leur
degr&#233;. Si l’on en d&#233;couvre de nouvelles esp&#232;ces, il est permis
d’assurer qu’elles ne s’&#233;loigneront gu&#232;re des types reconnus.

Mais il en est tout autrement pour les maladies affectives; leur
source est intarissable. Tant que l’esp&#232;ce humaine habitera ce monde,
on pourra s’attendre &#224; en voir surgir de nouvelles dans le vrai sens
du mot; et elles ne se distingueront pas par de simples nuances, mais
bien par la sp&#233;cificit&#233; incomparable de leur nature. C’est dans la
g&#233;n&#233;ration de ces maladies que l’activit&#233; interne r&#233;v&#232;le une f&#233;condit&#233;
dont on ne peut fixer les bornes. L’histoire, en attestant l’apparition
successive de graves affections qui nous sont rest&#233;es fid&#232;les, laisse
entrevoir &#224; l’avenir les m&#234;mes &#233;ventualit&#233;s.

La distinction nosologique que je viens d’&#233;tablir ne sera pas
accept&#233;e sans objection. Rapproch&#233;e de ces grands mots: _affection_,

774 :名無しの愉しみ:2019/03/29(金) 05:22:05.70 ID:???.net
_spontan&#233;it&#233;_, _sp&#233;cificit&#233;_, qui sonnent mal aux oreilles de la
science du jour, elle effarouchera peut-&#234;tre quelques lecteurs qui
craindront de me suivre dans les espaces imaginaires. Qu’ils me
permettent de les rassurer.

Quelle que soit l’interpr&#233;tation th&#233;orique qu’on adopte et la formule
qui l’exprime, il est impossible de contester que les maladies
r&#233;actives ne diff&#232;rent sensiblement, par leur pathog&#233;nie ostensible,
de celles que je nomme affectives et spontan&#233;es. L’&#233;tat pr&#233;sent de
la science interdit de les confondre. La maladie chronique produite
par l’action longtemps continu&#233;e d’un poison n’ob&#233;it pas, dans sa
g&#233;n&#233;alogie, &#224; la m&#234;me loi que la maladie chronique connue sous le nom
de diath&#232;se. La question est du m&#234;me ordre que celle qui a tant agit&#233;
la pyr&#233;tologie et qui n’a pas cess&#233; d’&#234;tre grosse de temp&#234;tes. La
fi&#232;vre traumatique qui succ&#232;de &#224; l’emploi de l’instrument tranchant; la
fi&#232;vre symptomatique provoqu&#233;e par une l&#233;sion organique bien d&#233;finie,
ne sont pas identiques &#224; la fi&#232;vre qui para&#238;t ind&#233;pendante de toute
alt&#233;ration mat&#233;rielle et qu’on appelle pour ce motif _essentielle_.
Provisoirement on est bien oblig&#233; d’imposer silence &#224; des r&#233;pugnances
de doctrines et d’accepter une distinction aussi &#233;vidente, quitte &#224;
attendre des perfectionnements de la science la lumi&#232;re qui lui manque.

Je ne demande pas pour le moment d’autre concession, et je m’imagine
que, dans ces termes, elle ne para&#238;tra pas exorbitante.

775 :名無しの愉しみ:2019/03/29(金) 05:37:14.31 ID:???.net
Il n’y aura donc d’&#233;quivoque pour personne quand je dirai que les
maladies dont je viens d&#233;montrer l’extinction et la nouveaut&#233; dans la
succession des &#226;ges, appartiennent &#224; l’ordre des maladies affectives,
dont la cause &#233;chappe &#224; nos sens et &#224; nos moyens d’analyse. Quelles que
soient, sur ce point, les pr&#233;tentions des syst&#232;mes en vogue, on peut
les d&#233;fier de d&#233;terminer, sans hypoth&#232;se, les conditions essentielles
de leur d&#233;veloppement[6].


_A priori_, et sur les simples indications de l’analogie, l’existence
des maladies nouvelles est trop vraisemblable pour n’&#234;tre pas r&#233;elle.
L’exp&#233;rience vient &#224; son tour confirmer cette pr&#233;vision en donnant &#224; ce
fait la port&#233;e d’une loi g&#233;n&#233;rale.

A moins d’admettre avec la l&#233;gende, que les maladies sont tomb&#233;es un
beau jour sur la terre comme une avalanche, il faut bien reconna&#238;tre
qu’elles n’ont pu &#234;tre que l’&#339;uvre des si&#232;cles. La raison affirme qu’&#224;
l’origine toutes les maladies de cause interne sont n&#233;es spontan&#233;ment.
On a beau rel&#233;guer dans la nuit du pass&#233; le plus lointain, la
g&#233;n&#233;ration premi&#232;re des maladies nouvelles, il faudra bien convenir
qu’&#224; leur av&#233;nement elles ont eu leur raison d’&#234;tre. Par quel artifice
de dialectique parviendrait-on &#224; interdire ces &#233;ventualit&#233;s au pr&#233;sent
et &#224; l’avenir?

Il est sans doute des maladies contemporaines de l’esp&#232;ce humaine,

776 :名無しの愉しみ:2019/03/29(金) 05:52:27.85 ID:???.net
et qui l’ont toujours accompagn&#233;e, soit &#224; l’&#233;tat sporadique,
soit sous forme &#233;pid&#233;mique. Ces maladies sont inh&#233;rentes &#224; notre
nature, et d&#233;rivent des rapports n&#233;cessaires de l’organisme avec
le milieu ambiant. De ce nombre sont les maladies _catarrhales_,
_inflammatoires_, _bilieuses_, auxquelles on peut joindre les _typhus_
d’origine infectionnelle.

Mais les maladies qui tiennent &#224; des causes obscures et lentement
actives, celles dont on caract&#233;rise d’un mot l’individualit&#233; profonde
en disant qu’elles sont sp&#233;cifiques, ne se sont incorpor&#233;es &#224;
l’humanit&#233; qu’apr&#232;s une longue &#233;laboration.

Certainement la _goutte_, le _scrofulisme_, la _tuberculose_,
l’_herp&#233;tisme_ et autres entit&#233;s morbides analogues n’ont point &#233;t&#233;
inscrites &#224; la m&#234;me date dans la vie des soci&#233;t&#233;s. Le temps a &#233;t&#233; un
&#233;l&#233;ment indispensable &#224; leur prise de possession d&#233;finitive.

Les m&#233;decins qui rejettent par une fin de non-recevoir absolue la
nouveaut&#233; de certaines maladies n’ont jamais pris la peine de r&#233;fl&#233;chir
aux consid&#233;rations suivantes qui, par des voies diverses, conduisent &#224;
la m&#234;me conclusion.

Les influences nosog&#233;niques changent avec les pays, et il est des
contr&#233;es qui ont le monopole exclusif de certaines end&#233;mies. La _Plique
de Pologne_, le _Bouton d’Alep_, le _Sibbens d’&#201;cosse_, la _Rad&#233;zyge

777 :名無しの愉しみ:2019/03/29(金) 06:22:43.46 ID:???.net
Le genre de vie des peuples, leurs coutumes, leurs m&#339;urs, leurs
habitudes, leurs go&#251;ts, leurs conditions sociales se modifient
in&#233;vitablement, et s’usent, en quelque sorte, par leur dur&#233;e m&#234;me.
Quand tout se renouvelle ou se transforme autour d’elle, comment la
pathologie aurait-elle le privil&#233;ge de l’immobilit&#233;?

L’exemple suivant qui a &#233;t&#233; souvent cit&#233;, se rattache, dans la sph&#232;re
restreinte d’un fait sp&#233;cial, &#224; une observation plus g&#233;n&#233;rale.

Hippocrate assure, dans un de ses aphorismes, que les femmes n’ont pas
la goutte, avant la m&#233;nopause. &#171;_Mulier podagra non laborat, nisi ipsam
menstrua deficiant_[9].&#187;

S&#233;n&#232;que, qui avait &#233;t&#233; frapp&#233; de cette remarque, signale au contraire
la fr&#233;quence de la goutte chez les femmes de son temps, et il en accuse
vertement leurs m&#339;urs dissolues. Livr&#233;es &#224; tous les vices, &#224; toutes les
d&#233;bauches des hommes, les femmes avaient perdu l’ancien privil&#233;ge de
leur sexe. &#171;_Beneficium sexus sui vitiis perdiderunt; et quia f&#339;minam
exuerunt, damnat&#230; sunt morbis virilibus_[10].&#187;

S&#233;n&#232;que partageait l’opinion des m&#233;decins qui caract&#233;risaient
sommairement l’&#233;tiologie de la goutte en la disant fille de Bacchus et
de V&#233;nus. Cette vieille croyance est venue jusqu’&#224; nous sans changer
de formule; il n’en faudrait peut-&#234;tre reprendre que l’interpr&#233;tation
trop absolue[11]. Une seule chose m’int&#233;resse pour le moment,

778 :名無しの愉しみ:2019/03/29(金) 06:37:47.68 ID:???.net
c’est l’apparition impr&#233;vue dans la vie de la femme d’une maladie
diath&#233;sique qui a vaincu ses dispositions r&#233;fractaires. Aujourd’hui le
sexe a reconquis l’immunit&#233; relative que lui attribuait l’aphorisme
hippocratique. Les statistiques les plus r&#233;centes sont unanimes.
Faut-il s’en prendre &#224; l’adoucissement des m&#339;urs? Je ne demande pas
mieux que d’accepter cette explication[12].


L’histoire de la m&#233;decine met en relief une observation qui atteste
hautement l’influence du temps sur le syst&#232;me des maladies.

Certaines affections abandonnent petit &#224; petit les lieux o&#249; elles
semblaient &#233;tablies, et ne sortent plus de leur retraite. D’autres
s’amendent sur place et se d&#233;pouillent de certains sympt&#244;mes graves qui
les accompagnaient dans l’origine.

La l&#232;pre qui avait d&#233;sol&#233;, sans d&#233;semparer, une longue p&#233;riode du
moyen &#226;ge, s’est confin&#233;e dans son foyer lointain. Au XIIIe si&#232;cle
on comptait, en France, deux mille l&#233;proseries, et Mathieu P&#226;ris nous
apprend qu’il en existait dix-neuf mille en Europe. Il n’en reste plus
que le souvenir historique, et quelques ruines &#233;parses dont le nom
populaire rappelle encore l’ancienne destination[13].

La peste, toujours suspendue sur les peuples, a pr&#233;lud&#233; &#224; sa retraite
par des invasions partielles, et le calme qui a suivi tant d’orages

779 :名無しの愉しみ:2019/03/29(金) 06:52:51.65 ID:???.net
semble l’augure d’un avenir meilleur. Rentr&#233;e dans la Basse-&#201;gypte,
premier foyer de son end&#233;mie, elle para&#238;t avoir perdu cette force
d’expansion qui la d&#233;cha&#238;nait sur le monde.

Loin de moi la pens&#233;e d’att&#233;nuer l’efficacit&#233; prophylactique de nos
institutions sanitaires, et de m&#233;conna&#238;tre l’heureuse influence de la
transformation hygi&#233;nique de nos villes. Mais je d&#233;clare, qu’&#224; mon
avis, ce n’est pas l&#224; que r&#233;side le secret tout entier. Si la peste a
renonc&#233; &#224; ses vieilles habitudes, c’est qu’elle subit &#224; son tour la loi
g&#233;n&#233;rale qui pr&#233;side &#224; l’amendement des maladies les plus graves, apr&#232;s
un r&#232;gne de longue dur&#233;e.

La syphilis, sauf quelques r&#233;miniscences accidentelles, imputables aux
conditions des sujets, n’est plus ce qu’elle &#233;tait au temps de Jean de
Vigo et de B&#233;renger de Carpi. Le tableau qu’elle pr&#233;sente aujourd’hui
semble mettre en suspicion la v&#233;racit&#233; de ses premiers t&#233;moins.

Rendons au traitement sp&#233;cifique la part l&#233;gitime qu’il peut
revendiquer; mais n’oublions pas aussi que les virus d&#233;g&#233;n&#232;rent
lentement par la multiplicit&#233; de leurs transmissions successives. Si
quelques circonstances accidentelles viennent r&#233;veiller leur vigueur,
la r&#232;gle n’est pas &#233;branl&#233;e par ces d&#233;viations apparentes. L’exp&#233;rience
directe a pris sur le fait cet affaiblissement graduel, et de l&#224; est
venu l’art de ranimer l’activit&#233; d&#233;faillante du vaccin en le reprenant
&#224; sa source[14].

780 :名無しの愉しみ:2019/03/29(金) 07:07:56.41 ID:???.net
Il fut un temps o&#249; le scorbut mena&#231;ait d’absorber la pathologie. &#171;Une
maladie est nouvelle, disait &#224; ce propos Malebranche en veine d’ironie.
Elle fait des ravages qui surprennent le monde. Cela imprime des traces
si profondes dans le cerveau, que cette maladie est toujours pr&#233;sente &#224;
l’esprit. Si cette maladie est appel&#233;e, par exemple, le scorbut, toutes
les maladies seront le scorbut. Le scorbut est nouveau, toutes les
maladies nouvelles seront le scorbut. Le scorbut est accompagn&#233; d’une
douzaine de sympt&#244;mes dont il y en a beaucoup de communs &#224; d’autres
maladies: cela n’importe. S’il arrive qu’un malade ait quelques-uns
de ces sympt&#244;mes, il sera malade du scorbut, et on ne pensera pas
seulement aux maladies qui ont les m&#234;mes sympt&#244;mes[15].&#187;

Ce passage de Malebranche devrait &#234;tre m&#233;dit&#233; par ceux qui assistent
&#224; l’av&#233;nement des maladies nouvelles. Bordeu, &#224; qui j’en ai emprunt&#233;
la citation, remarque que le philosophe avait devin&#233; juste. Au XVIIIe
si&#232;cle, Bont&#233;ko&#235; attribuait toutes les maladies au scorbut. &#171;Nous
avons vu, dit Bordeu, r&#233;gner sur cette maladie un d&#233;lire &#233;pid&#233;mique.
Tout le monde voulait avoir le scorbut. On le voyait partout...
Aujourd’hui l’on ne craint plus, le dirai-je, ou l’on n’aime plus tant
le scorbut[16].&#187;

De tout cela il r&#233;sulte que le scorbut consid&#233;r&#233; comme une affection
nouvelle, avait pris des proportions effrayantes, et d&#233;teignait sur
une foule de maladies. De nos jours il ne r&#233;clame ses anciens droits

781 :名無しの愉しみ:2019/03/29(金) 07:23:00.69 ID:???.net
que dans de courtes et locales apparitions. Proclamons hautement
l’ascendant des perfectionnements de l’hygi&#232;ne, et surtout de l’hygi&#232;ne
navale qui a poursuivi, avec tant de pers&#233;v&#233;rance et de sagacit&#233;,
le compagnon obstin&#233; des exp&#233;ditions maritimes. Mais pour expliquer
l’&#233;clipse presque totale d’une maladie aussi r&#233;pandue, il faut que
le g&#233;nie de l’homme ait &#233;t&#233; second&#233; par la coop&#233;ration du temps; et
l’&#233;l&#233;ment qui nous &#233;chappe, dans cette prophylaxie complexe, n’est
peut-&#234;tre pas le moins puissant.

Si quelques maladies semblent &#234;tre rentr&#233;es dans des limites plus ou
moins restreintes d’extension et d’intensit&#233;, il en est d’autres qui
n’ont laiss&#233; que le souvenir de leur r&#232;gne. De ce nombre sont, comme
j’essaierai de le d&#233;montrer plus tard, la peste d’Ath&#232;nes, la maladie
cardiaque de l’antiquit&#233;, la peste noire du XIVe si&#232;cle. La suette
anglaise s’est aussi &#233;teinte depuis trois cents ans, et j’avertis,
par anticipation, que la suette que nous observons, n’en est qu’une
p&#226;le copie symptomatique, qui cache sous cette menteuse homonymie, une
diff&#233;rence radicale de nature.


Entre les maladies disparues et les maladies amend&#233;es, il en est
d’autres qui ont eu des alternatives de douceur et de malignit&#233;,
de r&#233;mission et de recrudescence, sans qu’on puisse en donner une
explication satisfaisante.

782 :名無しの愉しみ:2019/03/29(金) 07:38:11.72 ID:???.net
Les Grecs et les Romains ont gard&#233; le silence sur les catarrhes
&#233;pid&#233;miques, et on n’est pas mieux renseign&#233; par les Arabes et les
m&#233;decins du moyen &#226;ge. Il est permis de croire que ces maladies,
destin&#233;es, par leur nature m&#234;me, &#224; ne pas se s&#233;parer de l’homme,
n’avaient pas, jusque-l&#224;, d&#233;pass&#233; le cercle de la sporadicit&#233;, ou tout
au moins que leurs expansions &#233;pid&#233;miques &#233;taient trop rares, trop
resserr&#233;es et trop b&#233;nignes pour fixer s&#233;rieusement l’attention des
praticiens et m&#233;riter une mention r&#233;serv&#233;e.

A partir du XVe si&#232;cle, elles agrandissent tellement leur sph&#232;re
d’activit&#233; qu’on les voit &#224; plusieurs reprises envahir le monde entier,
mais avec un caract&#232;re de gravit&#233; tr&#232;s-variable, suivant les stations
qu’elles occupent.

&#171;En 1414, dit F&#233;libien, il r&#233;gna un vent de bise si contagieux qu’il
causa une maladie presque g&#233;n&#233;rale qu’on appeloit _coqueluche_, le
_tac_ ou le _horion_. C’estoit une esp&#232;ce de rhume qui causa un
tel enrouement, que le Parlement et le Chastelet furent obligez
d’interrompre leurs s&#233;ances. On dormoit peu et l’on souffroit de
grandes douleurs &#224; la teste, aux reins et par tout le reste du
corps. Mais le mal ne fut mortel que pour les vieilles gens de toute
condition[17].&#187;

Ce contraste remarquable entre la g&#233;n&#233;ralisation de la maladie et son
peu de gravit&#233; a &#233;t&#233; not&#233; aussi par Sauval, qui nous a transmis le m&#234;me

783 :名無しの愉しみ:2019/03/29(金) 07:42:41.86 ID:???.net
堕落が真珠だとまだ気づかないのか?
馬鹿だな

784 :名無しの愉しみ:2019/03/29(金) 07:53:22.12 ID:???.net
r&#233;cit. D’apr&#232;s lui &#171;plus de cent mille personnes en furent attaqu&#233;es,
et cependant personne n’en mourut[18].&#187;

Treize ans apr&#232;s (1427) une &#233;pid&#233;mie catarrhale r&#233;gna &#224; Strasbourg
o&#249; elle fut des plus meurtri&#232;res. Os&#233;as Schad&#339;us nous apprend que la
grande cloche de la cath&#233;drale qui sonnait pour tous les enterrements,
se f&#234;la &#224; force d’&#234;tre mise en branle[19].

M. B&#339;rsch, qui emprunte ce d&#233;tail au chroniqueur, explique cette
excessive mortalit&#233; par l’intensit&#233; et la dur&#233;e des intemp&#233;ries
ant&#233;c&#233;dentes, par le d&#233;gagement d’&#233;manations d&#233;l&#233;t&#232;res, apr&#232;s une
grande inondation; mais surtout par cette circonstance que la maladie
se montrait pour la premi&#232;re fois &#224; Strasbourg, ce qui est g&#233;n&#233;ralement
une cause puissante d’aggravation.

Plusieurs &#233;pid&#233;mies de m&#234;me nature ont &#233;t&#233; observ&#233;es au XVIe si&#232;cle.
Si certaines d’entre elles se sont fait remarquer par leur b&#233;nignit&#233;,
il en est une qui fit un grand nombre de victimes. C’est celle dont
M&#233;zeray nous a laiss&#233; la description sous le nom de _coqueluche_[20].

Les &#233;pid&#233;mies catarrhales n’ont rien perdu de leur fr&#233;quence en venant
jusqu’&#224; nous. La grippe (car c’est le nom qui a pr&#233;valu) a fait, en
peu d’ann&#233;es, plusieurs apparitions. Mais, malgr&#233; l’universalit&#233; de sa
diffusion, elle s’est montr&#233;e assez douce pour justifier l’espoir d’une
d&#233;croissance graduelle[21].

785 :名無しの愉しみ:2019/03/29(金) 08:08:37.08 ID:???.net
L’influence que la marche du temps exerce sur les maladies est encore
attest&#233;e de nos jours par les progr&#232;s de la _diphth&#233;rite_.

Nul doute que les anciens n’en aient connu et mentionn&#233; certaines
formes; mais elle n’&#233;clatait pas &#233;pid&#233;miquement et la raret&#233; de ses cas
sporadiques la dissimulait &#224; l’observation.

Au commencement du si&#232;cle actuel, cette redoutable maladie fondit tout
&#224; coup sur la France, la Hollande, l’Angleterre et une grande partie de
l’Europe. On sait qu’en 1807, &#224; l’occasion d’un douloureux &#233;v&#233;nement,
Napol&#233;on Ier fit mettre au concours la question du croup: de nombreux
et importants travaux r&#233;pondirent &#224; cet appel et enrichirent cette
branche de la litt&#233;rature m&#233;dicale assez pauvre &#224; cette &#233;poque.

Les &#233;pid&#233;mies de croup se multipli&#232;rent, et l’enfance fut d&#233;cim&#233;e
pendant plusieurs ann&#233;es sur notre continent. Le fl&#233;au porta m&#234;me ses
ravages dans des contr&#233;es lointaines. Mais le moment vint o&#249; il parut
perdre ses forces; ses atteintes furent plus rares et moins meurtri&#232;res
et l’on e&#251;t dit qu’il annon&#231;ait sa prochaine disparition.

A Montpellier et dans son ressort m&#233;dical, les praticiens les plus
r&#233;pandus se souvenaient &#224; peine d’avoir vu quelques cas de croup, et
chaque nouvelle attaque &#233;tait une sorte d’&#233;v&#233;nement public qui semait

786 :名無しの愉しみ:2019/03/29(金) 08:13:17.64 ID:???.net
>>783
表で言え

787 :名無しの愉しみ:2019/03/29(金) 08:19:19.11 ID:???.net
みらぶるが暴走してまーす

788 :名無しの愉しみ:2019/03/29(金) 08:23:41.05 ID:???.net
la terreur dans les familles.

Depuis un certain nombre d’ann&#233;es, la diphth&#233;rite, sous toutes ses
formes et &#224; tous ses degr&#233;s, a pris un nouvel &#233;lan, et il a bien fallu
se rendre &#224; l’&#233;vidence apr&#232;s quelques h&#233;sitations int&#233;ress&#233;es. Le
croup est devenu si commun qu’il trahit le r&#232;gne d’une constitution
stationnaire. Ce n’est plus l’enfance qui lui est exclusivement
pr&#233;destin&#233;e; il a franchi la barri&#232;re et ne respecte aucun &#226;ge. M. de
Kergaradec a pu dire que l’angine couenneuse et le croup en particulier
&#171;figurent au premier rang dans les rapports annuels pr&#233;sent&#233;s &#224;
l’Acad&#233;mie de m&#233;decine, soit pour le nombre des cas, soit pour la
l&#233;thalit&#233;[22].&#187;

En somme, on peut affirmer que si la diphth&#233;rite n’est pas nouvelle,
son extension et son d&#233;veloppement sont une nouveaut&#233; trop certaine.
Sa contagion autrefois m&#233;connue ou vaguement indiqu&#233;e, non sans
protestation, a acquis la notori&#233;t&#233; d’un fait vulgaire que personne
ne conteste. Des catastrophes r&#233;centes ne laissent plus de doutes. Le
m&#233;decin qui affronte tant de dangers dans l’exercice de son art, sait
aujourd’hui qu’en traitant les malades atteints de diphth&#233;rite, il ne
doit n&#233;gliger aucune des pr&#233;cautions compatibles avec l’accomplissement
consciencieux de ses devoirs.


De tout ce qui pr&#233;c&#232;de, il faut bien conclure que le cours du temps

789 :名無しの愉しみ:2019/03/29(金) 08:34:28.14 ID:???.net
さあ誰か反対しといて

790 :名無しの愉しみ:2019/03/29(金) 08:38:45.26 ID:???.net
qui modifie si puissamment la constitution des maladies, doit amener
forc&#233;ment des combinaisons impr&#233;vues d’influences morbides, capables
d’engendrer des affections insolites comme leurs causes.

On peut, apr&#232;s tout, v&#233;rifier ce fait sans se condamner &#224; de longues
recherches dans les vieilles archives de la science. Quand on suit
pas &#224; pas la marche de la pathologie, on d&#233;couvre &#224; tout moment des
maladies dont la physionomie impr&#233;vue d&#233;route la pratique usuelle.

Quel est le m&#233;decin qui ne pourrait pas extraire de ses notes des
observations analogues &#224; celles que je vais rapporter?

&#171;Il vient d’&#233;clater (1849) dans les montagnes du Guipuscoa, en Espagne,
une terrible maladie analogue &#224; l’&#233;pid&#233;mie observ&#233;e en Pologne, il y a
quelques ann&#233;es, sous le nom de peste noire. Cette maladie, qui para&#238;t
plus virulente que la fi&#232;vre jaune et la peste, est appel&#233;e _Clignotte_
parce que les malades sont emport&#233;s dans un clin d’&#339;il[23].

&#187;A l’invasion, se montrent des pustules jaunes, verd&#226;tres, aux
jarrets, aux avant-bras, &#224; la nuque. En quelques heures, elles sont
devenues autant d’ulc&#232;res d’o&#249; s’&#233;chappent, avec une odeur infecte,
des myriades de corpuscules microscopiques anim&#233;s, qui se r&#233;pandent
comme une lave incandescente sur toute la surface du corps dont ils
soul&#232;vent l’&#233;piderme pour s’y loger. Au bout de trois heures d’atroces
souffrances, le corps du sujet pr&#233;sente l’aspect d’une immense

791 :名無しの愉しみ:2019/03/29(金) 08:48:36.29 ID:???.net
松崎温土起床

792 :名無しの愉しみ:2019/03/29(金) 08:53:54.07 ID:???.net
vessie gonfl&#233;e de liquide, et la fi&#232;vre aidant, le malade ne tarde
pas &#224; succomber. Deux heures apr&#232;s, la putr&#233;faction est compl&#232;te, et
l’inhumation doit &#234;tre h&#226;t&#233;e pour que le cadavre ne soit pas d&#233;vor&#233; par
les masses d’insectes qui le couvrent.

&#187;Dans deux villages de quatre &#224; cinq cents habitants chacun, cent
vingt-deux personnes de tout &#226;ge et de tout sexe avaient succomb&#233; dans
les trois jours qui ont suivi l’apparition du fl&#233;au.&#187;

Il va sans dire que je laisse au journal dont je l’extrais la
responsabilit&#233; de ce r&#233;cit.

Il y a une vingtaine d’ann&#233;es que les m&#233;decins qui pratiquent en
&#201;cosse, ont observ&#233; une maladie nouvelle pour ce pays. Elle se
manifeste par une fi&#232;vre &#224; exacerbation, de la jaunisse et quelques
autres sympt&#244;mes de la fi&#232;vre ardente bilieuse des pays chauds, avec ce
caract&#232;re particulier que sa facult&#233; contagieuse a &#233;t&#233; v&#233;rifi&#233;e. Parmi
les suites de cette pyrexie et &#224; des &#233;poques plus ou moins distantes du
d&#233;but, figure une ophthalmie inflammatoire qui envahit principalement
les parties internes de l’&#339;il et notamment la r&#233;tine, ce qui am&#232;ne
n&#233;cessairement un grand trouble dans la vue. La douleur que suscite
cette localisation port&#233;e &#224; un certain degr&#233;, suffit pour interdire le
sommeil. D’apr&#232;s le professeur Mackenzie, cette maladie aurait aussi
envahi l’Irlande et r&#233;gn&#233; &#224; Dublin[24].

793 :名無しの愉しみ:2019/03/29(金) 09:07:18.15 ID:???.net
>>791
なごやかです(笑)

794 :名無しの愉しみ:2019/03/29(金) 09:08:58.74 ID:???.net
Voici une autre observation du m&#234;me genre:

Une &#233;pid&#233;mie singuli&#232;re[25] commence (1846) &#224; para&#238;tre et &#224; s’&#233;tendre
dans toute la vall&#233;e de l’Is&#232;re, depuis le Dauphin&#233; jusqu’&#224; la
Tarentaise. C’est une fi&#232;vre qui saisit instantan&#233;ment les habitants et
se manifeste par des douleurs de reins, des maux de t&#234;te et de c&#339;ur,
accompagn&#233;s de vomissements. Cette maladie ne para&#238;t pas jusqu’ici
offrir de caract&#232;re pernicieux, et l’on ne cite encore aucun cas grave.
Elle frappe la plus grande partie de la population ouvri&#232;re de nos
campagnes. Dans la commune des Molettes, on cite un hameau o&#249;, sur
quatre cents habitants, cent soixante sont atteints de cette fi&#232;vre.
Aucun n’a succomb&#233;; mais ils restent longtemps dans un grand &#233;tat de
faiblesse.

Ces exemples de maladies nouvelles, ou tout au moins inconnues aux
pays qu’elles surprennent, ont &#233;t&#233; rapproch&#233;s par le hasard de mes
lectures. On en trouverait un grand nombre d’analogues, en parcourant
attentivement les recueils de m&#233;decine. J’ai cru devoir en citer pour
m&#233;moire quelques-uns des plus saillants.

En 1578, une maladie sans pr&#233;c&#233;dents &#233;clata &#224; Brunn, dans la Moravie.
Apr&#232;s quelques prodromes g&#233;n&#233;raux, on voyait survenir une violente
inflammation sur les parties o&#249;, conform&#233;ment &#224; la pratique en vogue,
on avait appliqu&#233; des ventouses. Il s’y formait des abc&#232;s de mauvaise
nature, d&#233;g&#233;n&#233;rant en ulc&#232;res sanieux environn&#233;s de pustules, dont

795 :名無しの愉しみ:2019/03/29(金) 09:20:46.81 ID:???.net
反対票がいま1票入ってくれたら盛り上がるのだが

796 :名無しの愉しみ:2019/03/29(金) 09:23:15.46 ID:???.net
珪素は反対してくれるって信じてる

797 :名無しの愉しみ:2019/03/29(金) 09:24:12.87 ID:???.net
l’ouverture donnait passage &#224; une humeur claire, s&#233;reuse, purulente
et corrosive. Alors toute la portion du derme, comprise dans la
circonf&#233;rence de la ventouse, tombait en lambeaux putrides et laissait
&#224; sa place un ulc&#232;re phag&#233;d&#233;nique. Chez quelques-uns, tout le corps se
couvrait de pustules qui rendaient le visage difforme et horrible. Les
progr&#232;s de la maladie amenaient des douleurs ost&#233;ocopes tr&#232;s-aigu&#235;s
qui s’exasp&#233;raient pendant la nuit. Le peuple crut &#224; l’empoisonnement
des bains et accusa les barbiers qui avaient appliqu&#233; les ventouses,
d’avoir employ&#233;, &#224; dessein, pour les scarifications, des instruments
enduits de venin. Rien ne confirma, du reste, la conjecture qui, &#224;
d&#233;faut de tout autre explication plausible, rapporta cette maladie &#224; la
syphilis[26].

En 1729, r&#233;gna &#224; Tubingue et dans les environs, une maladie &#233;trange, &#224;
laquelle &#201;lie Cam&#233;rarius, qui en fut t&#233;moin, avoue ne pouvoir trouver
de place dans la nosologie.

Les malades &#233;prouvaient d’abord une lassitude extraordinaire. Les yeux
s’obscurcissaient et se couvraient comme d’un nuage. Il survenait de
la stupeur et bient&#244;t un tremblement universel, violent et opini&#226;tre,
avec anxi&#233;t&#233; et oppression. Cet &#233;tat durait sept ou huit semaines, sans
insomnie ni perte d’app&#233;tit.

La maladie se jugeait souvent par une toux violente avec expectoration
de mati&#232;res f&#233;tides. Aucune fi&#232;vre manifeste ne l’accompagnait. Un

798 :名無しの愉しみ:2019/03/29(金) 09:24:34.31 ID:???.net
荒らしを排除してくれた?

799 :名無しの愉しみ:2019/03/29(金) 09:34:35.15 ID:???.net
Yassieのコメ、的外れだな
会社で例えるなら人事や総務職に応募してきた人に、営業とか研究職の資質を押し付けて面接するようなもんだ
同じ反対でもおいしい豚肉の方がまだ分かるわ

800 :名無しの愉しみ:2019/03/29(金) 09:39:18.04 ID:???.net
coryza prolong&#233;, une sueur copieuse ou une diarrh&#233;e abondante, &#233;taient
autant de crises salutaires. Aucune hypoth&#232;se ne put jeter le moindre
jour sur son &#233;tiologie[27].

En 1752, les praticiens de N&#233;rac virent, pour la premi&#232;re fois, une
maladie &#233;pid&#233;mique, qui rappelait, par ses principaux sympt&#244;mes, le
Pian d’Am&#233;rique, d’o&#249; le nom de _Pian de N&#233;rac_ qui lui est donn&#233; par
les auteurs. Le corps entier se couvrait, peu &#224; peu, de pustules, qui
devenaient confluentes et ne formaient qu’une seule cro&#251;te. Elles
d&#233;g&#233;n&#233;raient en ulc&#232;res profonds qui d&#233;nudaient les os, et amenaient la
mort. Ou ignore absolument l’origine et la nature de cette maladie[28].


Revenons &#224; l’observation contemporaine et nous serons t&#233;moins, &#224; notre
tour, de faits du m&#234;me ordre dont l’histoire de la m&#233;decine devra
conserver le souvenir.

En 1828, &#233;clate &#224; Paris une maladie qui surprend les m&#233;decins par son
aspect insolite.

C’est en juin qu’apparaissent les premiers cas, peu nombreux d’abord,
mais bient&#244;t multipli&#233;s avec toutes les allures du progr&#232;s &#233;pid&#233;mique.
Le 3 septembre, dans la caserne de Lourcine, sur 700 hommes, 560
sont atteints. La maladie s’amende pendant l’hiver, et reprend son
d&#233;veloppement primitif au mois de mars de l’ann&#233;e suivante. Dans la

801 :名無しの愉しみ:2019/03/29(金) 09:41:27.09 ID:???.net
市井がコメント追記してやがる

802 :名無しの愉しみ:2019/03/29(金) 09:54:22.68 ID:???.net
caserne de la Courtille, r&#233;cemment restaur&#233;e et assainie, 200 hommes
sur 500 sont attaqu&#233;s en quatre jours. Enfin, apr&#232;s avoir suivi une
d&#233;croissance graduelle, l’&#233;pid&#233;mie para&#238;t compl&#233;tement &#233;teinte dans
le rude hiver de 1829 &#224; 1830. Pendant deux ans on a encore occasion
d’observer quelques cas retardataires; depuis lors, il n’en reste plus
de traces.

Le tableau symptomatique &#233;tait mobile et vari&#233;. Le premier ph&#233;nom&#232;ne,
ou du moins celui sur lequel les malades appelaient tout d’abord
l’attention, consistait en une sensation d’_engourdissement_ et de
_fourmillement_ des mains et des pieds, prenant m&#234;me quelquefois
le caract&#232;re d’_&#233;lancement_. Ces douleurs, born&#233;es aux pieds et aux
poignets, s’irradiaient rarement le long des jambes et des bras.
Elles s’accompagnaient d’un sentiment de froid, suivi d’une chaleur
br&#251;lante, ou bien d’un &#233;tat d’hyperesth&#233;sie si prononc&#233; que les malades
ne pouvaient supporter le moindre attouchement. Cet &#233;tat allait, dans
certains cas, jusqu’&#224; la contracture et la paralysie des membres qui
n’en continuaient pas moins &#224; &#234;tre le si&#233;ge de fus&#233;es douloureuses et
de tressaillements.

Les fonctions digestives manifestaient les troubles les plus divers,
depuis la simple inapp&#233;tence, jusqu’aux vomissements, aux coliques, et
au d&#233;voiement. Dans les cas graves, les mati&#232;res des d&#233;jections &#233;taient
sanglantes. Ces sympt&#244;mes &#233;taient &#224; peine marqu&#233;s chez un certain
nombre de malades.

803 :名無しの愉しみ:2019/03/29(金) 09:56:34.51 ID:???.net
管理者は人事総務じゃないし、やしーのコメントが正解だな
記事執筆作成サイトなのにろくに執筆できないんじゃあ正しい管理はできない

804 :名無しの愉しみ:2019/03/29(金) 10:01:09.45 ID:???.net
>>801
市井の人「チッ、切干大根の奴、パクりやがって」

805 :名無しの愉しみ:2019/03/29(金) 10:07:39.98 ID:???.net
>>803
鈴虫さんに謝れ

806 :名無しの愉しみ:2019/03/29(金) 10:09:00.70 ID:???.net
椰子は現役の管理者にろくに記事書いたこと無いのがゴロゴロいるのは良いのか

807 :名無しの愉しみ:2019/03/29(金) 10:09:34.99 ID:???.net
D&#232;s le d&#233;but, la peau &#233;tait le si&#233;ge d’un &#339;d&#232;me qui constituait parfois
une v&#233;ritable anasarque, mais qui se bornait, le plus souvent, &#224;
certaines parties limit&#233;es, telles que la face, les l&#232;vres, les joues,
les pieds, les mains.

Dans le cours de la maladie, l’enveloppe t&#233;gumentaire des mains
et des pieds se colorait d’une rougeur &#233;ryth&#233;mateuse, qui passait
assez souvent au brun ou au noir&#226;tre sur certains points. A cela se
joignaient des &#233;ruptions de divers genres, papules, boutons rouges,
pustules, phlyct&#232;nes, taches cuivr&#233;es, furoncles. On les observait
surtout autour des pieds et des mains. Ces parties, baign&#233;es d’une
sueur locale, &#233;prouvaient une desquamation &#233;pidermique qui avivait leur
rougeur et accroissait leur sensibilit&#233;.

Ces sympt&#244;mes dont les divers groupes &#233;taient plus ou moins accentu&#233;s,
suivant les conditions individuelles, se succ&#233;daient sans fi&#232;vre, ou
avec un mouvement f&#233;brile tr&#232;s-mod&#233;r&#233;, jusqu’au moment o&#249; les troubles
digestifs atteignaient leur plus haut degr&#233;. L’insomnie provoqu&#233;e par
les douleurs &#233;tait souvent tr&#232;s-rebelle.

La marche de la maladie variait comme sa dur&#233;e. Chez les uns, elle se
terminait en quelques semaines; chez d’autres, elle se prolongeait
pendant plusieurs mois. Mais elle &#233;tait rarement mortelle, et ne fut
gu&#232;re fatale qu’&#224; quelques vieillards ou aux sujets dont la sant&#233; &#233;tait

808 :名無しの愉しみ:2019/03/29(金) 10:18:34.30 ID:???.net
優良な記事が執筆できるエース級利用者なら、管理者やらせるなんて勿体ないだろ
管理者の作業の多くはマイナスをゼロに戻す治安維持であって、何かを生み出してるわけじゃない
ヤシーは管理者の役割を誤解してる

809 :名無しの愉しみ:2019/03/29(金) 10:23:31.50 ID:???.net
>>763
ヤシーの書いた記事が新着に載ってるけどw

おいミキヒサ出番だぞww

810 :名無しの愉しみ:2019/03/29(金) 10:24:22.52 ID:???.net
管理者の業務の多くは荒らし対策と著作権侵害への対処
どちらも記事執筆の実績無くても出来る

811 :名無しの愉しみ:2019/03/29(金) 10:24:39.10 ID:???.net
エースでなくとも堕落は控えにすらなれす、二軍でも投げられない打撃投手未満の執筆力
管理者には到底不向き

812 :名無しの愉しみ:2019/03/29(金) 10:25:53.63 ID:???.net
いくら頑張っても自警は管理者になれない

813 :名無しの愉しみ:2019/03/29(金) 10:26:48.57 ID:???.net
椰子の頭の中では管理業務はケースEだけなんだろ

814 :名無しの愉しみ:2019/03/29(金) 10:27:44.29 ID:???.net
>>808
だいたい個人主義と銃と大麻の国を愛するヤシーに治安維持なんて発想があるわけないだろw

815 :名無しの愉しみ:2019/03/29(金) 10:30:19.34 ID:???.net
自警は基地害対策要員として必要悪だよ
誰も触りたがらないバカに積極的に突っ込んで行ってくれるから

816 :名無しの愉しみ:2019/03/29(金) 10:34:15.03 ID:???.net
まろやかです。

817 :名無しの愉しみ:2019/03/29(金) 10:34:40.88 ID:???.net
でもガキタケの時はほとんどSumaruに丸投げだったよね

818 :名無しの愉しみ:2019/03/29(金) 10:36:58.53 ID:???.net
>>801
協調の精神って方針にあるんだな
香具師は前に「協調性なんて方針にない」と怒ってたが

819 :名無しの愉しみ:2019/03/29(金) 10:39:48.78 ID:???.net
populaires. Il a bien fallu reconna&#238;tre que cette &#233;pid&#233;mie &#233;tait
toute nouvelle et que les annales de l’art n’en pr&#233;sentent pas d’autre
exemple. Telle fut la conclusion &#224; laquelle fut amen&#233; M. le docteur
Genest, un des premiers historiens de cette &#233;pid&#233;mie, apr&#232;s de
consciencieuses recherches d’&#233;rudition. C’est l’opinion qui a pr&#233;valu
dans le monde m&#233;dical et &#224; laquelle Requin s’empressa de souscrire[29].

Cette maladie nouvelle r&#233;clamait un nom. Celui d’_acrodynie_, qui a &#233;t&#233;
adopt&#233;, rappelle les douleurs des extr&#233;mit&#233;s qui en &#233;taient le sympt&#244;me
le plus saillant et le plus commun. Il a cet avantage qu’il ne pr&#233;juge
aucune th&#233;orie sur sa nature et qu’il survivra, sans inconv&#233;nient, au
progr&#232;s de l’observation.

Depuis cette explosion, l’acrodynie a disparu, laissant la cause de sa
retraite aussi myst&#233;rieuse que celle de son invasion, sans pr&#233;judice,
bien entendu, pour ses retours possibles.


Il est une maladie qui, apr&#232;s s’&#234;tre longtemps confin&#233;e dans certaines
r&#233;gions, a sourdement franchi ses limites et menace de ne plus rien
respecter dans sa marche envahissante. Cette maladie, fatale surtout
aux populations agricoles, est venue r&#233;cemment imposer &#224; la pathologie
de nouvelles &#233;tudes, et &#224; l’hygi&#232;ne publique un de ses plus graves
probl&#232;mes. Je veux parler de la _pellagre_.

820 :名無しの愉しみ:2019/03/29(金) 10:40:06.55 ID:???.net
[[Wikipedia:削除依頼/葛島崇繕]]
3:4で存続票の方が多いのに削除とは鈴虫にしては珍しいね
流れ的には妥当だと思うんだけど鈴虫なら存続に倒しそうなものだと思ってた

821 :名無しの愉しみ:2019/03/29(金) 10:40:29.79 ID:???.net
あれっ?

822 :名無しの愉しみ:2019/03/29(金) 10:44:37.03 ID:???.net
ああ治った

823 :名無しの愉しみ:2019/03/29(金) 10:47:47.96 ID:???.net
自警はケースEを対応したくて管理者になるし、著作権侵害の見極めなんてややこしいものをまともな執筆経験もない自警が判断できるわけが当然ないので、自警を管理者に据える理由が無いんだよね
自警は自警らしく伝言板報告だけしていればよい

824 :名無しの愉しみ:2019/03/29(金) 10:49:00.81 ID:???.net
次の一票は反対に入って欲しいね

825 :名無しの愉しみ:2019/03/29(金) 10:49:10.87 ID:???.net
【速報】金券500円分タダでもらえる   
https://pbs.twimg.com/media/D2ygUeXU0AAbMoi.jpg
  
@タイムバンクをインストール
iOS: https://itunes.apple.com/jp/app/%E3%82%BF%E3%82%A4%E3%83%A0%E3%83%90%E3%83%B3%E3%82%AF/id1253351424?mt=8   
Android: https://play.google.com/store/apps/details?id=jp.timebank    
A会員登録    
Bマイページへ移動する。  
C招待コード→招待コードを入力する [RirzTu]    
 
紹介者と紹介された方共に600円もらえます
今なら更に500円ギフト券を貰った残高からただで買えます。    
貰ったギフティプレモはAmazonギフト券(チャージタイプ)に交換できます(電子マネー払いにて) 
   
数分で出来るので是非ご利用下さい  

826 :名無しの愉しみ:2019/03/29(金) 10:52:20.93 ID:???.net
>>820
ヒント:存続票を投じている利用者の顔ぶれ

827 :名無しの愉しみ:2019/03/29(金) 10:54:54.04 ID:???.net
L’int&#233;r&#234;t de la question qu’elle soul&#232;ve, le vide qu’elle avait laiss&#233;
dans notre litt&#233;rature m&#233;dicale, son invasion progressive au milieu de
nous, sa pr&#233;f&#233;rence pour une certaine classe, toutes ces circonstances,
en un mot, ont provoqu&#233; de s&#233;rieuses recherches, qui ont produit des
r&#233;v&#233;lations inattendues. Dans la nombreuse succession des travaux
remarquables qui ont ob&#233;i &#224; l’appel de la science, il est juste de
distinguer ceux de M. le docteur Th&#233;ophile Roussel qui portent la
double empreinte du savant et de l’&#233;crivain[30].

D&#233;couverte en Espagne, au commencement du si&#232;cle dernier; en Italie,
vers le milieu de ce m&#234;me si&#232;cle; dans les Landes, en 1818; dans le
Lauraguais, vers 1833, et depuis 1842, sur quelques points du centre
de la France, la pellagre a pu exister longtemps, sans &#234;tre clairement
reconnue. Cette lenteur de l’observation est un trait de l’histoire des
maladies nouvelles, et j’aurai occasion d’en multiplier les preuves;
mais il para&#238;t qu’on ne peut gu&#232;re faire remonter la pellagre au del&#224;
du XVIIIe si&#232;cle.

La plupart des auteurs, malgr&#233; leurs dissentiments sur sa pathog&#233;nie,
proclament sa nouveaut&#233; et reconnaissent qu’elle est sans analogue dans
les nosographies.

Strambio assure que c’&#233;tait l’opinion des m&#233;decins lombards.
Gherardini, apr&#232;s l’avoir d&#233;crite, d&#233;clarait que &#171;quiconque est au
courant de l’histoire des maladies, doit conclure qu’elle n’a &#233;t&#233;

828 :名無しの愉しみ:2019/03/29(金) 10:54:54.75 ID:???.net
管理者の反対が欲しいのう

829 :名無しの愉しみ:2019/03/29(金) 10:59:18.01 ID:???.net
75%か
このままなら最終日に反対入れるかな

830 :名無しの愉しみ:2019/03/29(金) 11:06:23.55 ID:???.net
>>803
>管理者は人事総務じゃないし、やしーのコメントが正解だな
>記事執筆作成サイトなのにろくに執筆できないんじゃあ正しい管理はできない

その通りだが、ここには自警が多い
そのため、ヤシーを批判する人が多い

831 :名無しの愉しみ:2019/03/29(金) 11:07:39.61 ID:???.net
ミキヒサくらいだろ

832 :名無しの愉しみ:2019/03/29(金) 11:09:39.78 ID:???.net
RfA大好き芸人凶助さんの投票がない

833 :名無しの愉しみ:2019/03/29(金) 11:10:03.03 ID:???.net
connue d’aucun auteur.&#187; Il avait attentivement compuls&#233; les vieilles
archives et n’y avait rien vu qui se rapproch&#226;t de la pellagre. D’apr&#232;s
lui, les anciens n’auraient pas manqu&#233; de d&#233;crire une pareille maladie,
s’ils avaient eu occasion de l’observer.

Strambio, Titius, Widemar, etc., qui r&#233;pugnaient &#224; la consid&#233;rer comme
nouvelle, ne dissimulaient pas leurs regrets de ne pouvoir appuyer
leur sentiment sur quelques preuves &#233;crites. Ils n’en persistaient
pas moins &#224; affirmer son antiquit&#233;, &#224; l’aide de quelques suppositions
accommodantes. Ses caract&#232;res, autrefois faiblement accentu&#233;s et
ind&#233;cis, avaient pris r&#233;cemment un relief plus saillant. La maladie
avait en m&#234;me temps, et probablement par les m&#234;mes causes, redoubl&#233;
de fr&#233;quence et de gravit&#233;. Ces diverses circonstances, disait-on,
ont bien pu faire illusion aux m&#233;decins qui se sont crus en droit de
reconna&#238;tre sa date moderne.

L’&#233;poque pr&#233;cise de l’apparition des maladies qui viennent prendre
rang dans le cadre nosologique, est toujours obscure et vague, &#224; moins
qu’elles ne d&#233;ploient l’appareil des maladies populaires. Appliqu&#233;e &#224;
la pellagre, cette question chronologique change de conclusion, suivant
la pathog&#233;nie qu’on en donne.

Si l’on adopte d’une mani&#232;re absolue et exclusive l’&#233;tiologie c&#233;r&#233;ale
qui la rapporte &#224; l’usage alimentaire du _ma&#239;s verd&#233;ram&#233;_, hypoth&#232;se
d&#233;fendue avec tant de talent par M. Roussel, la pellagre ne peut

834 :名無しの愉しみ:2019/03/29(金) 11:19:49.31 ID:???.net
ミラブルはどこまで自分の評価を下げるのか

835 :名無しの愉しみ:2019/03/29(金) 11:21:58.21 ID:???.net
ミラブラも次は通るだろう

836 :名無しの愉しみ:2019/03/29(金) 11:22:12.31 ID:???.net
編集が云々はあながち間違いでもないが、管理業で結果出してくれれば問題ないし、
どちらかというと管理業の方が中心になるだろ
慣れるまで依頼を処理してくれればいいだけだ

837 :名無しの愉しみ:2019/03/29(金) 11:25:12.93 ID:???.net
&#233;videmment avoir paru en Europe que post&#233;rieurement &#224; l’introduction
et &#224; la culture de la plante exotique. Elle serait donc pour nous une
forme nouvelle de maladie, appartenant &#224; la classe des toxicoh&#233;mies
dont l’origine et le mode de d&#233;veloppement d&#233;pendent des rapports de
l’homme avec les modificateurs r&#233;prouv&#233;s par l’hygi&#232;ne.

A la rigueur, il pourrait n’y avoir qu’une co&#239;ncidence fortuite entre
la premi&#232;re importation du ma&#239;s dans notre h&#233;misph&#232;re, et la r&#233;v&#233;lation
incontest&#233;e des premiers cas de pellagre. Chacun de ces faits serait
nouveau, et il n’y aurait entre eux aucun rapport appr&#233;ciable. La
pellagre pourrait donc &#234;tre, dans ce sens, une maladie r&#233;cente, sans
qu’on se cr&#251;t autoris&#233; pour cela, &#224; la consid&#233;rer comme l’effet direct
de l’emploi du ma&#239;s.

Mais la pellagre est-elle d&#233;cid&#233;ment une maladie c&#233;r&#233;ale? Il y a encore
place pour bien des doutes, m&#234;me apr&#232;s le s&#233;duisant plaidoyer de M.
Roussel.

Que la plante am&#233;ricaine alt&#233;r&#233;e soit dou&#233;e d’une appropriation plus
sp&#233;ciale au r&#233;sultat qu’on lui attribue, c’est ce qu’un grand nombre
de faits rendent assez vraisemblable; mais son action pr&#233;alable n’est
point n&#233;cessaire &#224; la g&#233;n&#233;ration de la pellagre, et dans les termes
absolus qui l’expriment, cette &#233;tiologie soul&#232;ve bien des difficult&#233;s
qui attendent une r&#233;ponse satisfaisante.

838 :名無しの愉しみ:2019/03/29(金) 11:25:18.31 ID:???.net
どんな屁理屈を付けようが執筆実績が足りない自警は通らない

839 :名無しの愉しみ:2019/03/29(金) 11:40:18.18 ID:???.net
Je n’ignore pas que M. Roussel, qui est familier avec les principes
fondamentaux de la causalit&#233; m&#233;dicale, subordonne l’efficacit&#233; de
l’intoxication ma&#239;dienne au concours de la mis&#232;re et de toutes les
souffrances de l’esprit et du corps que ce mot sous-entend. Je sais
aussi que l’h&#233;r&#233;dit&#233; de la pellagre, qui para&#238;t av&#233;r&#233;e, servirait de
r&#233;plique &#224; bien des objections. Sa contagiosit&#233;, qui n’est peut-&#234;tre
pas aussi gratuite qu’on a voulu le dire, serait encore un argument
de quelque valeur. Le virus pellagreux remplacerait, &#224; l’occasion, le
microphyte sur les individus pr&#233;dispos&#233;s.

J’avoue que, par analogie et apr&#232;s m&#251;re r&#233;flexion, je crois pouvoir
justifier le parti que je prends, en ouvrant &#224; la pellagre le cadre
des maladies nouvelles, qui, sans cause connue et &#224; la suite d’une
incubation plus ou moins longue, viennent grossir la liste de nos maux.
Aucun texte pr&#233;cis ne d&#233;ment cette conjecture, et bien des raisons
s&#233;rieuses lui servent d’appui.

M. le docteur Billod adopte l’opinion contraire, au prix d’une p&#233;tition
de principe que je crois opportun de rectifier.

&#171;Bien, dit-il, que les premi&#232;res observations de pellagre ne datent que
de Cazal, il ne saurait &#234;tre douteux que cette affection ait exist&#233;
ant&#233;rieurement, et m&#234;me qu’elle remonte &#224; l’origine du monde.

&#187;Du moment, en effet, qu’elle est consid&#233;r&#233;e comme un effet de

840 :名無しの愉しみ:2019/03/29(金) 11:52:12.04 ID:???.net
切干大根またトコロテン射精はじめたなあ

841 :名無しの愉しみ:2019/03/29(金) 11:55:22.20 ID:???.net
l’insolation s’exer&#231;ant sur le corps affaibli par la mis&#232;re ou par
d’autres causes, il est impossible d’assigner &#224; cet effet constant
de causes constantes, d’autre date que celle du jour o&#249; l’influence
solaire a commenc&#233; &#224; s’exercer, et o&#249; la mis&#232;re et autres causes
d&#233;bilitantes sont venus disposer le corps de l’homme &#224; la subir. Ce
qui revient &#224; dire que l’insolation et la mis&#232;re ayant &#233;t&#233; de tous les
temps, il en est ainsi de la pellagre[31].&#187;

Ce raisonnement suppose d&#233;montr&#233; ce qui est en question, et sa
conclusion est nosologiquement inacceptable.

La pellagre, que Sauvages pla&#231;ait parmi les cachexies, est, sans
contredit, une affection g&#233;n&#233;rale, _totius substanti&#230;_, comme disait
Fernel. L’&#233;ryth&#232;me concomitant n’en est qu’une manifestation locale. En
d&#233;pit de quelques discordances descriptives, imputables &#224; la diversit&#233;
des points de vue o&#249; les auteurs se sont plac&#233;s pour l’&#233;tudier, cette
maladie se compose de trois groupes principaux de sympt&#244;mes qui se
montrent du c&#244;t&#233; de la peau, des centres nerveux et des organes
digestifs. Le cachet qu’elle porte est inamovible pour tout m&#233;decin
familier avec l’observation clinique: sa sp&#233;cificit&#233; ne saurait &#234;tre un
moment douteuse.

Que l’insolation influence l’&#233;ruption de l’&#233;ryth&#232;me, c’est ce que je
n’ai pas l’intention de nier. Mais cette provocation ne peut &#234;tre
efficace que sur les sujets actuellement en proie au mode morbide

842 :名無しの愉しみ:2019/03/29(金) 12:03:12.54 ID:???.net
ミラブルの管理者当選は…遠いわなあ…。

843 :名無しの愉しみ:2019/03/29(金) 12:06:26.03 ID:???.net
ミラブルは戦略が無さすぎる
実際の選挙とは違ってRFAなんて完全にタイミングを自分で制御できるのに
何故実績積んで今なら通るというタイミングで出さないのか

844 :名無しの愉しみ:2019/03/29(金) 12:10:34.55 ID:???.net
pellagreux. A d&#233;faut, cette action ne produira qu’un &#233;ryth&#232;me r&#233;actif,
semblable &#224; tous ceux qui ont m&#234;me provenance; et l’on comprend que
certaines conditions individuelles puissent lui donner quelques
apparences du v&#233;ritable &#233;ryth&#232;me de la pellagre, quoiqu’il en diff&#232;re
essentiellement par son origine externe.

Aujourd’hui, il est bien av&#233;r&#233; et il &#233;tait permis de le pr&#233;dire,
que les rayons solaires ne sont pas la condition _sine qua non_
de l’&#233;ruption sp&#233;cifique, puisqu’on l’a vue se former &#224; l’abri de
cette influence. Mais, dans tous les cas, quelle que soit l’&#233;nergie
provocatrice qu’on pr&#233;tende attribuer &#224; l’insolation, il est bien
certain que cette cause n’engendre pas l’affection pellagreuse interne
qui, d’apr&#232;s Strambio, ne cesse pas de suivre son &#233;volution naturelle,
m&#234;me chez les sujets qui &#233;vitent avec soin les ardeurs du soleil.

Je ne veux, quant &#224; moi, affirmer qu’une chose, c’est que l’action
solaire a provoqu&#233;, chez certains individus sp&#233;cialement pr&#233;dispos&#233;s,
des dermatoses _pellagro&#239;des_, bien longtemps avant que la vraie
pellagre se soit montr&#233;e avec ses localisations caract&#233;ristiques.

Je ne dirais rien d’une autre opinion &#233;mise sur la nature de
la pellagre, si elle n’avait, en sa faveur, quelques autorit&#233;s
recommandables.

On a pr&#233;tendu, en effet, que cette maladie n’&#233;tait qu’un diminutif

845 :名無しの愉しみ:2019/03/29(金) 12:25:47.31 ID:???.net
de la l&#232;pre, et, &#224; ce compte, son origine remonterait &#224; l’antiquit&#233;
la plus recul&#233;e. Cette hypoth&#232;se tombe devant le simple parall&#232;le
des sympt&#244;mes actuels de la pellagre avec les sympt&#244;mes anciens de
la l&#232;pre. Un diminutif pourrait se reconna&#238;tre &#224; l’att&#233;nuation de
ses manifestations ext&#233;rieures, mais il ne pr&#233;senterait pas une
individualit&#233; originale aussi distincte.

La l&#232;pre est d’un grand secours dans certains moments d’embarras. Quand
la syphilis apparut pour la premi&#232;re fois, il ne manqua pas de m&#233;decins
pour pr&#233;tendre qu’elle &#233;tait une d&#233;g&#233;n&#233;rescence ou une &#233;manation de
la l&#232;pre dont on constatait l’effacement sous ses formes primitives.
Aujourd’hui c’est &#224; la pellagre que reviendrait cette survivance
h&#233;r&#233;ditaire. Ces deux opinions se d&#233;truisent mutuellement; ni l’une ni
l’autre n’ont obtenu la sanction de l’observation clinique.

J’attends donc encore des &#233;claircissements, malgr&#233; la multiplicit&#233;
et le m&#233;rite des travaux inspir&#233;s par la pellagre. Jusque-l&#224; je
persisterai &#224; la consid&#233;rer comme une maladie nouvelle, ignor&#233;e des
anciens, et qui, apr&#232;s avoir respect&#233; longtemps les limites de son
end&#233;mie primitive, s’est enfin propag&#233;e au loin, sans qu’on puisse
pr&#233;voir les bornes de son extension future.


J’arr&#234;te ici la revue un peu confuse des faits que je viens de r&#233;unir.
Ils suffiront, je pense, pour prouver qu’il y a eu, qu’il y a et qu’il

846 :名無しの愉しみ:2019/03/29(金) 12:27:53.95 ID:???.net
自分の特技を活かせばヒーローになれる
現実世界では不可能だったことが実現できたウィキペディア
その立ち位置を死守するためには、記事執筆以外は何も価値を認めてはならない

「記事書くだけの病んでる人」
そんな評価にならないために、今日も洗脳と噛み付きに精を出す彼だった

847 :名無しの愉しみ:2019/03/29(金) 12:40:52.92 ID:???.net
y aura toujours des maladies ind&#233;pendantes de l’&#233;tiologie vulgaire, et
dont l’apparition montre &#224; l’&#339;uvre une facult&#233; primordiale de la vie.

Mais la question g&#233;n&#233;rale, d&#233;cid&#233;e en principe par l’affirmative, prend
de vastes proportions quand on veut la suivre dans les d&#233;tails. Un
travail qui aurait la pr&#233;tention d’&#233;puiser le sujet, d&#233;passerait la
mesure de mon temps et de mes forces. Mes vis&#233;es sont moins ambitieuses.

J’aurai rempli, j’esp&#232;re, les promesses de mon titre en donnant &#224; la
doctrine des maladies &#233;teintes et nouvelles l’&#233;norme grossissement du
g&#233;nie &#233;pid&#233;mique &#224; son plus haut degr&#233; d’expansion et d’&#233;nergie. C’est
dans ces limites que se renferme mon programme.

Ecoutons d’abord un homme &#224; qui ce sujet a dict&#233; d’&#233;loquentes paroles:

&#171;Il est des races d’animaux et de v&#233;g&#233;taux qui n’existent plus
dans leur forme primitive; et chaque jour, l’art, l’&#233;ducation, la
civilisation transforment les v&#233;g&#233;taux et les animaux qui vivent
autour de nous. Pourquoi n’en serait-il pas de m&#234;me des maladies?
Pourquoi n’y aurait-il pas des maladies historiques, comme il y a des
animaux et des v&#233;g&#233;taux fossiles? Pourquoi ne pourrait-il pas na&#238;tre,
sous l’influence de circonstances passag&#232;res, des maladies nouvelles
et passag&#232;res, comme il na&#238;t des vari&#233;t&#233;s nouvelles d’animaux et de
plantes? C’est peut-&#234;tre l&#224; l’histoire d’un grand nombre d’&#233;pid&#233;mies et
de contagions[32].&#187;

848 :名無しの愉しみ:2019/03/29(金) 12:48:50.17 ID:???.net
自分の特技を活かせばヒーローになれる(妄想)
現実世界では不可能だったことが実現できたウィキペディア(妄想)
その立ち位置を死守するためには、何としても自警の価値を認めさせなけれはならない

「記事も書けない病んでる自警」
そんな評価にならないために、今日も洗脳と噛み付きに精を出す彼だった


現実はこうだからな

849 :名無しの愉しみ:2019/03/29(金) 12:50:49.78 ID:???.net
投票の勢いが落ちてるぞ

850 :名無しの愉しみ:2019/03/29(金) 12:55:59.58 ID:???.net
L’observation confirme pleinement ces pressentiments de l’analogie.

&#171;Il semble, dit M. Littr&#233;, que les peuples, dans le mouvement et
le progr&#232;s de leur vie, soul&#232;vent, sans s’en douter, des agents
hostiles qui leur apportent la mort et la d&#233;solation. Ils sont, dans
leur sourd et aveugle travail..... comme les mineurs qui poursuivent
le sillon qu’ils sont charg&#233;s d’exploiter, tant&#244;t d&#233;cha&#238;nant les
eaux souterraines qui les noient, tant&#244;t ouvrant un passage aux gaz
m&#233;phitiques qui les asphyxient ou les br&#251;lent, et tant&#244;t, enfin,
provoquant des &#233;boulements de terrain qui les ensevelissent dans leurs
d&#233;combres[33].&#187;

Le tableau que repr&#233;sente ce langage figur&#233; est frappant de v&#233;rit&#233;.
L’histoire d&#233;roule, en effet, &#224; nos regards la succession s&#233;culaire de
grands ph&#233;nom&#232;nes pathologiques, v&#233;ritables trombes de l’ordre m&#233;dical,
dont l’explosion soudaine et terrible marque d’une fun&#232;bre empreinte
certaines p&#233;riodes pr&#233;destin&#233;es de l’&#233;volution des peuples. La science
qui serait indiff&#233;rente au spectacle de ces &#233;v&#233;nements extraordinaires,
se condamnerait gratuitement &#224; rester incompl&#232;te. Ce n’est pas par le
simple attrait de la curiosit&#233; que leur &#233;tude se recommande, mais aussi
par les mat&#233;riaux pr&#233;cieux qu’elle pr&#233;pare aux d&#233;couvertes de l’avenir.
Les &#233;pid&#233;mies sont de grands foyers lumineux qui &#233;clairent les
probl&#232;mes les plus obscurs de la pathologie, et il n’est pas permis
de mesurer d’avance l’&#233;tendue des services qu’on peut attendre de leur

851 :名無しの愉しみ:2019/03/29(金) 13:11:09.90 ID:???.net
histoire. Parmi ces faits, il en est que la marche du temps ne ram&#232;nera
peut-&#234;tre plus; on serait sans excuse, si on les laissait dormir dans
la poussi&#232;re du pass&#233;.

Telle &#233;tait, il y a pr&#232;s de vingt si&#232;cles, la conviction de Plutarque
lorsqu’il soumettait la m&#234;me question &#224; un d&#233;bat s&#233;rieux. Il demande,
en effet, _s’il est possible qu’il s’engendre de nouvelles maladies_,
et sa r&#233;ponse est nettement affirmative[34].

L’illustre &#233;crivain met en sc&#232;ne un m&#233;decin qui d&#233;fend l’opinion
contraire, en pr&#233;sence d’un cercle nombreux, et il prend &#224; son tour la
parole pour la r&#233;futer, all&#233;guant, comme preuve, que la _ladrerie_ et
la _rage_ n’&#233;taient connues que depuis Ascl&#233;piades.

Les assistants se r&#233;crient, ne pouvant se persuader &#171;que la nature, en
telles choses, fust, dedans le corps humain, comme dedans une ville,
amatrice et inventrice de nouvellet&#233;s.&#187;

Plutarque r&#233;torque un &#224; un les arguments tr&#232;s-s&#233;rieux qu’il met dans
la bouche de son interlocuteur. Un de ses principaux motifs figure
parmi ceux que je ferai valoir moi-m&#234;me: c’est que Thucydide a regard&#233;
la peste d’Ath&#232;nes comme une maladie nouvelle, vu que les animaux ne
touchaient pas aux cadavres.

Je n’ai pas besoin de dire que, dans la forme comme dans le fond,

852 : :2019/03/29(金) 13:26:04.99 ID:???.net
>>838
執筆実績十分のLTAはどうですか?

853 :名無しの愉しみ:2019/03/29(金) 13:26:14.62 ID:???.net
l’argumentation de Plutarque se ressent de la science de son temps.
Mais sa conclusion tr&#232;s-explicite pourrait &#234;tre accept&#233;e aujourd’hui
dans les termes qui l’expriment: &#171;Sans aller plus loin que nous-m&#234;me,
dit-il, le changement de la fa&#231;on de vivre est suffisante cause pour
pouvoir engendrer des maladies[35].&#187;

Cette observation r&#233;v&#233;l&#233;e &#224; la sagacit&#233; de Plutarque par quelques
rapprochements historiques, a grandi sous la plume de quelques
&#233;crivains m&#233;dicaux qui en ont compris la port&#233;e et approfondi l’&#233;tude.

Frapp&#233; de la r&#233;cente apparition de certaines fi&#232;vres &#233;ruptives,
Ingrassias n’h&#233;site pas &#224; poser comme une loi g&#233;n&#233;rale l’extinction et
la nouveaut&#233; des maladies &#224; travers les si&#232;cles:

&#171;_Multos enim novos et veteribus prorsum ignotos morbos nostra &#230;tas
experitur; quemadmodum contra, priscis quidem plurimi accidere
consueverunt, hodierno tempore penitus incogniti_[36].&#187;

Telle est aussi l’opinion du savant Makittrick:

&#171;_Morbi insoliti et humano generi antea incogniti in historia medica
sese offerunt. Horum nonnulli revera fugaces cum &#224; causis minus
constantibus pendeant, post perniciem temporaneam hominibus illatam,
nunquam forsan redituri, penitus evanuerunt; dum alii, semel oborti,
infestare perstiterunt, et semper forte perstabunt_[37].&#187;

854 :名無しの愉しみ:2019/03/29(金) 13:36:02.32 ID:???.net
椰子もなあ
自分の翻訳をミキヒサに荒らされたときに守ってくれるのが
執筆者か自警かわかっているのだろうか?
自分が自警に助けてもらっているのを自覚しないとは
やっぱり障碍者だな

855 :名無しの愉しみ:2019/03/29(金) 13:41:19.20 ID:???.net
Parmi les auteurs qui ont tir&#233; la m&#234;me conclusion de leurs lectures, je
puis citer encore Fouquet[38], Berthe[39] et Sprengel[40].

Les m&#233;decins allemands ont apport&#233; un riche contingent &#224; cet ordre de
recherches.

Je mets au premier rang Godefroy Gruner dont l’immense &#233;rudition
s’allie &#224; une connaissance approfondie des faits m&#233;dicaux de tous les
temps et de tous les lieux. Dans l’ordre d’id&#233;es dont je m’occupe, son
livre intitul&#233;: _Morborum antiquitates_[41], est une &#339;uvre &#224; part dont
on doit &#233;galement louer le plan et l’ex&#233;cution.

La succession de Gruner, si je puis ainsi dire, est &#233;chue &#224; son
compatriote, M. Charles Hecker, savant professeur de Berlin, dont je
redirai plus d’une fois le nom. Personne n’a &#233;lucid&#233; avec une plus
fructueuse pers&#233;v&#233;rance tous ces probl&#232;mes d’arch&#233;ologie m&#233;dicale, et
son passage dans cette carri&#232;re si peu suivie y laissera une trace
profonde et durable. La valeur des emprunts que je lui ai faits
justifiera le sentiment d’estime et de reconnaissance anticip&#233;e que
m’avait inspir&#233; la lecture de ses &#339;uvres.

Depuis quelques ann&#233;es, les travaux de M. Hecker, hautement appr&#233;ci&#233;s
par un groupe de m&#233;decins fran&#231;ais, &#233;pris comme lui de ces belles
&#233;tudes, ont provoqu&#233; une heureuse &#233;mulation.

856 :名無しの愉しみ:2019/03/29(金) 13:41:29.16 ID:???.net
>>848
福岡の藤田某さんがまさにそれでしたね

857 :名無しの愉しみ:2019/03/29(金) 13:56:23.86 ID:???.net
En 1836, M. Charles B&#339;rsch pr&#233;senta &#224; la Facult&#233; de m&#233;decine de
Strasbourg une dissertation inaugurale qui m&#233;rite d’&#234;tre distingu&#233;e
dans l’&#233;lite des &#233;crits de ce genre.

Ce travail renferme de belles pages sur la question des grandes
&#233;pid&#233;mies nouvelles et &#233;teintes. On voit que l’auteur avait tout ce
qu’il faut pour traiter, _ex professo_, un sujet qui ne se m&#234;lait
qu’incidemment &#224; la question sp&#233;ciale dont il poursuivait l’examen[42].

M. le professeur Fuster a expos&#233; ce point de doctrine dans un des
chapitres les plus substantiels de son livre[43]. Le parall&#232;le des
_grandes_ et des _petites &#233;pid&#233;mies_ y est &#233;tabli sur sa v&#233;ritable
base; et on ne peut aujourd’hui aborder le m&#234;me sujet, sans prendre
conseil de ce travail.

Enfin, M. Littr&#233;, en &#233;crivant sa traduction d’Hippocrate[44], v&#233;ritable
monument &#233;lev&#233; &#224; l’honneur de la m&#233;decine fran&#231;aise, a saisi avec
empressement toutes les occasions d’interpr&#233;ter les rapports de la
pathologie ancienne avec celle de notre temps, et ses _arguments_
tiennent en r&#233;serve de pr&#233;cieuses indications pour ceux qui voudront
suivre le sillon qu’il a trac&#233;. Le m&#234;me auteur a publi&#233;, en 1836,
un article qui contient en substance tout ce que la science poss&#232;de
de plus important sur les _grandes &#233;pid&#233;mies_. Si ce travail, moins
esclave des exigences du recueil qui en a eu les pr&#233;mices, avait re&#231;u

858 :名無しの愉しみ:2019/03/29(金) 13:59:08.61 ID:???.net
最近かわいい男の子みるとおちんちん見せて反応みたくなるんだ

859 :名無しの愉しみ:2019/03/29(金) 14:11:28.87 ID:???.net
tous les d&#233;veloppements que l’auteur &#233;tait, mieux que personne, en &#233;tat
de lui donner, je d&#233;clare, sans fausse modestie, que je n’aurais jamais
eu l’id&#233;e d’&#233;crire le pr&#233;sent livre[45].

Il r&#233;sulte de cet aper&#231;u bibliographique que je n’ai pas manqu&#233; de
mod&#232;les, lorsque j’ai entrepris moi-m&#234;me les recherches dont j’offre
le produit au public m&#233;dical. Mais il faut reconna&#238;tre qu’en France ce
terrain a &#233;t&#233; peu cultiv&#233;, et le m&#233;rite des travaux que nous poss&#233;dons
en ce genre est un motif de plus de regretter leur petit nombre et
leur concision. On n’en compte aucun qui puisse prendre le titre que
j’ai choisi. C’est la seule priorit&#233; &#224; laquelle on me pardonnera de
pr&#233;tendre.

Il est opportun, avant d’aller plus loin, de rectifier une fois pour
toutes un vice de langage tr&#232;s-commun, qui n’a pas peu contribu&#233; &#224;
perp&#233;tuer la confusion des maladies populaires les plus oppos&#233;es par
leur nature.

Le mot _peste_ (_pestis_ des Latins, λο&#8055;μο&#962; des Grecs) est un terme
g&#233;n&#233;rique sous lequel on a longtemps compris toutes les &#233;pid&#233;mies
tr&#232;s-graves. Galien, commentant un passage d’Hippocrate, distingue
l’&#233;pid&#233;mie et la peste. La premi&#232;re est celle dont les cas se
multiplient, dans un pays et un temps donn&#233;s; la peste est une &#233;pid&#233;mie
_tr&#232;s-pernicieuse_ dont la mort est la terminaison ordinaire[46].
Dans ce sens, la grippe serait simplement une &#233;pid&#233;mie, et le chol&#233;ra

860 :名無しの愉しみ:2019/03/29(金) 14:26:45.63 ID:???.net
moderne prendrait le nom de peste.

Tite-Live mentionnant une maladie qui avait r&#233;gn&#233; &#224; Rome et dans
les environs, la qualifie de _pestilentielle_, ajoutant qu’elle se
prolongea longtemps _sans devenir mortelle_.

Lancisi, interpr&#233;tant ce passage, ne reconna&#238;t pas une v&#233;ritable peste
&#224; cette b&#233;nignit&#233; insolite; et il juge en cons&#233;quence qu’il s’agissait
probablement de fi&#232;vres palud&#233;ennes[47].

Il faut donc se m&#233;fier du mot peste qu’on lit dans les auteurs anciens,
et qui a m&#234;me &#233;t&#233; employ&#233; dans le sens figur&#233; par les &#233;crivains
&#233;trangers &#224; la m&#233;decine, historiens, po&#235;tes, orateurs. Ce n’est qu’&#224;
partir du VIe si&#232;cle que cette d&#233;signation a conquis le droit exclusif
de repr&#233;senter la _peste d’Orient_, inguinale ou bubonique.

Quoique la langue m&#233;dicale soit devenue plus correcte, l’habitude est
encore la plus forte, et il ne manque pas de m&#233;decins qui persistent
invariablement &#224; qualifier de _peste_ toutes les grandes maladies
populaires. Cette synonymie qui n’est excusable que dans le sens
m&#233;taphorique, doit &#234;tre s&#233;v&#232;rement &#233;conduite du vocabulaire orthodoxe,
comme donnant, au point de vue historique et nosologique, une id&#233;e
fausse de la nature des maladies qu’elle confond.

861 :名無しの愉しみ:2019/03/29(金) 14:34:05.64 ID:???.net
天照皇女もそろそろ介錯してやって

862 :名無しの愉しみ:2019/03/29(金) 14:41:49.65 ID:???.net
On conna&#238;t ce mot de Sydenham: La plupart des maladies aigu&#235;s viennent
de Dieu, les maladies chroniques sont notre propre ouvrage. &#171;_Acutos
dico, qui ut plurimum Deum habent auctorem, sicut chronici ipsos
nos_[48].&#187;

Cette distinction pourrait &#234;tre appliqu&#233;e aux &#233;pid&#233;mies, divis&#233;es en
deux grandes classes.

Les unes d&#233;pendent des vices de notre hygi&#232;ne physique et morale, et
nous devons, dans une certaine mesure, encourir la responsabilit&#233; de
leur origine, de leur d&#233;veloppement, de leur reproduction.

Les autres naissent par les seules forces de la nature, c’est-&#224;-dire
qu’aucune combinaison humaine ne peut en pr&#233;parer et en provoquer
l’explosion.

Celles-ci sont les _grandes &#233;pid&#233;mies_ ou _&#233;pid&#233;mies_ proprement dites.

Comme les anges exterminateurs des livres saints, elles s’abattent,
quand l’heure a sonn&#233;, sur les r&#233;unions d’hommes et couchent dans
la tombe des g&#233;n&#233;rations enti&#232;res. Leur t&#226;che accomplie, elles
disparaissent sans qu’on puisse dire si leur retraite sera temporaire
ou d&#233;finitive.

Voici l’&#233;num&#233;ration sommaire des attributs caract&#233;ristiques que leur

863 :名無しの愉しみ:2019/03/29(金) 14:56:56.79 ID:???.net
assigne l’observation.

Apparitions intermittentes &#224; long terme, invasion soudaine, &#233;tiologie
ignor&#233;e et sans rapport appr&#233;ciable avec les causes communes,
domination universelle, l&#233;thalit&#233; rebelle &#224; tous les efforts de l’art,
sp&#233;cificit&#233; profonde, aspect &#233;trange sans analogue parmi les maladies
connues[49].

Tout est myst&#232;re dans ces fl&#233;aux extraordinaires, et c’est par l&#224;
qu’ils se distinguent des _petites &#233;pid&#233;mies_. Celles-ci sont des
maladies vulgaires, momentan&#233;ment dou&#233;es d’une force accidentelle de
rayonnement. Leur source, leur extension et toutes les circonstances
qui s’y rapportent, rentrent sous les lois communes de la pathologie.
Je ne dirais pas la v&#233;rit&#233; tout enti&#232;re, si je n’ajoutais qu’elles
ont contract&#233; certaines apparences insolites qui les rapprochent des
grandes &#233;pid&#233;mies. Elles ont en effet dans leur constitution un je
ne sais quoi qu’on s’accorde &#224; d&#233;signer, faute de mieux, sous le nom
d’_&#233;l&#233;ment &#233;pid&#233;mique_.

Je n’ai point trac&#233;, on peut m’en croire, un portrait de fantaisie des
grandes maladies populaires. On en v&#233;rifiera la ressemblance quand je
passerai en revue celles dont l’histoire nous a gard&#233; le souvenir.

La premi&#232;re (car nos renseignements ne vont pas au del&#224;), &#233;clata au
Ve si&#232;cle avant notre &#232;re, et elle est rest&#233;e c&#233;l&#232;bre sous le nom

864 :名無しの愉しみ:2019/03/29(金) 15:07:16.78 ID:???.net
Ntsctalkはあてつけみたいな真似ばっかしてるな
被害妄想が行き過ぎてて誰が病的なんだかわからん

865 :名無しの愉しみ:2019/03/29(金) 15:12:01.53 ID:???.net
de _peste d’Ath&#232;nes_. La derni&#232;re, fl&#233;au de notre temps, atteste,
sous nos yeux m&#234;mes, la r&#233;alit&#233; de ces &#233;preuves terribles, inflig&#233;es
p&#233;riodiquement &#224; la famille humaine.

L’ensemble de ces &#233;pid&#233;mies repr&#233;sente un groupe nosologique qui, sous
tous les rapports, m&#233;rite d’&#234;tre &#233;tudi&#233; &#224; part.

Je serai bref dans les notions g&#233;n&#233;rales qui vont suivre, et que
j’aurai plus tard de nombreuses occasions de d&#233;velopper.

D’o&#249; proviennent les grandes &#233;pid&#233;mies? Cette question a servi de texte
et de pr&#233;texte &#224; bien des divagations arbitraires. L’imagination des
auteurs, m&#234;me les plus graves, n’a pas recul&#233; devant des hypoth&#232;ses
bizarres ou extravagantes qu’on n’ose pas reproduire.

En d&#233;sespoir de cause, on est all&#233; chercher dans les r&#233;gions sid&#233;rales
ce qu’on ne trouvait pas autour de soi. L’action du soleil, de la lune,
des conjonctions plan&#233;taires a &#233;t&#233; invoqu&#233;e par l’astrologie ancienne
qui a affich&#233; si longtemps la pr&#233;tention de r&#233;soudre le probl&#232;me.

Peut-&#234;tre faudrait-il un peu d’indulgence pour des folies qui se
montrent encore dans ce si&#232;cle si justement fier de ses lumi&#232;res. Les
vieux astrologues n’ont-ils pas laiss&#233; des h&#233;ritiers qui ont exhum&#233;, au
profit de l’&#233;tiologie chol&#233;rique, l’intervention de certaines plan&#232;tes
qui ne s’en doutent gu&#232;re? Je sais bien que ce qui &#233;tait, au moyen

866 :名無しの愉しみ:2019/03/29(金) 15:27:06.89 ID:???.net
&#226;ge, un syst&#232;me publiquement enseign&#233; dans les &#233;coles, et d&#233;fendu par
de grands esprits comme une v&#233;rit&#233; d&#233;montr&#233;e, ne peut &#234;tre aujourd’hui
que la tentative isol&#233;e d’un cerveau creux en qu&#234;te de ridicule. C’est
notre invincible ignorance qui explique la force de reproduction de
ces pr&#233;jug&#233;s. Confions-nous, pour d&#233;chirer ce voile, aux promesses de
l’avenir. Mais rendons hommage &#224; la sagesse d’Hippocrate qui d&#233;daignait
les hypoth&#232;ses et se renfermait dans sa formule du _Quid divinum_ qu’on
lui a tant reproch&#233;e parce qu’on ne l’a pas comprise.

Que gagne-t-on &#224; mettre ces grandes maladies sous la d&#233;pendance d’un
concours ind&#233;termin&#233; d’influences _telluriques_, tant qu’on n’aura ni
pr&#233;cis&#233; leur nature et leur mode d’agir, ni surtout justifi&#233; de leur
existence? Nul doute que la g&#233;n&#233;ralit&#233; de la cause ne s’accorde assez
bien avec l’expansion sans limite de l’effet qu’on lui attribue. Mais
ce n’en est pas moins une explication arbitraire qui &#233;chappe &#224; tout
moyen de v&#233;rification ou de contr&#244;le.

M. Hecker d&#233;fend avec chaleur l’&#233;tiologie _cosmique_ qui attribue les
&#233;pid&#233;mies aux grands troubles dans l’ordre physique. D’apr&#232;s lui, la
co&#239;ncidence serait constante et trahirait un rapport de causalit&#233;.

Je veux bien admettre que dans les cas o&#249; ces influences d&#233;ploient
un certain degr&#233; d’intensit&#233;, leur intervention h&#226;te ou favorise
l’explosion d’une maladie imminente: mais je nie qu’elle ait le pouvoir
de l’engendrer.

867 :名無しの愉しみ:2019/03/29(金) 15:33:48.47 ID:???.net
LTA:SASHOが膿ボチャンとリバース10に追い詰められて土下座祭り

868 :名無しの愉しみ:2019/03/29(金) 15:37:53.08 ID:???.net
https://ja.wikipedia.org/w/index.php?oldid=72170080

自分で得た情報であっても、個人情報の取り扱いには細心の注意を払わねばならない
小出しでひけらかす様な奴は管理者には不向き

869 :名無しの愉しみ:2019/03/29(金) 15:42:12.29 ID:???.net
Une hypoth&#232;se qui invoque l’ascendant combin&#233; des deux influences les
plus g&#233;n&#233;rales et les plus actives qu’on puisse accuser de provoquer
les &#233;pid&#233;mies, m&#233;rite d’&#234;tre prise en consid&#233;ration, non pour lui
reconna&#238;tre la valeur d’une v&#233;rit&#233; d&#233;finitive, mais pour lui accorder
une certaine part de probabilit&#233; scientifique. Cette th&#233;orie n’a pu
&#234;tre sugg&#233;r&#233;e que par l’interpr&#233;tation judicieuse des recherches et des
rapprochements historiques que renferment les archives de la m&#233;decine.

D’apr&#232;s l’ensemble de ces donn&#233;es, M. le professeur Fuster a &#233;t&#233; port&#233;
&#224; croire que le secret si vainement poursuivi des grandes &#233;pid&#233;mies
pourrait bien &#234;tre dans une _combinaison ind&#233;termin&#233;e de causes
cosmiques et d’influences morales et politiques_[50]. Le concours
de ces influences pr&#233;c&#233;derait, d’apr&#232;s lui, avec une constance
significative, l’explosion des grands fl&#233;aux populaires qui ont d&#233;sol&#233;
le monde.

A l’appui de ce syst&#232;me, l’auteur s’est charg&#233; de r&#233;unir les faits qui
&#233;tablissent la descendance l&#233;gitime de ces maladies par rapport aux
perturbations de l’ordre moral. Je ne le suivrai pas dans l’exposition
habilement pr&#233;sent&#233;e de ces grandes crises. J’accorde volontiers que la
co&#239;ncidence n’a jamais &#233;t&#233; en d&#233;faut depuis la peste d’Ath&#232;nes jusqu’au
chol&#233;ra de notre temps.

Quant &#224; la filiation qui relierait la g&#233;n&#233;ration des grandes &#233;pid&#233;mies

870 :名無しの愉しみ:2019/03/29(金) 15:50:12.45 ID:???.net
>>864
鈴虫ガーしか言えなくなってしまったな
あれでは自分が悪かったと言ってるように見せかけて鈴虫が悪いと言いたい風にしか見えん

871 :名無しの愉しみ:2019/03/29(金) 15:51:24.49 ID:???.net
>>840
http://labo.kyoto-phu.ac.jp/kousyuu/DSCN0967.jpg

で、なんで顔パンパンなの?

872 :名無しの愉しみ:2019/03/29(金) 15:53:42.53 ID:???.net
>>868
こんな小物自警どうせ長くないよ

873 :名無しの愉しみ:2019/03/29(金) 15:55:51.73 ID:???.net
優しく剥いてね

874 :名無しの愉しみ:2019/03/29(金) 15:56:14.59 ID:???.net
チカチカ画像のLTA補Rebirth10さんだからな

875 :名無しの愉しみ:2019/03/29(金) 16:02:10.69 ID:???.net
堕落が意外に賛成票を集めてるので
3/10の利用者ページ隠蔽が何だったのか余計に気になるな
個人情報でも載せてたのか?

876 :名無しの愉しみ:2019/03/29(金) 16:03:31.09 ID:???.net
だったら反対入れといてよ、別に何を言われても構わないし
もう俺は管理者になるから

877 :名無しの愉しみ:2019/03/29(金) 16:05:39.82 ID:???.net
>>871
トコロテン射精バカネ切干大根は荒らしとストーカー行為をやめなさい

878 :名無しの愉しみ:2019/03/29(金) 16:09:39.17 ID:???.net
やっぱり賛成入れといて
今はまだ票が欲しいしうっかり反対されたらウザいしさ

879 :名無しの愉しみ:2019/03/29(金) 16:12:25.97 ID:???.net
m&#233;t&#233;orologiques dont les causes doivent &#234;tre si variables?

N’est-il pas &#233;vident d’ailleurs que cette &#233;tiologie laisse dans
l’ombre un c&#244;t&#233; tr&#232;s-important de la question, puisqu’elle ne peut
expliquer la sp&#233;cificit&#233; originale des maladies qui en seraient
le produit? Au VIe si&#232;cle, nous verrons &#233;clater, &#224; peu d’ann&#233;es
de distance, la Peste inguinale, la Variole, la Rougeole. Est-il
admissible que ces trois entit&#233;s morbides, radicalement distinctes,
soient l’&#339;uvre de l’action combin&#233;e des m&#234;mes facteurs?

En somme, l’hypoth&#232;se nouvelle propos&#233;e par M. Fuster serre le but de
plus pr&#232;s, mais ne l’a pas encore atteint; et l’on peut se remettre &#224;
l’&#339;uvre, en supposant que la solution d&#233;sir&#233;e ne d&#233;passe pas a tout
jamais la port&#233;e de l’esprit humain.

Je ne viens pas, Dieu m’en garde, grossir le nombre de ces th&#233;ories.
Mais je me suis souvent demand&#233; si ces causes qui exercent tant la
sagacit&#233; des savants, ne proviendraient pas des mutations internes
survenues dans les dispositions des masses, apr&#232;s une longue et
inexplicable incubation. Ainsi &#233;clateraient spontan&#233;ment les affections
populaires, comme on voit survenir la maladie sporadique chez un
individu pr&#233;par&#233; &#224; son atteinte.

L’&#233;tude des soci&#233;t&#233;s humaines, dans le temps et dans l’espace,
d&#233;montre que chacune d’elles a son temp&#233;rament, son idiosyncrasie, sa

880 :名無しの愉しみ:2019/03/29(金) 16:20:27.37 ID:???.net
りばてん君はTokyodesertの会話ページに超長文を放り投げてブレイク宣言したのに
ブレイク中だから約束したことはやらないけどやりたいことだけは続けます状態

881 :名無しの愉しみ:2019/03/29(金) 16:27:31.12 ID:???.net
constitution apparente, son activit&#233; int&#233;rieure, ou, pour parler comme
Barthez, ses forces agissantes et ses forces radicales.

C’est dans l’ensemble de ces rapports et dans la proportion variable
des facult&#233;s qu’ils traduisent, que r&#233;side la vie sociale, tant&#244;t
expansive et vigoureuse, tant&#244;t &#233;nerv&#233;e et languissante; ici
r&#233;fractaire aux influences mauvaises, l&#224; fatalement condamn&#233;e &#224; les
ressentir.

Quand les populations sont profond&#233;ment modifi&#233;es, elles offrent aux
&#233;pid&#233;mies une proie plus facile, et c’est bien moins dans les agents
ext&#233;rieurs que dans l’activit&#233; intime de l’organisme qu’il faut en
chercher la raison.

Mais je m’arr&#234;te parce que je m’aper&#231;ois que sous les apparences d’une
explication, je m’en tiens strictement &#224; l’expression des faits, et je
m’empresse de passer &#224; un autre point de vue.

La science est-elle parvenue &#224; &#233;tablir les lois qui r&#233;gissent les
explosions des &#233;pid&#233;mies nouvelles, leurs disparitions momentan&#233;es,
leurs retours &#233;ventuels, leur extinction d&#233;finitive? Je suis oblig&#233; de
convenir que nous n’en sommes &#224; peu pr&#232;s, sur ce point, qu’&#224; la simple
constatation des ph&#233;nom&#232;nes. Or, l’observation ne nous apprend qu’une
chose: c’est que ces grands fl&#233;aux sont heureusement rares et largement
espac&#233;s dans la succession des si&#232;cles. C’est pour cela qu’on attend

882 :名無しの愉しみ:2019/03/29(金) 16:55:11.27 ID:???.net
バカブラや例祭のRfAに投票した方

待ってるよ〜賛成に投票してね〜

883 :名無しの愉しみ:2019/03/29(金) 16:57:44.34 ID:???.net
temps &#224; reproduire cette insipide revue. J’aime mieux dire ce que nous
apprend la simple observation, pure de tout alliage syst&#233;matique.

Rien n’arr&#234;te la marche des grandes &#233;pid&#233;mies. Partout o&#249; elles se
portent, elles frappent tous les &#226;ges, tous les sexes, tous les
temp&#233;raments, toutes les races, toutes les conditions sociales. On a
remarqu&#233; cependant qu’elles sont plus fatales aux classes abruties par
la d&#233;bauche ou &#233;nerv&#233;es par la mis&#232;re.

Il est prouv&#233; que ces maladies viennent de l’Orient &#224; l’Occident,
suivant le mouvement du syst&#232;me plan&#233;taire. C’est notre ignorance qui
qualifie de _caprices_ les in&#233;galit&#233;s bizarres de leur marche: autre
inconnue &#224; d&#233;gager!

Apr&#232;s avoir attribu&#233; leur extension au rayonnement d’un foyer
infectionnel, imagin&#233; pour les besoins de la cause, on a pr&#233;tendu
surprendre, dans la succession de leurs ravages, une filiation directe
et continue qui relierait ensemble tous les cas morbides, comme les
anneaux d’une cha&#238;ne.

Il est hors de doute que la contagion est leur compagne assidue, et
quelques auteurs ont m&#234;me voulu la leur associer comme un caract&#232;re
inali&#233;nable. La v&#233;rit&#233; est qu’elle ne remplit qu’un r&#244;le secondaire
dans le progr&#232;s de leur d&#233;veloppement.

884 :名無しの愉しみ:2019/03/29(金) 17:01:23.76 ID:???.net
>>875
個人情報や隠蔽の類はないですよ。
残しておいても無問題と思われることばかりで消す理由がわかりません。

885 :名無しの愉しみ:2019/03/29(金) 17:10:22.71 ID:pDjdshi8.net
>>825
残高確認   

886 :名無しの愉しみ:2019/03/29(金) 17:12:48.93 ID:???.net
L’incoh&#233;rence de la marche des grandes &#233;pid&#233;mies, les sauts et les
bonds qui les transportent inopin&#233;ment &#224; des distances &#233;loign&#233;es,
sans toucher les interm&#233;diaires, leurs retours sur les lieux qu’elles
ont d&#233;j&#224; visit&#233;s, leur explosion instantan&#233;e sur les points oppos&#233;s
des cit&#233;s populeuses: toutes ces consid&#233;rations r&#233;unies rendent au
g&#233;nie &#233;pid&#233;mique, abstraction faite du mode virulent, sa compl&#232;te
ind&#233;pendance. Dans leur course &#224; travers le monde, ces fl&#233;aux
cosmopolites se propagent par leur activit&#233; propre, en vertu d’une
attribution primordiale.

Toute &#233;pid&#233;mie vraie porte avec elle un cachet dont elle ne se s&#233;pare
jamais, et qui ne trompe pas l’&#339;il exerc&#233; du m&#233;decin. Le groupe de
sympt&#244;mes qui la traduit est pathognomonique dans toute l’&#233;tendue du
mot. Devant cette image ind&#233;l&#233;bile, le diagnostic ne peut h&#233;siter
longtemps.

L’excessive gravit&#233; de ces sympt&#244;mes est attest&#233;e par ce fait trop
certain que l’art qui les combat avoue son impuissance absolue. Cette
r&#233;sistance aux m&#233;thodes et aux rem&#232;des est un trait caract&#233;ristique.

Comment les &#233;pid&#233;mies cessent-elles? Quelle est la cause qui r&#233;duit
graduellement le nombre et la l&#233;thalit&#233; des cas individuels, de telle
sorte qu’on peut pr&#233;dire le terme prochain de la maladie g&#233;n&#233;rale?
Au moment o&#249; elle d&#233;ploie toute sa fureur, on dirait qu’elle ne sera
assouvie que lorsqu’elle aura &#233;puis&#233; toutes les victimes.

887 :名無しの愉しみ:2019/03/29(金) 17:14:31.01 ID:???.net
>>875
最終版じゃなく履歴中に何か不都合が紛れ込んでたんだろう

888 :名無しの愉しみ:2019/03/29(金) 17:34:31.10 ID:???.net
>>887
過去の版も少なくともパスタンさんのよりは安全ですよ。

889 :名無しの愉しみ:2019/03/29(金) 17:37:22.26 ID:???.net
>>864
ぱたごんが風呂掛けたのが意外だった。
森さんからも会話ページ書き込まれてるし、米依頼でもザパニにコメントされてるし
既に相当な問題児として目付けられてるぞ。

890 :名無しの愉しみ:2019/03/29(金) 17:39:12.72 ID:???.net
ヤシーはV悪と海獺の件があるから編集を重視してるんだろうけど、
管理作業となればその経験はあってないようなもんだぞ

891 :名無しの愉しみ:2019/03/29(金) 17:43:10.42 ID:???.net
ou nouvelles, qui se reconnaissent &#224; ce triple attribut: &#233;tranget&#233; des
sympt&#244;mes, domination universelle, l&#233;thalit&#233; indomptable. L’ordre de
leur &#233;tude est naturellement indiqu&#233; par leur succession chronologique.

Voici les esp&#232;ces que j’ai cru devoir comprendre dans ce groupe.

La _peste d’Ath&#232;nes_, la _peste Antonine_, l’_&#233;pid&#233;mie du r&#232;gne de
Gallus_, la _peste d’Orient_, les _fi&#232;vres &#233;ruptives nouvelles_, la
_maladie gangr&#233;neuse_ du moyen &#226;ge, la _peste noire_ du XIVe si&#232;cle, la
_suette anglaise_, la _syphilis_, le _chol&#233;ra morbus_ de notre temps.

J’aurai l’occasion, chemin faisant, de mettre sous les yeux de mon
lecteur quelques documents relatifs &#224; certaines &#233;pid&#233;mies mentionn&#233;es
par les vieux auteurs, qui nous ont laiss&#233; &#224; deviner des &#233;nigmes
nosologiques.

On s’&#233;tonnera peut-&#234;tre de ne pas trouver dans l’&#233;num&#233;ration qu’on
vient de lire, une &#233;pid&#233;mie qui a plusieurs fois parcouru le monde
depuis le XVe si&#232;cle, sous les noms d’_Influenza_, _Coquette_,
_Petite-Poste_, _Follette_, _Tac_, _Horion_, _Grippe_. Mon excuse sera
facile.

La grippe n’est en r&#233;alit&#233; qu’une maladie vulgaire, connue de toute
antiquit&#233; sous la d&#233;nomination de _catarrhe_. Depuis qu’elle a
ostensiblement affect&#233; la forme &#233;pid&#233;mique, elle s’est port&#233;e &#224;

892 :名無しの愉しみ:2019/03/29(金) 17:58:15.02 ID:???.net
plusieurs reprises dans toutes les parties du globe. Elle a donc de
commun avec les grandes &#233;pid&#233;mies l’universalit&#233; de sa domination &#224; un
moment donn&#233;. Mais l&#224; se borne la similitude.

Sans doute, cette affection dont nous pr&#233;cisons nosologiquement la
nature, renferme un &#233;l&#233;ment qui nous &#233;chappe. &#171;Nous ne connaissons
le tout de rien,&#187; a dit Montaigne. Mais nous pouvons la soumettre &#224;
l’analyse clinique et traiter avec assurance cette combinaison intime
d’un double &#233;tat nerveux et catarrhal. C’est ainsi que l’art dirig&#233;
par l’exp&#233;rience peut se faire honneur de bien des succ&#232;s qui lui sont
interdits avec les grandes &#233;pid&#233;mies. Ce qu’il y a de nouveau dans la
grippe, c’est son rayonnement illimit&#233;: mais elle est rest&#233;e au fond ce
qu’elle &#233;tait sous les yeux d’Hippocrate.


M. le Dr Calmeil a d&#233;crit, avec toute l’autorit&#233; d’une science
sp&#233;ciale, les _grandes &#233;pid&#233;mies de d&#233;lire_ qui ont donn&#233; autrefois le
navrant spectacle de toutes les d&#233;faillances de la raison humaine, de
toutes les formes de la folie partielle, de toutes les perversions de
la vie nerveuse[52].

C’est avec intention que j’ai gard&#233; le silence sur cette classe de
maladies. Outre que je ne pouvais songer &#224; refaire ce qui avait &#233;t&#233;
d&#233;j&#224; si bien fait, il est &#233;vident que M. Calmeil ne prend pas ces mots:
_Grandes &#233;pid&#233;mies_ dans le sens que je leur donne. La _d&#233;monomanie_,

893 :名無しの愉しみ:2019/03/29(金) 18:00:10.16 ID:???.net
ところでこの英文荒らしはいつになったら終わるの
ミラブルさん?

894 :名無しの愉しみ:2019/03/29(金) 18:06:06.80 ID:???.net
[[北尾光司]]
速報注意
>>893
いつのまにか仏文になってる

895 :名無しの愉しみ:2019/03/29(金) 18:07:20.62 ID:???.net
[[WP:AN/PE]]
ウィキペたんのKasugaさん、Kasuga~jawikiになってたのね。
こーゆーのこそ自警さんがやればよいのに。でもってもめごとになってしまえ。

896 :名無しの愉しみ:2019/03/29(金) 18:09:44.81 ID:???.net
爺さんずが賛成票

897 :名無しの愉しみ:2019/03/29(金) 18:13:20.23 ID:???.net
la _lycanthropie_, la _spectropathie_, la _chor&#233;manie_ ou _danse de
Saint-Guy_, le _tarentisme_, la _th&#233;omanie convulsive_, forment un
groupe de _n&#233;vroses_ qui se s&#233;parent radicalement des &#233;pid&#233;mies vraies,
non-seulement par leurs noms si expressifs, mais aussi par tous leurs
attributs nosologiques. Quelle qu’ait &#233;t&#233; leur diffusion, on ne les
a jamais qualifi&#233;es de _pestes_. C’est que leur origine doit &#234;tre
recherch&#233;e dans le monde des id&#233;es, et leur mode de propagation dans
une facult&#233; de l’instinct imitateur. Tant&#244;t leur action porte sur
l’intelligence et suscite les aberrations mentales les plus &#233;tranges.
Tant&#244;t elle retentit sur les appareils sensitifs et moteurs, et am&#232;ne
des troubles fonctionnels dont la gravit&#233; apparente reste &#233;trang&#232;re &#224;
toute alt&#233;ration anatomique appr&#233;ciable.

Cette br&#232;ve indication pr&#233;viendra, j’esp&#232;re, le reproche que j’aurais
pu encourir par une omission pr&#233;m&#233;dit&#233;e.

NOTES:

[3] La Bruy&#232;re, _les Caract&#232;res_, chap. I, _des ouvrages de
l’esprit_.

[4] Le livre de Ramazzini (_De morbis artificum diatriba._
Mod&#232;ne, 1701, in-8&#186;), traduit et annot&#233; par Fourcroy en 1777,
a &#233;t&#233; repris et compl&#233;t&#233; en 1822 par M. le docteur Patissier
(_Trait&#233; des maladies des artisans et de celles qui r&#233;sultent

898 :名無しの愉しみ:2019/03/29(金) 18:22:56.45 ID:???.net
このままでは狂々亭駄楽が管理者になってしまう。

899 :名無しの愉しみ:2019/03/29(金) 18:23:24.92 ID:???.net
>>877
http://labo.kyoto-phu.ac.jp/kousyuu/DSCN0967.jpg

で、なんで顔パンパンなの?

900 :名無しの愉しみ:2019/03/29(金) 18:28:23.44 ID:???.net
何か問題でも?

901 :名無しの愉しみ:2019/03/29(金) 18:28:34.36 ID:???.net
des diverses professions._ Paris, 1822, in-8&#186;.) Depuis lors,
cette &#233;tude s’est enrichie d’un grand nombre de publications
importantes. Sous ce rapport, les _Annales d’hygi&#232;ne publique et
de m&#233;decine l&#233;gale_ (Paris, 1829-1869) ont servi les progr&#232;s de
la science.

[5] Voyez Bouvier, _Bull. de l’Acad&#233;mie de m&#233;decine_, tome XXV,
p. 1031;--Tardieu, _&#201;tude hygi&#233;nique et m&#233;dico-l&#233;gale sur la
fabrication et l’emploi des allumettes chimiques_ (_Annales
d’hygi&#232;ne_, 2e s&#233;rie, tome VI, p. 5).

[6] Ch. Anglada, _Trait&#233; de la Contagion_, t. I, chap. III, _de
la Spontan&#233;it&#233; des affections contagieuses_. Paris, 1853.

[7] Voyez Boudin, _Trait&#233; de g&#233;ographie et de statistique
m&#233;dicales_. Paris, 1857, 2 vol. in-8&#186;.

[8] Voyez Ch. Martins, _du Spitzberg au Sahara_. Paris, 1866, p.
554.

[9] Hippocrate, _sect._ VI, _aph._ 29.

[10] S&#233;n&#232;que, _epist._ XCV.

[11] Quand on fait peser sur les goutteux la responsabilit&#233; de

902 :名無しの愉しみ:2019/03/29(金) 18:33:57.88 ID:???.net
英語以外の方が使わん単語だらけでNG楽ね

903 :名無しの愉しみ:2019/03/29(金) 18:43:38.43 ID:???.net
leur maladie, on ne songe qu’&#224; la goutte acquise. On oublie trop
l’h&#233;r&#233;dit&#233; qui peut la transmettre aux individus menant la vie
la plus r&#233;guli&#232;re. Je l’ai vue chez des femmes qui n’&#233;taient pas
encore dans les conditions physiologiques exig&#233;es par Hippocrate,
et qui auraient m&#233;rit&#233; l’admiration de S&#233;n&#232;que.

[12] Sur 80 goutteux qu’il a trait&#233;s &#224; Vichy, M. Charles Petit
compte 78 hommes et 2 femmes.

[13] Gui Patin qui constatait au XVIe si&#232;cle la retraite &#224; peu
pr&#232;s d&#233;finitive de la l&#232;pre ou ladrerie, a &#233;crit &#224; ce sujet une
lettre dont j’extrais un passage qui renferme des d&#233;tails curieux.

&#171;Il n’y a pas longtemps qu’on me fit voir ici un Auvergnat
malade, lequel &#233;tait soup&#231;onn&#233; de ladrerie; peut-&#234;tre que sa
famille en avoit quelque renom, car pour sa personne il n’y en
avoit aucune marque. Cela me fit souvenir de quelques familles de
Paris qui en sont soup&#231;onn&#233;es; mais actuellement, nous ne voyons
ici aucun ladre, si ce n’est &#224; l’&#233;gard de l’esprit ou de la
bourse. Autrefois il y avoit un h&#244;pital d&#233;di&#233; pour les recevoir
au faubourg Saint-Denis. On n’en voit aucun ni en Normandie, ni
en Picardie, ni en Champagne, quoique dans toutes ces provinces
il y ait des maisons qui leur &#233;toient destin&#233;es, et qui sont
converties en h&#244;pitaux de pestes. Autrefois on prenoit pour
ladres, des v&#233;rol&#233;s que l’ignorance des m&#233;decins et la barbarie

904 :名無しの愉しみ:2019/03/29(金) 18:49:21.96 ID:Y4zJDPPT.net
【今日まで】金券500円分タダでもらえます【本当だった】

@スマホのアプリストアから「タイムバンク」をインストール(iOS、Android両バージョンあります。もちろん無料アプリ)
A会員登録してマイページへ移動する
B招待コード→招待コード[jwWrZs]を入力する

紹介者と紹介された方共に300円もらえます。
今日中なら500円ギフト券(JCBギフティプレモ)を貰った残高から100円で買えます。
貰ったギフティプレモはAmazonギフト券(チャージタイプ)に交換できます(電子マネー払いにて)。

タイムバンクの、昨日の夕方から今日一杯までの短期キャンペーンのようなので、今のうちに!
あちこちに貼られているので私も胡散臭いと思ったのですが、検索してみたら本当みたいだったのでスグにやりました。
もちろん私もさらに300円もらいたいから招待しているわけですがw
数分で出来るので、まだの人は急いで!

905 :名無しの愉しみ:2019/03/29(金) 18:50:19.79 ID:???.net
しかし昔はRfAでも風呂でもヤシーが投票すると
無思考で右に倣えの連中が大量にでたけど
普通に反発されてるとこなんか神通力も落ちたもんだな

狂犬コメント恐くて名指し批判なんてとてもw

906 :名無しの愉しみ:2019/03/29(金) 18:55:08.38 ID:???.net
>>893
しつこいな知らないって
上にあったやつをちょっと手直しした受け売りだけど正規表現の[\w\s.,&#;]{100,}(数字は適当)でNG入れとけば飛ばせるよ

907 :名無しの愉しみ:2019/03/29(金) 18:55:46.61 ID:???.net
>>904
それアジエン板でも見たんだけど
マルチポスト???

908 :名無しの愉しみ:2019/03/29(金) 18:58:42.85 ID:???.net
du si&#232;cle faisoient prendre pour tels. N&#233;anmoins, il y a encore
des ladres en Provence, en Languedoc et en Poitou.&#187; (Gui Patin,
_Lettres_, t. III, lettre CCCCXLI, &#233;dition R&#233;veill&#233;-Parise.
Paris, 1846.)

[14] Ch. Anglada, _Trait&#233; de la Contagion_, t. I, p. 305.

[15] Bordeu, _&#338;uvres compl&#232;tes_, 1818, t. II, p. 679.

[16] Remplacez le mot _scorbut_ par celui de _gastro-ent&#233;rite_;
ne dirait-on pas que Bordeu d&#233;peint l’inauguration de la r&#233;forme
de Broussais? Aujourd’hui c’est le tour de la fi&#232;vre typho&#239;de.

[17] F&#233;libien, _Histoire de Paris_, t. II, p. 776.

[18] Sauval, _Antiquit&#233;s de Paris_, t. II, p. 558.

[19] B&#339;rsch, _Essai sur la mortalit&#233; &#224; Strasbourg_. Strasbourg,
1836, in-4&#186; p. 101.

[20] M&#233;zeray, _Histoire de France_, t. II, liv. V, p. 853.--1685.

[21] Voyez le beau rapport pr&#233;sent&#233; au ministre par M. le
professeur Caizergues _sur l’&#233;pid&#233;mie vulgairement connue sous le
nom de grippe qui a r&#233;gn&#233; &#224; Montpellier en 1837_.

909 :名無しの愉しみ:2019/03/29(金) 18:59:16.20 ID:???.net
>>867
ワイはSASHOじゃないンゴ
芹沢詩音ガチ恋勢ことSHIONやぞ
あとあれは土下座じゃなくて戦略的撤退なんだよなぁ

910 :名無しの愉しみ:2019/03/29(金) 19:03:18.47 ID:???.net
>>909
道明寺なんとかは関係ないの?

911 :名無しの愉しみ:2019/03/29(金) 19:03:55.07 ID:???.net
最近自称釣り師がダイレクトで自分の本音を攻撃されて「釣れた!」とか
言ってるの多いよね。
 これは、どっちかというと、



          ,〜〜〜〜〜〜 、
|\     ( 釣れたよ〜・・・)
|  \    `〜〜〜v〜〜〜´
し   \
゙'゙":"''"''':'';;':,':;.:.,.,  ヽ○ノ
          ~~~~~|~~~~~~~ ̄ ̄ ̄ ̄ ̄ ̄ ̄
                 ト>゚++<
              ノ)

かと思うんだけど、どうよ?

912 : :2019/03/29(金) 19:07:51.36 ID:???.net
北尾死んじゃったんですね、私よりちょっと上なのに
うちのこの動画もアクセス数伸びそう
https://www.youtube.com/watch?v=FkWz8vxYRR4

913 :名無しの愉しみ:2019/03/29(金) 19:12:58.86 ID:???.net
>>868
せやせや
こいつのひけらかしは個人情報保護法違反やぞ

914 :名無しの愉しみ:2019/03/29(金) 19:13:47.15 ID:???.net
[22] De Kergaradec, _Rapport sur les &#233;pid&#233;mies qui ont r&#233;gn&#233; en
France pendant l’ann&#233;e 1862_. (_M&#233;moires de l’Acad&#233;mie imp&#233;riale
de M&#233;decine._ Paris, 1863-64, t. XXVI, p. CCXXIV.)

[23] _Gazette des h&#244;pitaux_, n&#186; du 20 mars 1849.

[24] Hippocrate, _&#338;uvres compl._ Trad. Littr&#233;, t. V, p. 140.

Voy. pour la description de l’ophthalmie cons&#233;cutive, _Annales
d’oculistique_, t. XI, p. 76 et 119.

[25] _Gazette m&#233;dicale de Paris_, 1846.

[26] Ozanam, _Hist. m&#233;d. des malad. &#233;pid._, t. IV, p. 259.

[27] Ozanam, _ibid._, t. IV, p. 268.

[28] Ozanam, _Hist. m&#233;d. des malad. &#233;pid._, t. IV. p. 293.

[29] Requin, _Pathologie m&#233;dicale_, t. II, p. 490.--Voyez Desnos,
_Nouveau Dictionnaire de m&#233;decine et de chirurgie pratiques_.
Paris, 1864, tome I, art. ACRODYNIE.

[30] C’est en 1845, que M. Roussel publia son premier travail,

915 :名無しの愉しみ:2019/03/29(金) 19:14:25.47 ID:???.net
>>910
道明寺ここあと道明寺ここあガチ恋勢はワイの靴下やぞ

916 :名無しの愉しみ:2019/03/29(金) 19:21:25.87 ID:???.net
オモテでの旗色が悪くなってこのスレに戦略的撤退したSASHO(詐称コピペ系)こと芹沢詩音ガチ恋勢だけど質問ありゅ?
このスレに遷都した記念に質問には全レスするンゴ

917 :名無しの愉しみ:2019/03/29(金) 19:28:55.55 ID:???.net
sous ce titre: _De la Pellagre, de son origine, de ses progr&#232;s,
etc._ Pendant les vingt ann&#233;es qui ont suivi, il n’a cess&#233; de
s’occuper de ce sujet et en a pr&#233;sent&#233; un expos&#233; plus exact et
plus complet: _Trait&#233; de la Pellagre et des Pseudo-Pellagres_.
Paris, 1866, in-8.

[31] Billod, _Trait&#233; de la Pellagre, etc._ Paris, 1865, p. 5.

[32] Charles B&#339;rsch, _Essai sur la mortalit&#233; &#224; Strasbourg_. 1836,
p. 96.

[33] Littr&#233;, _Des grandes &#233;pid&#233;mies_ (_Revue des Deux Mondes_,
1836, 4e s&#233;rie, t. V.)

[34] Plutarque, _&#338;uvres mesl&#233;es_, trad. d’Amyot. _Question
neufiesme._ Paris, MDCIII, t. II, p. 219.

[35] Plutarque, _ouv. cit._, t. II, p. 224.

[36] Joannis Philippi Ingrassi&#230;, _de tumoribus pr&#230;ter naturam_,
_cap. I_, p. 205, Neapoli, 1552.

[37] Makittrick, _De febre Indi&#230; occident. maligna flava_,
Balding, t. I, p. 91.

918 :名無しの愉しみ:2019/03/29(金) 19:35:58.44 ID:???.net
>>916
君は親を殺すことができるのか
人は人を傷付けて幸せになれるのか
いま君は何を見ているのか
空は何色か
人は人を愛さなければない
君は親の愛に気が付かなくてはならない
いまが君の人生の始まりだ
君はこれからどのような大人になるのか

俺は君に人を傷付けるのではなく人を助ける人間になってほしい
俺は君の20年後を見ている

919 :名無しの愉しみ:2019/03/29(金) 19:44:00.61 ID:???.net
[38] Fouquet, _Obs. sur la Constitution des six premiers mois de
l’an V, &#224; Montpellier_. Montpellier, 1798 (_passim_).

[39] Berthe, _Pr&#233;cis hist. de la maladie qui a r&#233;gn&#233; dans
l’Andalousie_, p. 135. Paris, 1802.

[40] Sprengel, _Hist. de la M&#233;d._, trad. Jourdan, t. II, chap.
IX, _Maladies nouvelles_. Paris, 1835.

[41] Gruner, _Morborum antiquitates_. Vratislavi&#230;, 1774.

[42] Ch. B&#339;rsch, _Essai sur la mortalit&#233; &#224; Strasbourg, premi&#232;re
partie_, chap. III, p. 78.--_Maladies &#233;pid&#233;miques._--_Maladies
nouvelles._

[43] Fuster, _Maladies de la France_, _appendice_, premi&#232;re sect.
Paris, 1840, p. 256.

[44] Hippocrate, _&#338;uvres compl&#232;tes_, trad. E. Littr&#233;. Paris,
1839-1866, 10 vol. in-8.

[45] Littr&#233;, _Revue des Deux Mondes_, 1836, 4e s&#233;rie, t. V.

[46] Galien, &#233;dit. Kuhn, t. XV, p. 429.

920 :名無しの愉しみ:2019/03/29(金) 19:59:05.68 ID:???.net
[47] Mari&#230; Lancisi, _Opera_, § 9, 1718. _De adventitiis romani
c&#339;li qualitatibus._

[48] Sydenham, _Dissertatio epistol. ad Guillielmum Cole, opera
omnia_, t. I, p. 242.

[49] M. Daremberg consid&#232;re l’&#233;pid&#233;mie comme une maladie
s&#233;vissant sur un grand nombre d’individus &#224; la fois,
ordinairement grave, _souvent nouvelle_. (Hippocrate, _&#338;uvres
choisies_, trad. Daremberg, p. 226. 1843.)

La seule diff&#233;rence qui me s&#233;pare ici de mon savant confr&#232;re,
c’est que, pour moi, la nouveaut&#233; est surtout le partage des
grandes &#233;pid&#233;mies.

[50] Fuster, _Des Maladies de la France_, p. 261 et suiv.

[51] Noah Webster, _A brief history of epidemic and pestilential
Diseases, with the principal phenomena of the physical world
which precede and accompany them, and observations deduced from
the facts Stated_. Hartford, 1799.

[52] Calmeil, _De la folie, consid&#233;r&#233;e sous le point de vue
pathologique, philosophique, historique et judiciaire....
Description des grandes &#233;pid&#233;mies de d&#233;lire qui ont atteint les

921 :名無しの愉しみ:2019/03/29(金) 20:23:43.72 ID:???.net
切干大根
 
 
 
切干大根

922 : :2019/03/29(金) 20:32:57.38 ID:???.net
1時間半で閲覧200

923 :名無しの愉しみ:2019/03/29(金) 20:46:06.36 ID:???.net
>>916
一緒に管理者目指しませんか?!

924 :名無しの愉しみ:2019/03/29(金) 20:49:37.50 ID:???.net
ミラブルには賛成で堕落には反対の空気清浄機、ナゾすぎるんだけど

925 :名無しの愉しみ:2019/03/29(金) 20:50:01.45 ID:???.net
管理者100人でっきるっかなっ♪

926 :名無しの愉しみ:2019/03/29(金) 20:53:12.02 ID:???.net
MODERN BILLIARDS.

A Complete Text-Book of the Game,
Containing
Plain and Practical Instructions How to Play and Acquire Skill at This
Scientific Amusement.

Fully Illustrated

_With Plates and Engravings, showing two hundred and fifty Strokes, and
the best methods of executing them, as practised by the leading players
of the day._

New Edition&#8212;New Context&#8212;New and Complete Records of All Important Match
and Tournament Games, Amateur and Professional, from the Earliest to the
Present Time.






The Brunswick-Balke-Collender Co.,

New York: 31&#8211;33 West Thirty-second Street.

927 :名無しの愉しみ:2019/03/29(金) 21:08:16.62 ID:???.net
Chicago: 263&#8211;265 Wabash Av.
Cincinnati: 130&#8211;132 E. Sixth St.
St. Louis: 106 S. Fourth St.
Philadelphia: 1002 Arch St.
Boston: 86 Washington St.
San Francisco: 20th and Harrison
Toronto, Ont.: 68 King St., W.
Montreal, Que.: 67 Adelaide St., W.
Paris, Fr.: No. 19 Rue de la Pepiniere
City Of Mexico: Puente del Alvarado

Copyright by
The Brunswick-Balke-Collender Co.
1908.

Trow Directory
Printing and Bookbinding Company
New York



------------------------------------------------------------------------

928 :名無しの愉しみ:2019/03/29(金) 21:10:21.08 ID:???.net
>>864
jawpで画像を除去して
アラビア語版に画像付けるとか
病的とはまさにこのこと

929 :名無しの愉しみ:2019/03/29(金) 21:10:33.42 ID:???.net
Opqr賛成で16-5

930 :名無しの愉しみ:2019/03/29(金) 21:12:24.90 ID:???.net
Gサウンズ投票できないと言ってたの嘘か

931 :名無しの愉しみ:2019/03/29(金) 21:22:18.94 ID:???.net
Opqrはまたメクラ賛成票か
いい加減にしろよな

932 :名無しの愉しみ:2019/03/29(金) 21:23:31.31 ID:???.net
CONTENTS


INTRODUCTORY
HISTORICAL
THE BILLIARD-ROOM
PART I
PART II
CONDUCTING TOURNAMENTS
BILLIARD RECORD
REGULAR THREE-BALL CAROMS
CHAMPIONS GAME
BALKLINE GAME
CUSHION CAROMS
THREE-CUSHION CAROMS
FIFTEEN-BALL POOL
RULES GOVERNING PROFESSIONAL CHAMPIONSHIPS
INDEX




INTRODUCTORY.

933 :名無しの愉しみ:2019/03/29(金) 21:27:38.86 ID:???.net
賛成票が圧倒的じゃないか
信任間違いなし!
良かったね、堕落

934 :名無しの愉しみ:2019/03/29(金) 21:33:47.97 ID:???.net
あと1票反対を入れてくれ

935 :名無しの愉しみ:2019/03/29(金) 21:35:46.79 ID:???.net
[[ウィキペディアの暗部一覧]]
nnkr

936 :名無しの愉しみ:2019/03/29(金) 21:38:36.96 ID:???.net
Apart from its inviting to moderate and wholesome exercise, billiards,
as popularly played, is pre-eminently a mental pastime. Nearly all its
exponents of approved skill, whatever were the drawbacks of their youth,
are intellectually quick and bright. This is due in some measure to the
ready mathematical requirements of the play as a routine, but in a much
greater degree to its taxing the eye, stimulating the fancy, and
disciplining the mind by imposing watchfulness, invention, and analysis.
Slowness is costly, and hence, as an early habit, an eager alertness of
vision, alacrity of step, and promptitude of decision.

Regarding billiards as a spectacle, its physical requisites to
perfection are keen sight, level head and steady hand; but they are by
no means essential to enjoyment of it as a leisure-hour diversion _en
amateur_. In this sense, its charm lies altogether in participation,
which is all the more agreeable and healthful because never needing to
be exhausting.

Caroming methods are still changing. Execution is again growing less
fantastic and more practical. Systemization is becoming more and more
dominant. In consequence, certain gathering shots, depicting instructive
possibilities rather than downright needs, and diagrammed as still
proper to teach when the earlier edition of this book was issued, have
no place in the present volume.

937 :名無しの愉しみ:2019/03/29(金) 21:40:11.29 ID:???.net
こら!ミラブル!荒らすな!

938 :名無しの愉しみ:2019/03/29(金) 21:42:40.65 ID:???.net
スギ黒点枝枯病は全国的に分布しているスギ重要病害の一つである。こ
の病気によってスギ樹が枯死することはごくまれであるが,いったん発病
すると慢性的に枝枯れを起こし,成長への影響が大きい。

939 :名無しの愉しみ:2019/03/29(金) 21:46:43.62 ID:???.net
鼻豆やめて?

940 :名無しの愉しみ:2019/03/29(金) 21:53:42.44 ID:???.net
Play has been made harder in theory, but easier in fact. Lowering the
cushion first and the table next has facilitated most strokes, and
particularly those dependent upon elevating the cue. Our fathers knew
_piqu&#233;_, but seldom _mass&#233;_. Drawing a ball without hopping it has been
made surer. Cloths were once so much heavier in nap that ironing new
ones again and again, until the iron burned them out, was the method
here, as it is in certain other countries yet. Although longer than the
present ones by several inches, yet still choice cues of old rarely went
beyond eighteen ounces. For special needs there are cues now whose butts
alone are heavier than an old-fashioned cue in its entirety. The lighter
ashen sticks of the past were meant for a greater variety of shots than
the experts’ carom game of to-day has use for. Styles of play as a
matter of contest are also different. If the present generation know
better how to count, their elders knew better when not to try and count.

There has been progress in more directions than one. A light-weight cue
never before handled by its wielder played the last 1900 points of a
memorable contest. Our “Record” has no other one-night match so
impressive for headwork, handicraft, and hazard. In the same year, and
in the same State, a mile in harness was trotted in 2:19&#190;, but under
wholly different conditions from those which to-day govern track,
equipment, transportation, and individual effort. As in the popular eye
some Cresceus or Lou Dillon now completely obscures the bob-tailed,
homely little bay mare at Kalamazoo, so the billiard giants of these
times are apt to overlook that the credit they receive for a marvelous

941 :名無しの愉しみ:2019/03/29(金) 22:08:53.76 ID:???.net
progress as counters may not be exclusively their own. Some share in it
is possibly due to improvements that first-class mechanicians have made
in billiard implements. Rubber vulcanized in layers of different
densities in the one strip have made cushion-angles trustier, cloths are
of closer shear and more uniformly spread, choice cue-leathers are
choicer, cues have grown magical in their mere heft of hilt, and
vanished is the muslin under-cloth that helped the balls to dig their
graves deep into the one of green. Rarely seen, if ever now, is the
serrated cushion, with a face like a saw whose dulled teeth are set
inches apart, and not often is there complaint that the speed of the bed
is greater than that of the return from the cushion, or else not quite
so great.




HISTORICAL.


Billiards was practically without beginning. As with untold other
excellences, so with that. Until merit is established, curiosity as to
origin rarely begins. When merit is acknowledged, it is too late to
trace origin.

“Let us to billiards, Charmion,” is one of Shakespeare’s many

942 :名無しの愉しみ:2019/03/29(金) 22:24:02.69 ID:???.net
anachronisms. As introduced into “Antony and Cleopatra,” its
significance is simply that the amusement was growing in favor at the
English court in the time of Elizabeth, Shakespeare, and Mary, Queen of
Scots, the last of whom had brought her table over with her from France.

The diligent student may read that Socrates played billiards, that
Anacharsis saw it played during his travels in Greece, that St.
Augustine saw a billiard-table in journeying to or in Africa, and that
Cathire More, an Irish king of the second century A.D., bequeathed to
his nephew “fifty billiard-balls of brass, with the pools and cues of
the same material.” But the student must not go so far back as the
originals in his search, lest he discover that all are translators’
errors. St. Augustine’s vision has proved to be nothing else.

Billiards is also of quasi-historical record as having been invented by
Henri de Vigne, a Frenchman, for the amusement of Louis XI. As runs a
story more explicit, though probably no trustier, De Vigne was only a
carpenter, or cabinet-maker, who, at the order of Louis, fashioned “a
billiard-table with a bed of stone, covered with cloth, and having a
hole in the centre, into which the balls were driven.”

A more plausible recital is that the game was introduced to both France
and England centuries before, when the Knights-Templars returned from
their first or second crusade in the Holy Land. But why not have been
introduced into Spain and Italy at the same period? Rome should have

943 :名無しの愉しみ:2019/03/29(金) 22:39:07.76 ID:???.net
been a likely spot for this game of the monasteries of the East to
reach, and yet Rome’s ample archives seem to have shed no light upon it,
although we find the “Lives of the Roman Pontiffs” mentioning one Pope
who was fond of billiards, it being the Italian game of a century or so
ago. Any game of Eastern origin should have reached Spain, through the
Moors, centuries before France or England got it via Palestine.

History is no happier in taking liberties with our own country by
variously assigning the honor of introducing billiards here to the
Spaniards in Florida under De Soto, to the English Cavaliers in
Virginia, to the Huguenots settling in South Carolina in 1690, and to
the primitive Hollanders of Manhattan Island. But why not to the earlier
Spaniards in Florida under Ponce de Leon, to the English Cavaliers who
settled one-half of the province of New Jersey, and to the Huguenots who
founded New Rochelle, N. Y., at the same time that kindred refugees
found lodgment in South Carolina? Other nationalities have both played
the game and kept rooms in once pre-eminently cosmopolitan Holland, but
the Dutch themselves have never-been a billiard-playing people; and the
official proceedings before the schouts, scheppens and burgomasters of
New Amsterdam may safely be challenged to show any allusion whatever to
billiards.

Remote literature, whether official or otherwise, is lacking in evidence
of the game anywhere in America until introduced into New York City by
English officers in garrison in the eighteenth century. On the contrary,

944 :名無しの愉しみ:2019/03/29(金) 22:42:04.12 ID:???.net
で、SIGMA0754とやらは誰の転生なのかね?

945 :名無しの愉しみ:2019/03/29(金) 22:49:24.61 ID:???.net
>>935
ウィキペディアの暗部はここの事だと思う

946 :名無しの愉しみ:2019/03/29(金) 22:52:51.47 ID:???.net
>>905
衰えたヤシーの神通力では
プログラムのエリートオーラを貫通することはできなかったと

947 :名無しの愉しみ:2019/03/29(金) 22:54:05.48 ID:???.net
>>923
https://festy.jp/wp-content/uploads/festy/2016/02/10/13/29/04/785/4372161_p0.jpg

948 :名無しの愉しみ:2019/03/29(金) 22:54:12.87 ID:???.net
there is proof that, even as late as 1808/9, the only billiards on
Manhattan Island was the English winning-and-losing game on six-pocket
tables, presumptively from England. One was a 7 × 14 with eight legs,
and having cushions stuffed with hair.

It is probably not worth disputing that, howsoever christened at first,
billiards was originally an outdoor game, and that, lifted three or four
feet from the ground, it was eventually taken indoors when it rained.
Remotely, it may have been marbles or the immemorially ancient goff (now
golf), or goff may have been remotely billiards or any one of half a
dozen other outdoor jollities. Suffice that billiards to-day bears no
more resemblance to what was so called a century and a half ago, before
France introduced first the third ball and in 1792 the fourth, than
bagatelle bears to shuffleboard or pingpong.

Obscure as that of the game itself is the origin of the “twist” and the
“draw,” the two most important strokes in modern billiards. England
claims them both for John Carr, the “Bath Marker,” on the ground that,
at some time prior to 1823, he was the first to chalk a cue, which is
not a fact; and France claims them for one Capt. Mingaud, an alleged
professional billiardist, who, while imprisoned for a political offence
in 1823, invented the cue-leather. As the writer recalls this Mingaudism
in its entirety, as published in a book issued in Paris about 1868 and
reprinted in the _Billiard Cue_ here, it was manifestly pure romance.
France may never have had a professional so named, but France did have a

949 :名無しの愉しみ:2019/03/29(金) 22:57:09.78 ID:???.net
オモテでの旗色が悪くなってこのスレに戦略的撤退したSASHO(詐称コピペ系)こと芹沢詩音ガチ恋勢だけど質問ありゅ???
このスレに遷都した記念に質問には全レスするンゴ

950 :名無しの愉しみ:2019/03/29(金) 22:57:24.53 ID:???.net
[[Wikipedia:ウィキぺたんの好感度]]
[[Wikipedia:闇の五本の柱]]
[[ウィキペディアの暗部一覧]]

951 :名無しの愉しみ:2019/03/29(金) 23:00:54.77 ID:???.net
>>945
自称エリートにオーラなんてないよ
LEM系だしプログラム

952 :名無しの愉しみ:2019/03/29(金) 23:03:17.31 ID:???.net
>>950
4/1に向けた練習なのか?

953 :名無しの愉しみ:2019/03/29(金) 23:04:04.94 ID:???.net
2月28日に採集したシカの糞

954 :名無しの愉しみ:2019/03/29(金) 23:09:18.67 ID:???.net
Capt. Roget de Lisle, who, imprisoned for a political offence about the
beginning of the last century, invented the deathless “Marseillaise.”
Moreover, it was about 1868 that the writer, on the authority of Prof.
Wm. Lake, who was a professional billiard-player here before and after
1823, published that Camille Avout, a shoemaker, was the pioneer in
turning out cue-leathers in New York City prior to 1823, in which year a
few were imported from France.

Further to complicate matters, Carr is called the “father of the
side-stroke” by the renowned Pierce Egan, a contemporary of Carr, in his
“Annals of Sporting,” a London periodical; while later English billiard
writers recount that Roomkeeper Bartley, Carr’s employer, was the
inventor of the side-stroke and the draw, that in due course he showed
them to his marker, and that Carr merely profited by vending, as the
magical cause of both, some powdered chalk in pillboxes at
two-and-sixpence a box, Italian, French and Spanish players being his
easy customers.

No matter when or in what shape billiards had its beginning, it has been
a favorite recreation of the good and the great for ages, and never more
noticeably so than in the present one. Philosophers seek it, divines
commend it, and physicians prescribe it.

Whatever its old form, its new is essentially American. Other lands have
gradually yielded to the force of American ideas. Public matches were a

955 :名無しの愉しみ:2019/03/29(金) 23:13:15.58 ID:???.net
次スレはここでいいのか?

【百科事典】ウィキぺディア第2097刷【Wikipedia】
http://lavender.5ch.net/test/read.cgi/hobby/1553641032/

956 :名無しの愉しみ:2019/03/29(金) 23:24:27.20 ID:???.net
dozen years old in this country before there was one in any other, and
the American billiard tournament, never seen in England until 1874/5,
and not in France until 1879, is now the accepted mode in both.

Balklining, another American idea, was unknown to the professionals and
amateurs of France until 1880. It is now their standard caroming
restriction, while for seven or eight years past the English have been
urging a line around the table as a hindrance to the “nursery cannons”
that are the most recent powerful development in their national game.

Cushion-caroms were first publicly exhibited in this country in 1867,
but never in France until 1881. Three-cushion caroms, of which the Paris
professionals have made a specialty during the past dozen years,
constitute another game of American development, dating from 1878 in a
non-public way among professionals, and going many years further back
among our non-professionals.

Until the way was shown by Andrew Buist, an American, caroms were barely
an incidental feature of the English game. Attention was called anew to
them by the separate visits the Dions made to London more than twenty
years ago. Even the prolific spot-ball play, which has likewise been
surprisingly progressive, owes at least a little to this side of the
Atlantic, for in advance of Buist another American&#8212;Linley Higham, the
“Albany Pony”&#8212;settled in England. Spot-balling, at which he was mighty
for that era on an American 6 × 12 table, called then for but four

957 :名無しの愉しみ:2019/03/29(金) 23:29:52.94 ID:???.net
精薄ミラブルとか堕落とか自警全体から
リアルでは周囲から見下されてるみじめなオーラが凄い漂うんだ
日陰者とか負け組というのかな

管理者になって他者を上から目線で見下ろしてブロックして力を誇示したい
ていう欲求だけで動いてる感が半端ない

執筆実績がある奴らはリアルでもうまくやっているオーラが出てる
リアルでもおくすり利用者と折り合いつける能力を発揮している感がある

958 :名無しの愉しみ:2019/03/29(金) 23:39:32.41 ID:???.net
different strokes in England. Now it engages more than twice as many.

Modifications have likewise affected the representative players of
France and America. For fifteen years after they first came together,
the French were weak as compound cushioners, but strong as ball-to-ball
drivers. It was the other way with the Americans, who had been brought
up on 6 × 12 and 5&#189; × 11 pocket tables, while the French professors had
been accustoming themselves to what was nearly a 4&#189; × 9 carom, whereon
other cushioning than a single one, in which they were strong and the
Americans weak, was an infrequent necessity. Now that the two
nationalities are using the one table, there is little to choose between
them in respect of cushioning and ball-to-balling. If proof were needed,
there is the international championship match of January 29, 1904, with
its score of 500 to 496, which is both trusty history and the latest up
to date.




THE BILLIARD-ROOM.


An apartment to accommodate one table should be of the dimensions
following, graduated by the size of the table, and affording space for
the free exercise of the cue. Where two or more tables are placed, five

959 :名無しの愉しみ:2019/03/29(金) 23:41:16.65 ID:???.net
ミラブルの荒らしが止まらない!
しねよ

960 :名無しの愉しみ:2019/03/29(金) 23:42:59.67 ID:???.net
そもそも自警は
「ここではボクは取り締まる側の人間なんだ!ウキウキ」
ってのが多いしな
マリオとかその典型だった

961 :名無しの愉しみ:2019/03/29(金) 23:43:03.96 ID:???.net
ザパニが典型なんだが
クソ自警て何かあってもGoogle検索の結果しか根拠がない
まともな執筆者は文献調査してくる
ここにも知性と財力の格差社会を感じる

962 : :2019/03/29(金) 23:52:08.96 ID:???.net
>>961
私のことを褒めてますか?

963 :名無しの愉しみ:2019/03/29(金) 23:54:42.42 ID:???.net
feet will be sufficient to allow between them.

For table 6 x 12, room should be 16 × 22.
For table 5&#189; × 11, room should be 15&#189; × 21.
For table 5 × 10, room should be 15 × 20.
For table 4&#189; × 9, room should be 14&#189; × 18&#189;.
For table 4 × 8, room should be 14 × 17&#189;.
For table 3&#189; × 7, room should be 12 × 15.

Architects, in their plans for modern mansions, should make suitable
provision for this amusement, without which no gentleman’s establishment
(more especially if a country one) can now be considered perfect. Even
if the builder of a house has no taste for the game himself, he should
look beforehand, and consider that such an accommodation might form an
important item in the price which a succeeding tenant would be willing
to pay for it. The light, if possible, should come from above, through
ample skylights, so as to bring the table within a general focus, and
thus prevent any shadow being thrown from the balls or cushions. The
gas-light should be raised about three feet two inches from the bed of
the table and supplied with horizontal burners, as by such an
arrangement no shadow is cast from the pipe. The distance of the light
from the floor should be about 6 feet 1 inch. For a 5 × 10 table the
cross-arms of the pendant should measure from light to light 28 inches,
and the long arms 56 inches. For a 4&#189; × 9 table, cross-arms 25 inches,
and long arms 50 inches. For a 4 × 8 table, cross-arms 22 inches, and

964 :名無しの愉しみ:2019/03/30(土) 00:09:47.16 ID:???.net
long arms 44 inches. For a 5&#189; × 11 table, cross-arms 31 inches, and long
arms 62 inches. A useful shade has been devised which throws a soft,
even light on the table, and keeps the glare from the player’s eyes. The
floor, if carpeted at all, should be covered with some thick, soft
material.




BILLIARD APPLIANCES&#8212;THEIR CHOICE AND CARE.


HOW TO SELECT A TABLE.

Never attempt it. Rather consult with and rely upon reputable
manufacturers.


SIZE, SHAPE, AND STYLE.

In this country there are the standard size, which is 5 × 10 feet, and
the popular size, which is 4&#189; × 9. Experts use the former, and the
latter is preferred in many public rooms and clubs, as well as in most
private houses, in the last of which the 4 × 8 also often finds a place.

965 :名無しの愉しみ:2019/03/30(土) 00:24:52.78 ID:???.net
Tables are of various styles and shapes, but mostly now without pockets,
and with the broad rails at sides and ends beveled, ogee, or square.
Those designed for ball-pool have six pockets usually, but sometimes
only four. In addition there is the combination billiard-table, meant
for both caroms and ball-pool at will.

Beds are of slate, and their tendency is toward greater thickness than
was required up to a few years ago. This adds to the general stability
of the table. Even for the 6 × 12, slabs now are often in three pieces,
instead of four, thus insuring a smoother playing surface. Heavier slabs
should have six legs instead of four, whether the table is 5 × 10 or
larger. Many 4&#189; × 9’s have six.

Apart from its cloth and cushions, a table requires no special care
beyond treating it similarly to any other piece of furniture, by keeping
its framework clean and occasionally applying polish, which can be had
of almost any furniture-dealer. When not in use, the table should be
well covered up.


THE CLOTH.

There are various kinds and several grades. Buying the best will save
money.

966 :名無しの愉しみ:2019/03/30(土) 00:40:05.14 ID:???.net
Almost invariably, it is the indifferent player or worse who, in or out
of public rooms, finds most fault with cushions, balls, cues, leathers,
or chalk. The experienced one has learned that usually, when all is not
well with him at billiards, the fault is with himself or in his stroke.
A less skillful performer will blame the balls when a sagging floor has
thrown the table out of level, the table when a ball needs either truing
or a holiday, the chalk or the leather when he is wildly throwing his
whole body at the ball, and the cushion when diminished speed is really
due to the influence of a protracted spell of damp weather upon cloth or
ivory. One is sure to absorb moisture, and the other may.

As soon as play is over, and especially in damp weather, the cloth
should first be hair-brushed and then whisk-broomed, both processes
being with the nap. This, on all tables properly set up, runs in the one
direction, although what in America and elsewhere are called “head” and
“foot” become “bottom” and “top” in England, an inversion whose effect
is to make the grain run the same way in both, the English starting from
the bottom. Whether table be pocket or carom, the dust is to be swept
out through the two corners farthest from the “string-line,” or “balk,”
as it is termed in Canada, India, England and Australia.

Beating with the hair-brush is not advisable. Cloth should not be so
long neglected as to need it. The brush spreads in the pounding, and its
action is as much against the nap as with it.

967 :名無しの愉しみ:2019/03/30(土) 00:41:05.58 ID:???.net
とても文章では表現できない

968 :名無しの愉しみ:2019/03/30(土) 00:55:09.93 ID:???.net
THE CUES.

As to both their selection and their care, players should trust to the
roomkeeper and his staff. An owner of a private table ought to see that,
after play, they are not only kept away from a heater, but are also
stood exactly upright in their rack, to prevent warping or crooking.
Under-leathers sometimes need sandpapering to overcome expansion.
Neglected, they will wear away the nap of the cloth in low-ball
“draw-shots,” if not make it picturesque with L-shaped rents, although
the usual start of these rents is that the cloth has been minutely
punctured either by a hammered cue-ball (mass&#233;) or by one made acrobatic
by an unskillful, thoughtless stroke as it leaves either the cue or the
cushion. For slightly roughening the surface of the upper leather,
solidifying it, smoothing its edges, and generally “rounding it off” as
a finishing touch, a fine rasp is of service; but it should not be used
without that instruction which any competent roomkeeper will be glad to
give.

It is a habit with a few to chalk both their bridge-hand and the upper
half of their cues in muggy weather, thereby befouling their own cloth
and that of the table. A wet rag, followed by a dry one, will remove the
stickiness.

Cues are made as light as 12 ounces, but those most in demand are from

969 :名無しの愉しみ:2019/03/30(土) 00:55:27.15 ID:???.net
堕落の当選確実!

970 :名無しの愉しみ:2019/03/30(土) 01:05:28.80 ID:???.net
くるくる亭堕落がついに管理者か
ガキ自警でも管理者になれるってことだ

971 :名無しの愉しみ:2019/03/30(土) 01:08:53.62 ID:???.net
狂々亭駄楽

賛成 17
反対 5

信任率 77.27%

972 :名無しの愉しみ:2019/03/30(土) 01:10:03.17 ID:???.net
でもまだ一票でひっくり返る範囲なんだよな
この週末でどうなるかだ

973 :名無しの愉しみ:2019/03/30(土) 01:14:41.39 ID:RpNra4BB.net
[[利用者‐会話:Aiwokusai#Wikipedia:コメント依頼/Triglav 20180509に関する質問]]

目的外自警同士の作戦会議w

974 :名無しの愉しみ:2019/03/30(土) 01:17:31.14 ID:???.net
>>957
執筆実績があるおくすり利用者ヤシーもリアルでうまくやってるオーラあるか?と言いたいところだが
ヤシーが例外中の例外なだけだもんな

975 :名無しの愉しみ:2019/03/30(土) 01:18:41.27 ID:???.net
反対
1. Miraburu
2. おいしい豚肉
3. Econ2018
4. Yassie
5. 空気清浄機

なんかYassieも堕ちたな、って感じのするメンツだなw

976 :名無しの愉しみ:2019/03/30(土) 01:27:07.90 ID:???.net
>>973
豚肉が鳥ガラに勝つために臭いを気にしているのか
ラーメン屋みたいだな

977 :名無しの愉しみ:2019/03/30(土) 01:38:00.29 ID:???.net
うまそうなこと言うなよ、腹が減る

978 :名無しの愉しみ:2019/03/30(土) 01:41:58.63 ID:???.net
Miraburuの反対票笑った
どう見ても報復票じゃあないか
Shigeru-a24と同じメンタリティだな

979 :名無しの愉しみ:2019/03/30(土) 02:00:15.63 ID:???.net
[[利用者:空気清浄機]]

こいつなんで会話ページ消してんだ?

980 :名無しの愉しみ:2019/03/30(土) 02:02:32.72 ID:???.net
>>975
ほんと、反対はおかしな奴ばかりだな

1. Miraburu → 糖質
2. おいしい豚肉 → 真珠
3. Econ2018 → 真珠
4. Yassie → アスペ・アメリカかぶれ
5. 空気清浄機 → 真珠

981 :名無しの愉しみ:2019/03/30(土) 02:14:35.33 ID:???.net
こら!ミラブル!薬飲め!

982 :名無しの愉しみ:2019/03/30(土) 02:32:06.32 ID:???.net
>>949
>>918

983 :名無しの愉しみ:2019/03/30(土) 02:34:28.39 ID:???.net
[[利用者:SNK5578]]の病的なまでの規則主義は「アスペ特有のこだわり」と言われても仕方ないと思う

984 :名無しの愉しみ:2019/03/30(土) 02:38:41.85 ID:???.net
モバイル版落ちてるっぽい

985 : :2019/03/30(土) 02:40:27.42 ID:???.net
>>980
ん?

986 :名無しの愉しみ:2019/03/30(土) 02:41:42.65 ID:???.net
>>978
切干大根おつ
おまえトコロテン射精のやり過ぎだぞ

987 :名無しの愉しみ:2019/03/30(土) 02:44:04.12 ID:???.net
>>985
今夜は貴方が盛り上げてる側ですね

988 :名無しの愉しみ:2019/03/30(土) 03:03:28.52 ID:???.net
>>973
Triglav乙

989 :名無しの愉しみ:2019/03/30(土) 03:14:30.81 ID:???.net
阿久津は悪魔

990 :名無しの愉しみ:2019/03/30(土) 04:23:55.89 ID:???.net
ほい次スレ

【百科事典】ウィキぺディア第2098刷【Wikipedia】
https://lavender.5ch.net/test/read.cgi/hobby/1553887371/

991 :名無しの愉しみ:2019/03/30(土) 04:24:55.59 ID:???.net
== トコロテン射精バカネことAkane700 の不正な多重アカウント一覧 ==
* 切干大根 ← ◆/PU0O2.NZ6
* Kyoyaku ("Kyoyaku-25"から改名、無期限ブロック済)
* Co.yo.2 ("コヨコヨ"から改名、無期限ブロック済)
* Kobeauty (無期限ブロック済)
* Rurumn (無期限ブロック済)
* 下手侍 (無期限ブロック済)
* Vielen dank (無期限ブロック済)
* Laughaded
* Ragerraze
* Pennant
* Doooseven
* Oilstreet
* Chery rohashi (無期限ブロック済)
* Boraxp (無期限ブロック済)
* Hyshi (無期限ブロック済)
* S.Noue (無期限ブロック済)
* EVI.ERC (無期限ブロック済)
* ガーグル (無期限ブロック済)
* Liberia (無期限ブロック済)
* Yamatochem (無期限ブロック済)
* Komatsuna (無期限ブロック済)
* 高梨3000 (無期限ブロック済)
* Bicchu (無期限ブロック済)
* Tamaiman (無期限ブロック済)
* Tygftrfsyfe (無期限ブロック済)
* Doringin (無期限ブロック済)     * 銅海豹 (無期限ブロック済)
* Konoike (無期限ブロック済)     * Edrftgyhujik (無期限ブロック済)
* Tsuuuyu (無期限ブロック済)     * Polikujyht (無期限ブロック済)
* Kazuma27 (無期限ブロック済)     * Zaxscdvfb (無期限ブロック済)
* Aobe (無期限ブロック済)       * Akane700 (無期限ブロック済)
* Lime line (無期限ブロック済)     * Alljal

992 :名無しの愉しみ:2019/03/30(土) 04:26:15.63 ID:???.net
【LTA:AKANEの立候補まとめ】
*[[Wikipedia:管理者への立候補/Alljal 20070210]] - 17:13 落選
*[[Wikipedia:権限申請/巻き戻し者/Yamatochem/20120403]] - 2:9 落選
*[[Wikipedia:管理者への立候補/Co.yo.2/20160131]] - 0:34 落選w
*[[Wikipedia:権限申請/巻き戻し者/Co.yo.2/20160215]] - 0:25 落選ww 

993 :名無しの愉しみ:2019/03/30(土) 04:26:42.54 ID:???.net
 
mixiコミュニティ

ホーム > コミュニティ > 学校 > 弘前大学 > トピック

弘前大学 トピック一覧
 
クリスマス1人で寂しい人2005年12月25日 20:10
3
コメント
ここで出会いを求めてみませんか?

暫定独り者代表:おじゃる
 

994 :名無しの愉しみ:2019/03/30(土) 04:26:58.73 ID:???.net
[[Wikipedia:個人攻撃はしない]]を上手く説明してるレス一覧

851 名前:名無しの愉しみ[sage] 投稿日:2011/06/15(水) 13:47:19.02 ID:???
茜「実際のところ、ウィキペディアンってバカしかいないよな」
スレタン「じゃ、茜さんもバカってことですね。」
茜「個人攻撃はやめなさい」

857 名前:名無しの愉しみ[sage] 投稿日:2011/06/15(水) 13:51:50.52 ID:???
コント それゆけ 茜&タン
茜「パスタンとかいうトンデモユーザーなんとかならんかね」
スレタン「茜さんの方がトンデモだと思いますけど?」
茜「個人攻撃はやめなさい」

907 名前:名無しの愉しみ[sage] 投稿日:2013/04/15(月) 00:12:51.27 ID:???
茜「ブロック破りなんて許せません。荒らしに一歩も譲ってはいけないと思います。」

〜茜ブロック後〜

スレタン「Akaneさんがブロック破りをしたようです」
茜「個人攻撃はやめなさい」

995 :名無しの愉しみ:2019/03/30(土) 04:27:07.54 ID:???.net
茜「ブロック破りなんて許せません。荒らしに一歩も譲ってはいけないと思います。」

〜茜ブロック後〜

スレタン「Akaneさんがブロック破りをしたようです」
茜「個人攻撃はやめなさい」

996 :名無しの愉しみ:2019/03/30(土) 04:27:24.25 ID:???.net
何故バカネは生きていられるのか?我々には非常に謎である。何故バカネは弘前大学に進学した時点で人生に絶望しないのか?我々には非常に謎である。
何故バカネは今まで陰に生きて来た人間が大学デビュー出来ると思ったのか?我々には非常に謎である。何故バカネは大学デビューする対象に漢方部を選んだのか?我々には非常に謎である。
何故バカネは漢方部で調子に乗ったのか?我々には非常に謎である。何故バカネはリア充になれると思ったのか?我々には非常に謎である。何故バカネは後輩に嫌われたのか?それは非常に明快である。
何故バカネは後輩を暴行したのか?我々には非常に謎である。何故バカネは奇声を発しながら後輩を暴行したのか?我々には非常に謎である。これは犯罪か?それは非常に明快である。
何故バカネは漢方部を追放されたのか?それは非常に明快である。何故バカネはウィキペディアを荒らすのか?我々には非常に謎である。何故バカネはブロック破りをするのか?我々には非常に謎である。
何故バカネはTwitterで後輩を叩くのか?我々には非常に謎である。何故バカネは大学からネット禁止令を出されたのか?それは非常に明快である。何故バカネは大学からネット禁止令が出ても荒らしを続けるのか?我々には非常に謎である。
何故バカネはニートなのか?それは非常に明快である。何故バカネは生活保護を受給している癖にネットで犯罪行為を続けるのか?我々には非常に謎である。
何故バカネは妄想をやめないのか?我々には非常に謎である。何故バカネは自分への些細な批判にも顔を真っ赤にするのか?それは非常に明快である。自己愛性パーソナリティ障害だからだ。

997 :名無しの愉しみ:2019/03/30(土) 04:27:40.42 ID:???.net
▼利用者:Akane700 (ブロック済)
https://ja.wikipedia.org/wiki/%E5%88%A9%E7%94%A8%E8%80%85:Akane700

このアカウントは、この方針の改定案に基づく依頼によって、ウィキペディア日本語版への投稿が制限されています(期限は設定されていません)。
関連するログも参照してください。

この利用者は多重アカウント(ソックパペット)を不正に使用していると疑われています。
詳細はCategory:Akane700の操り人形だと疑われるユーザーをご覧ください(記録)。

akane700(すべて小文字、アカウント取得2007年9月15日)は、生物有機化学・有機化学・無機化学etcに棲息する編纂者。
化学を志したこともあったが今ではなんちゃって公務員。化学は微塵も感じさせない。


なんちゃって公務員(笑)

化学は微塵も感じさせない(笑)

特技 トコロテン射精(笑)

998 :名無しの愉しみ:2019/03/30(土) 04:28:27.10 ID:???.net
== バカネ歴代投稿ブロック依頼賛成票 ==

[[Wikipedia:投稿ブロック依頼/akane700]] 25票
[[Wikipedia:投稿ブロック依頼/Liberia]] 15票
[[Wikipedia:投稿ブロック依頼/S.Noue・CPNRe]] 11票
[[Wikipedia:投稿ブロック依頼/下手侍]] 9票
[[Wikipedia:投稿ブロック依頼/Chery rohashi]] 25票
[[Wikipedia:投稿ブロック依頼/Co.yo.2]] 23票

合計…108票w  

999 :名無しの愉しみ:2019/03/30(土) 04:28:41.05 ID:???.net
【LTA:AKANEの立候補まとめ】
*[[Wikipedia:管理者への立候補/Alljal 20070210]] - 17:13 落選
*[[Wikipedia:権限申請/巻き戻し者/Yamatochem/20120403]] - 2:9 落選
*[[Wikipedia:管理者への立候補/Co.yo.2/20160131]] - 0:34 落選w
*[[Wikipedia:権限申請/巻き戻し者/Co.yo.2/20160215]] - 0:25 落選ww  

1000 :名無しの愉しみ:2019/03/30(土) 04:28:53.19 ID:???.net
次スレ

【百科事典】ウィキぺディア第2098刷【Wikipedia】
https://lavender.5ch.net/test/read.cgi/hobby/1553887371/

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